On 7/19/05 10:33 AM India Time, _Avin DCosta_ wrote:

Thanks a million Mr DCosta, for posting this wonderful 
interview.


> Subhash K Jha 
> 
> I've worked hard on each of 
> these themes. But the end-result hasn't been worth it. 

The ends results of music were good. The films were poor.
Hence ARR repute as a genius is still holding.

> The songs were 
> either pushed into the background or not used at all…or worse still, 
> used badly. I feel very frustrated by this. But what can I do? 

I also felt equally frustrated. I consider 1947 Earth to his
best ever album, but the film had butchered his songs as
never before and after.

> Composing tunes is my job. How they are used isn't up to me." Rahman 
> seems unhappy with the way Subhash Ghai used his track 'Hum hain iss 
> pal yahan' in Kisna. "Though it was a love ballad it wasn't sung by 
> the lead pair at all. It was placed in the background. That killed 
> the song's impact." 

Here I differ slightly. I think Subhash Ghai is a spent 
force. Even he had shot that song on the lead pair, he would 
not have been able to bring any magic in it.

It takes ones like Shankar to bring the magic out of songs. 
Recall the disheartened views of the fans at the time of 
release of nayak audio. So many were dis-satisfied with 
ruukhii suukhii roTii etc. but after seeing it, it appeared 
a lovely song.

Manirathnam flip-flops when it comes to picturisation of 
songs. Yuva songs were nothing special in picturization but, 
say, Dil Se songs were beautifully picturised. For that 
matter, ai ajanabii was pushed to background and thayyaa 
thayyaa was dropped from the film.

-- 
Rawat





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