Indian music enters another dimension
September 12, 2005

Composer A.V. Rahman pushes the sound barrier, writes Philippa Hawker.

It's not every day that a theatre audience gets to don 3D glasses. But A.R. 
Rahman, one of
Indian music's most celebrated and influential composers, isn't your average 
performer.

His show features 65 singers, musicians and dancers, and combines innovation, 
dance, spectacle,
3D effects and even a cricket connection - he is from India, after all.

"It's a big experiment," he says from his studio in Chennai. The 3D effect is 
intended to give
the audience a more intense, close-up experience in a concert that will be a 
representation of
his broad musical styles. His show will include new songs and classics, 
including numbers from
his Broadway show Bombay Dreams.

Proceeds from the tour will go to Udayan, the Indian centre for children with 
leprosy that has
a celebrated Australian patron in the former Test cricket captain Steve Waugh, 
whom organisers
say is hoping to attend one of the performances.

The tour is being organised by Charindaa, a non-profit foundation set up by two 
Melbourne men,
A.V. Mohan and Mohan Krishnamoorthy, to combine charity work with the promotion 
of Indian arts
and culture in Australia.
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Rahman, 39, softly spoken and self-deprecating, has a high profile in his 
homeland. He is
constantly sought for movie soundtracks in a culture where, as he says, 
"nothing else exists".
Cinema is phenomenally popular in India, and film music is the dominant musical 
form.

As a composer, he welcomes a challenge, the expectation that he will come up 
with something
different: "The only problem," he says, "is when directors want me to replicate 
what I have
done before."

Rahman has a degree in classical music, is at home with jazz and pop, has a 
voracious interest
in musical styles, and has embraced new technology. He has built a huge 
recording studio in
Chennai and is, he says, still paying it off. He is a workaholic and his albums 
sell millions -
but in India, he points out, he is not paid royalties, just a composer's fee.

Lately, he's been broadening his scope, composing music for a Chinese film, 
Warriors of Heaven
and Earth, and working on Bombay Dreams.

The show was the brainchild of Andrew Lloyd Webber, who became a fan of 
Rahman's work after
watching some of his films on TV, and intended to weave the musical around some 
of his existing
songs. But the composer, not one to rest on his laurels, created plenty of new 
material. It ran
for six months on Broadway, "three months more than I was expecting". The Time 
film critic
Richard Corliss called it "the most vibrant, varied, new score in ages".

Another Rahman project, going into rehearsal next month, is a stage version of 
Lord of the
Rings, on which he is working with a Finnish folk group. He is also composing a 
piece for the
City of Birmingham Symphony Orchestra, having conducted them recently.

Rahman's father, who died when his son was nine, was also a film composer.

Rahman began his musical career early, supporting his family as a performer. He 
was a
successful jingle writer before he composed his first film score in 1992, for 
Roja, a Tamil
movie directed by Mani Ratnam. "I was lucky," he says. "I worked with one of 
the best directors
in India and it was a wonderful experience."

Just as this new show is a challenge for the performer, it's also a big step 
for the two men
who have organised Rahman's visit. Mohan and Krishnamoorthy share a love of 
cricket and a
commitment to the arts: Mohan is a classical music fan, while Krishnamoorthy 
has a taste for
more popular music. They and their volunteers have organised smaller-scale 
Indian musical
events in the past.

Rahman himself contributes to a number of charities - "If you can do something 
to help, why not
do it?" - but his work is the key. "Music itself," he says, "has a healing 
power."

A.R. Rahman is at the Sydney SuperDome on Saturday.

http://www.smh.com.au/news/music/indian-music-enters-another-dimension/2005/09/11/1126377204387.html?oneclick=true

"We neglect our cities at our peril. For, in neglecting them, we neglect the 
nation."
-John F. Kennedy




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