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http://planetbollywood.com/Music/RangDeBasanti/

"I think Hindi films need to become proud of songs and music again.
That's what the history of our cinema is all about." – A.R. Rahman [IANS]

So the music of Rang De Basanti has finally released. But what should
we expect of A.R. Rahman's music? Rahman ji has had two releases this
year: Mangal Pandey, which had huge hype, ended up disappointing the
classes. Second, Bose – The Forgotten Music, which had no exposure at
all, yet turned out to be one of Rahman's best compositions to date.
So what story will the music of Rang De Basanti tell?

It's already known that the story of the film is a very unique one;
telling the tale of an English lady returning to India to create a
documentary based on her late father's diary. Each character in the
film will play two roles: One in present day India, and one in the
1920s. So technically, this isn't a period film as speculation had
suggested earlier. In regards to the music itself, Rang De Basanti
generated ample attention. For starters, it featured Aamir Khan's rare
vocals. However, the bigger surprise was that there would be a track
featuring the legendary Nightingale, Lata Mangeshkar, and the Madras
Mozart himself, A.R. Rahman, for the very first time. Let's have a
listen at what promises to be a heart-warming journey through the
musical fields of A.R. Rahman's Rang De Basanti. Oh and by the way,
the impressive add-on of lyricist Prasoon Joshi should be yet another
reason to praise the musical cast of this film…right?

There isn't a better way to start off a score than with Ik Onkar. It
is a soothing Punjabi prayer that does nothing but ooze all over you.
The purity of this track alone overwhelms your senses. The heroine of
this awe-inspiring piece is Harshdeep Kaur. Music buffs will recall
hearing her voice in Le Jaa of Karam earlier this year. Nonetheless,
she is in perfect form and her Punjabi rendition is right on. A.R.
Rahman realizes that the brute force of the prayer and rendition alone
is enough to set this track ablaze, as he wisely lets off on the music
and only provides Harshdeep with some steady strings in the background
on which she beautifully structures her melody. Awesome is what comes
to mind first!

Khalbali has definitely got style, but I'm afraid it won't find too
many takers. Rahman leans back into his breezy ways as he co-sings
this with Aslam, with Nacim providing the lyrics and vocals for the
limited Arabic portions. A valiant effort to infuse Arabic flavors,
however, if you want an invincible Arabic piece by Rahman please
listen to Potter's Village of Meenaxi. Prasoon Joshi's lyrics take a
back seat to the music of this piece.

Khoon Chala is another fabulously crafted piece by Rahman. Mohit
Chauhan is a singer to look out for. Although he's sung sparingly in
the past, he was most recently heard in the forgotten music of Main
Meri Patni Aur Woh, where he showcased his immense skills. Rahman
picked up on the scent and here you are, he's featured full-fledged in
Khoon Chala. Apart from the flawless rendition, Rahman's touch of
grandeur and Joshi's touching lyrics take this tune to the top.

"Khoon se khelenge holi, karvatan mushkil mein hai. Sarfaroshi ki
tamanna ab hamare dil mein hai. Haath jin mein junoon, kat the nahin
talvaar se. Sar jo uth jaate hai woh jukte nahin lalkaar se." –
Prasoon Joshi

These ingenious lines by Prasoon Joshi are spoken by Aamir Khan in
Lalkaar. The sheer power of the chorus and the strings behind Khan's
authoritative voice make for a very commanding piece. Although Khan's
voice is perfect for the mood, Joshi's words are what hit you the
hardest. Listen closely and you will realize the motive behind making
Rang De Basanti.

Paathshaala and Paathshaala – Be A Rebel are a pair of roller-coaster
tracks, with Rahman going wild with the baton. These songs run
parallel to Rozana of Lakeer, which failed in gaining any respect.
This piece has a similar fate, as it tries to conquer too much in one
sitting. Although the renditions by Naresh Iyer and Mohammad Aslam are
respectable, the piece is too inconsistent to like. Blaaze provides
the English in the Be A Rebel version of the piece. Don't take my word
for it…listen for yourself.

"You know he's really surprised how I finished recording in 15
minutes, while most other singers take 4-5 hours." – Daler Mehndi

Next up we have the much too over-hyped Rang De Basanti sung by Daler
Mehndi (last heard with Rahman in the popular Nachley from Lakeer).
But honestly, I don't know why everyone's been raving about this one.
Chitra was pushed to the background very surprisingly. Rahman is
completely out of form, as he reverts to clichéd rhythms and melodies.
His signature touch is nowhere to be found. Somewhat comparable to
Pagdi Sambhal from The Legend of Bhagat Singh (for which he got
criticized for not knowing anything about the genre of Bhangra), this
track is out of Rahman and Mehndi's league. If you want to hear Daler
Mehndi at his best, listen to Ru-B-Ru from Vishal Bharadwaj's Maqbool.

"Although I had sung for Rahman before, I have never sung with him.
It's a lovely maa-beta song." – Lata Mangeshkar

A 10 on 10 goes to the most beautiful, most touching, and most
creative piece of the album, Luka Chuppi. This track was arguably one
of the most anticipated songs of 2005, and rightfully so! Lata
Mangeshkar has never sounded better in this maa-beta tune. Full props
to Mr. Rahman for invigorating the piece with a sensational play of
the guitar and the classical touch of the tabla. Not to mention Rahman
has sung this piece with passion, as he does all his songs. The unsung
hero is Mr. Prasoon Joshi who comes to fruition in this soundtrack
with Luka chuppi bahut hui saamne aa jaa naa. He captures the unique
relationship of mother and son with his mastery over words. He picks
up right where he left off in Black's solo song, Haan Maine Choo Kar
Dekha Hai. This is a brilliant piece by the Madrasi Mozart. Encore!

Next up we have Roobaroo, rendered by Narersh Iyer with the Roobaroo
interludes sung by Rahman himself. This one reminds me of the fun
Rahman had while composing Swades's Yun Hi Chala; not only because of
the energetic play of the guitar but also because of the way Naresh
Iyer's stylistic rendition is handled. Nonetheless, it's some clean
fun but nothing special. Joshi's lyrics are not very demanding once
again as isn't the music.

The journey through Rang De Basanti comes to a close with the romantic
ballad, Tu Bin Bataaye. The effort is a valiant one by Rahman, but it
just doesn't reach the expectatoins the soundtrack has set for itself.
No doubt, it's a very good song. But with Rahman, you expect something
different and new, which this piece lacks. Madhushree, a Rahman
regular, and Naresh Iyer make up the vocal cast and do justice to the
tune. The lyrics are somewhat reminiscent of Do Kadam (Meenaxi) and
the music is somewhat comparable to Dil Ne Jisse Apna Kaha (Dil Ne
Jisse Apna Kaha). Rahman should do a better job if he wants people to
stop accusing him of being repetitive, which he brushed off by saying
that it's due to the number of period films he's done recently.
Anyhow, it's a pleasant close to Rang De Basanti.

So what do you think of the music of Rang De Basanti? I think it is a
let down to some degree. Ik Onkar, Khoon Chala, and Luka Chuppi carry
most of the burden that the enormous expectations have plagued this
soundtrack with. Half of the tracks are superb, and half of them…well
not so much. With some tweaking, Rang De Basanti could have been yet
another feather in the ornamented cap of A.R. Rahman, but that's not
the case. Although it isn't up to par for A.R. Rahman it's definitely
a jewel of an album in the music markets. Buy this soundtrack, if not
just for Luka Chuppi.

Rating: 8/10









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