Hello fellow rehmaniacs,
   Rahman's music for Shyam ji was very good in the two films he 
composed. Now since the next one is a musical we can expect the 
score to be catchy with in a class of its own. More intresting is 
that there will be 12 songs, out of which 3 have already been 
composed.

here is the news:
Three of the 12 songs for the musical have already been set to tune 
by A.R. Rahman and Ayesha Takia has been picked for another 
important role in the film.

complete news:

Bose: the return of the hero 
Shyam Benegal and Sachin Khedekar were back on Netaji's trail this 
Sunday, but for the small screen. Pratim D. Gupta caught up with 
them on the Maidan  
  
Sachin Khedekar as Netaji takes a tram ride during the shooting for 
the TV series on Sunday; (right) Shyam Benegal gives instructions. 
Pictures by Aranya Sen and Pratim D. Gupta  
Calcutta boarded the time machine on Sunday afternoon at the Maidan 
as Shyam Benegal returned with his team to relive the Netaji dream. 
Bose — The Forgotten Hero may have released some months back at the 
theatres but Sachin Khedekar has slipped into the famous shoes one 
more time for a new television series on Sahara.

It may be the failure of the Rs 35-crore biopic at the box-office or 
his love for the television series format, but Shyambabu has agreed 
to split his film into seven one-hour episodes to be shown from 
January 23 (Netaji's birthday) next year. The need for more footage 
to do justice to the entire life of Subhas Chandra Bose — not just 
the last few years — has got Benegal to roll his camera all over 
again.

"I am here to shoot for just one day," Benegal smiled as he helped 
himself to some jhal muri. "We have shot for six days in the studios 
in Mumbai and that will be enough material for the first couple of 
episodes for the TV series." The first cut of Bose was three hours 
and 40 minutes and only at the instance of the producers had Benegal 
shortened the duration to some extent.

One reason why Shyambabu took up the Sahara offer was that the first 
shooting schedule of his next feature, Chamki Chameli, got pushed 
back. While earlier the Carmen adaptation was supposed to take off 
on the Rajasthan deserts this November, the Urmila Matondkar, Jimmy 
Shergill-starrer will now start only from January 8, 2006.

Three of the 12 songs for the musical have already been set to tune 
by A.R. Rahman and Ayesha Takia has been picked for another 
important role in the film.

But now, it's back to Bose. The one-day Calcutta shoot saw Benegal 
camping inside a specially painted tram and going up and down the 
Maidan-Kidderpore stretch. The sequence has Netaji recalling the day 
he was thrown out of a tram while protesting for women's rights. 
Paul Walsh, from the British deputy high commission, and friends 
made up the foreign faces on the tram.

For Khedekar, the two-day Calcutta visit was a trip down memory 
lane. "It's déjà vu," he laughed. "I would love to start all over 
again. Playing Netaji has been the experience of a lifetime... 
Whether it is the whole teacher-student relationship I have had with 
Mr Benegal or the incredible locations we have been to or the 
research that we have done to do justice to the film."

Having gained weight for the role, Khedekar had since gone on a diet 
to get back to shape. So will he look a leaner Netaji in the first 
episode of the Sahara series? "Not really, since I play a younger 
Netaji in these new sequences and can look leaner," he reasoned. 

On a lighter note, Khedekar still remembers his food binges at 
Kewpie's. "I am dying to go this time too," he smiled. "I also 
remember the lovely dinner Jisshu Sengupta hosted at his place. And, 
of course, the great Tollygunge Club, where I put up during the 
shooting schedule."

It was also a sense of déjà vu for cinematographer Rajen Kothari, 
who has canned Shyambabu's last six films, and art director Samir 
Chanda who has brought alive many a distant location in Calcutta and 
Mumbai studios.

The only technical difference between the two Bose schedules, one 
shot in 2003 and the other on Sunday, is the format. While Benegal 
shot the film on 35 mm, he is shooting these new portions on digi-
beta. "We have converted the entire film to the digi-beta format 
since it will be shown on TV and are now capturing the additional 
sequences directly on digi-beta," revealed Raj Pius, executive 
producer for Benegal.
 
source: 
http://www.telegraphindia.com/1051108/asp/calcutta/story_5444136.asp










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