On 7/24/05 10:18 PM India Time, _ST_ wrote:

> Rawat, why are you assuming that it was the first time I heard it?
> I've been hearing most of mughal-e-azam songs since I was little. 

Oh. I have made a mistake. apologies.

> For
> a long time I hadn't heard them, any chance I get ARR's numbers seemed
> more appropriate. So yesterday I downloaded them to revisit those
> songs, and even yesterday my view didnt come about on one or two
> listens. Plus, i never said naushad was disappointing, or that the
> songs are bad! I feel those type of composition wont last in today's
> mass market if released today.. 

Not the "same" compositions.

Naushad had released Tajmahal a few months back (Do people 
know that Naushad is 85, and composing), and he had given 
modern tunes in that album. That is not a copy of MEA. That 
has latest technology.

> that doesnt mean they are
> disappointing! Precisely the case with ARR's work (but the reason for
> mass market's displeasure wuld be different).
> 
> Exactly my point! Then why complain that ARR songs are disappointing
> because they lack periodness?? 

"period"-ness is what will earn respect for ARR.

This discussion started with arr saying no to further 
period-movies. I was trying to look into what, if anything, 
went wrong with his earlier "period" music. If something 
comes out and ARR gets an insight, he will continue doing 
further "period" and fans are in for treats after treats.

I feel 1947earth to be the best album of ARR. How sad it 
will be if ARR decided not to create such albums in future.

> It is plainly what ppl see on the
> surface that decides the fate of ARR numbers. It is people's inference
> that is misguided.

Such type of your comment will alienate people. These will 
hurt them and will, in turn, hurt ARR.

> When you consider movies and soundtracks that are appreciated and
> rated high by some of these reviewers, it becomes clear how valuable
> their opinon really is (to me/arr fans). You'r right they need to make
> a living.. so generally they need to appeal to majority of their
> readers.. and that does not do justice to ARR's work.

When ARR's work will be liked by majority, these critics 
will be forced to write good things. It is all in a loop.

> Taal flopped in south. 

Taal was declared as a one-cassette-per-minute sold album. 
Thus, if it was a hit at most of the places, maybe, we can 
concentrate on those places first.

> Im sure there were small percentage of people
> in north aswell who didnt appreciate it as much as some of his older
> works like Chor Chor, Dil hai Sanam. 

Chor Chor was just a dubbed album, and its film was never 
dubbed/ released. The audio company tried to encash on ARR 
magic. Thus, the album didn't become a hit in hindi without 
the accompanying visuals and publicity that a film generates.

Why talk just about chor chor which was still a good album 
and is known to people?

There was one muthu maharaja in hindi, which never reached 
Indore, and it is a big city.

Those were marketing mismanagements.

> If he releases most albums like
> Taal, surely would be a huge market that would demand a change!

Rest asuured ARR will never release a repeat album. He will 
give tall++, and people will crave for more.

> That precisely is one of the biggest problems with other MDs today.
> Not comparing the talent of articulating various emotions through
> musical compositinon (because arr should only be compared with other
> world musical geniuses), they have one style of creative composition
> and thats all they have! 

Let us analyze and learn from that "one style" of these 
indian mds, and give feedback to ARR to use the strategies 
of these MDs.

Anu Malik's Asoka got condemned because its music did not 
ahve the period feel.

Ghai deserted NS after Pardes to team up with our man. Ghai 
deserted our man and got the kick of his lifetime at his 
lower back in the flop of yaadein. So much that he felt 
forced to desert AM to team up with our man.

NS' no film after Raaz had found any taker. He had hyped Dil 
Ka Rishta as his best music and nobody heard it.

AM's award winning Main Hoon Na made almost everybody raise 
eyebrows that such stupid can fetch award. His murder got 
hit on a stolen song. His Waqt made people rush to toilets 
when his songs appeared on screen (he had made a personal 
appearance in waqt)

So much for the mighties. These are spent forces. The music 
field is without any rival, and is waiting for ARR to come 
and rule. Will he?

----------
I think most of the members of this group feel intimidated 
by AM, NS ... I don't.

-- 
Rawat




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