hi,
 
Remember 1 thing none of the composers, be it MOZART or RD r SD
composed music beyond their territory or for that matter any composer in the world.Can u name any composer in the world who has done such a feat.Only ARR has.
What ever u hav said is true 2 an extent n the only reason why we support ARR is that he is "THE MOST GENUINE" composer the world has ever seen.
One can make it big in the international scenario only if ur novel in ur approach and ARR has done it hands down not once but time and again.This again proves the fact the Arr doesn't COPY.
 
Last but not the least NOBODY in this world is 100% perfect except GOD and ARR submits all his feats at the ALMYGHTY's feet.This facet of ARR is enough 2 wash any blemish that u think he has.
 
So in my opinion ( though some may disagree) in music there is GOD then there is ARR. 
 
Realise the Ulimate Truth......Realise ARR.....
 
Bye

up84mouli <[EMAIL PROTECTED]> wrote:
Hi guys...

Much of the listings may be true, but there is a point to be noted:

When other MDs copy a song or a part of it, *some* ARR fans say
"blatant lift", "copycat" and all that whereas Rahman's little-little
copies are termed as: "inspiration", "resemblance", "self-accepted
inspiration", "raga similarity", "time pressure",
"producer/director/actor recommendation" etc.

Some people have come up with this: "there are only 7 ragas and some
resemblences cannot be avoided, so thats NOT copying" and all that...

Is it not possible that the *copiers* faced none of the problems. It
might not be known to the outside world, but why do you discount the
possibility??

A good musician gets good films, good respect from the singers and
those who do business with them and his/her own personality. We should
try to take all those into account and pass neutral comments.

That way R D Burman, S D Burman, SEL etc. may not be that bad. Even
Mozart *lifted* a tune which was played in a Church and which was kept
secret so that no one else (other than those who come there)
experiences its devine bliss. But because Mozart *did* copy it and
distributed the notes, many people were able to enjoy it.

Was he  right or wrong??

What would you say for Rahman's version of "O saathi Re, tere bina bhi
kya jeena" which was "O Bhaavray...dekho in deewaanonko"

If you know tamil very well, sing this: "thanga padakkathin mele"
(MSV's number for MGR film), which became one of Rahman's hits: "Enna
viai azhagay". Any non-arr-fan would say: "wow. good xerox technology!"

There are some more examples of this kind of _______ (you can name
it), but one thing is for sure...

Rahman definitely is blessed with some kind of devine grace. Just like
many people say Sachin was *born to just play cricket*, many more
people will say Rahman was *born just 4 music*.

Thanks for reading.
Chandra.

--- In [email protected], krishna prasad <[EMAIL PROTECTED]>
wrote:
> hi,
> Kudos 2 ur wonderful inferences n examples of the RIPPING syndrome
prevalent in the so called home 2 Indian cinema Bollywood.Don't ever
coin the tag COPYING with ARR.He is the ONLY genuine MD India has ever
produced.
> Even the so called LEGENDS of music like RD Burman SD Burman don't
deserve that status as seen from the type of rehashings they hav done
2 attain that position.

> Finally time and again any dicussion that crops up on such subjects
ultimately prove that ARR is knots above the so called legends of
Indian cinema.

> Realise the Utilmate Truth....Realise A.R.Rahman
> Bye





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