Hi,

You can find more details in the following link:

http://www.hinduonnet.com/thehindu/thscrip/print.pl?file=2005090901920100.htm&date=2005/09/09/&prd=fr&;

It's an article in "The Hindu" News paper....


The melody and the man

RANA SIDDIQUI

A.R. Rahman on his duties as a music director, a man
of faith and a man of dreams



MUSIC FOR CAUSE TOO A.R. Rahman's new journey of music
involves healing. PHOTO K . MURALI KUMAR

Looking for the answers to all the questions in my
life.

Will I be alone? Will you be there by my side?

It is something He did, I wonder why!

He is searching for the answer to stay alive...

Could you ever listen, could you ever care to speak
your mind?

Only for a minute, for only one moment in time! This
joy is around you.

Show me the love we must find. Are you searching for a
reason to be kind?

He said pray for me brother... .

This stanza is A.R. Rahman's new, nine-minute anthem
that he co-wrote with Blaaze, his friend and a
composer who worked with Rahman in "Kisna" too. The
star musician unveiled it in New Delhi this past week.
The reason he calls it an anthem is that it is created
for the cause of poverty alleviation and patients
suffering from tuberculosis across the world. Rahman
is the global ambassador for the Stop TB campaign.

The `Mozart of Madras' as he has been dubbed, joined
hands with Pakistani musical band Junoon and the
Indian group Indian Ocean to unveil the anthem at a
Poverty Concert to kick-start the People's Summit
Against Poverty, a campaign organised under the
flagship of Global Call for Action Against Poverty -
GCAP - timed before the U.N. World Summit that takes
place between September 14 and 16. With this concert
Rahman becomes the first musician to pen an
international poverty anthem. There is more to this
concert than meets the eye. It is a sustainable
campaign that has formed a coalition called Wada Na
Todo Abhiyan (Don't Break the Promise campaign) joined
by several community and faith groups, trade unions,
celebrities and individuals. It will be a reminder to
the Indian Government to fulfil the promise made in
the National Common Minimum Programme and the 10th
Five Year Plan about ending poverty.

Watching this extremely shy musician who is a picture
of modesty is a study in itself. He isn't one who to
twitch his nose and muffle it with a hanky while
entering the office of NGO Sahasi at Mangolpuri in
Delhi. In this room meant to take care of TB patients,
filled with malodour, he sits stoically and listens to
their problems, though he can't answer them as he is
not well versed in Hindi.

His entry makes women break into the strains of "Hum
Honge Kamyab". They apply a tilak, there is a garland
to welcome him. And there are smiles on the faces of
men and women. But soon the event turns into a
media-Rahman rendezvous rather than an occasion for
the people to meet Rahman.

"Will he do something for us", "If he gives us
medicine and money, only then I will understand that
he is here for a cause", "The doctors don't give us
medicines," ladies of the area raise their voice.
Rahman isn't able to convince them that the poverty
concert he is here for is to voice their concern only.
He could only manage to say in Hindi "Aap concert main
ayaga na? Main wahan gana gaunga, sab aana... "

But soon one notices that it is not just a token
visit. He is here to provide ample time to listen to
them in a separate room, stinking and hot though it
may be. He talks to a weeping girl banished from
school because of contracting tuberculosis, checks her
medical card and DOTS doses, talks to an old man and
sings for them his latest hit "Mangal Mangal" from
"Mangal Pandey".

Real man

A long meeting and Rahman is back in his
air-conditioned car. It is imperative to see if he is
actually affected. "This is not the first time with
me. I have been going to remote places of Gujarat,
Bengal, etc. It is always good to meet people through
an NGO. This way the cause gets noticed. Moreover, to
help them in an individual capacity you need a lot of
infrastructure. I have tried to interact with the
financially weak in my personal capacity at home, but
it is usually unmanageable." He recalls an incident at
home:

"On the 27th day of Ramadhan I was giving zakat (alms
in cash or kind) last time. When I came out of the
house, I was shocked to see some 3000 people gathered
outside. When I tried to distribute, people jumped on
each other to grab it. They jostled and snatched it
from each other. It created mayhem. So much so that we
had to close the door and call some really deserving
people like the handicapped, the very old and ailing
ones, one by one and hand over the zakat. I was moved.
It is a shame for our country that one out of four
people goes to bed hungry."

And if not anything, Rahman is geared to realise his
dream of building a centre for spiritual healing in
his hometown, Chennai. With slight hesitation, he
gives in. "It was my cherished dream to build a centre
of spiritual healing. It seems as if the time has come
for it. With the money I earned, I have bought a
60-acre land on the outskirts of Chennai, out of which
we will use 40 acres for the centre," he beams. Why
spiritual healing you may ask and what is that?

"It is healing only by praying." And he believes it
happens because he saw it happening with his own
daughter, now six years old. "She had a hole in her
heart when she was born. Since she was so small,
surgery was very risky. So I resorted to my spiritual
guru and by the time she was two, the hole vanished.
It was only the prayers that worked. Since then, I do
believe in spiritual healing," says the composer, who
prefers to call himself a sufi.

Talk to Rahman about his spiritual leanings and he
talks of Islam and Sufism. "You know there are four
stages in Islam: Shariyat, Tarikat, Marifat and
Haqeeqat. I am a strong believer in them."

He observes rozas, offers namaz and still calls
himself a sufi. "A Muslim is a sufi, isn't he? And if
they are not, they should be one. Because God has
created all creatures, why should we differentiate
them?" he questions. You may argue on that but nobody
can doubt he heals through his music. He cares for his
muse - people.

Musicals

Not that he is happy with all his compositions. But
some he had to "because of film demand". So far if
"Swades" was his favourite musical venture, he was sad
at the treatment of the "Maula" song in "Mangal
Pandey".

"Though `Mangal Mangal' was a sutradhar song on which
I had to work a lot but the beautiful `Maula' song was
not exploited fully. Only a part of it was used in the
film Javed Saab (Javed Akhtar who has penned the
film's song) and I were very unhappy with it," he
says, appearing hurt.

For now he has two more landmark films in hand "Rang
De Basanti" and Ashutosh Gawarikar's "Akbar-Jodha"
which has 12 songs. "This should be my last period
film," he laughs.

Is it easy to score music for period films, especially
when there is hardly any musical evidence available
from that era. "I go with the feel. We do take
artistic liberties in such cases."

He also has Abbas Tahirwala's "young love story" and
Rajeev Menon's "musical" film coming up. As the
maestro descends from his car, the electronic media
queues up for a byte. It is 4.30 p.m. and no one knows
that the musician "had a bite only at five in the
morning." But the idol of the millions is humble
enough to mingle with the masses.

Did anyone say that success reveals what you truly
are?

© Copyright 2000 - 2005 The Hindu


Regards,

Aloak Light

--- Sirish Musician <[EMAIL PROTECTED]> wrote:

> Hey Vanitha,
>  I was just watching ZOOM Popkorn. so down in the
> flash news . they were
> just showing a msg that Rahman next venture an album
> titled "Pray for me
> Brother"..will be released soon.. thats it..
> i dont know anything else except for that flash
> news....from ZOOM........
> 





                
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