The following is not mine.  It's from a music fan on another forum.  
His way of expressing quite impressed me so I thought I would share 
this with the group.  

Art, to me, is conversation. Whether it is a book, a movie or a song, 
it is about a person talking to me. I don't understand the finesse of 
music…I could never tell a bad composition from a good one or a 
really good singer from an average one. 

What matters to me is how the artist connects with me. Does he, 
through the process of our conversation, help me define myself, or 
better yet, add some meaning to my life. If I don't connect with him 
instantly, there is no way in a million years that the song can grow 
on me. I guess that is why, while everyone took a while to appreciate 
Swades or TLOBS, I took an instant liking to them- the sensitive 
lyrics, the appropriately simple music and the vocals all 
complemented each other to make perfect sense to me. 

I guess that is where Rang De Basanti scores the most- it's like A.R. 
Rehman and Prasoon Joshi sat there and decided to make music for Saba 
Parkar. I have not felt this much fulfillment from a musical piece in 
such a long time…I think the last time was with Black Friday's album. 
Each song covers a different aspect of my existence to eventually 
have the whole album satisfy me.  (great, now it sounds like I'm 
talking about sex or sth ) 

Anyway, now for the songs individually…let me tell you, I'm not 
writing a review. These are just reflections. 

Lalkaar: Bhagat Singh has always been my most favorite political 
figure in all of world history- an honest young man with passion for 
a cause that he fought for justly. So it comes as no surprise that 
the phrase he loved repeating has the utmost significance in my life- 
Sarfaroshi Ki Tamanna Ab Humare Dil Mein Hai, first written by Ram 
Prasad Bismil and re-written by Prasoon Joshi. The words of the poem 
are intense as it is. It is taken to new levels by A.R Rehman's 
understated yet powerful music and Aamir Khan's powerful rendition. 
It is a magnificent tribute to the emotional strength and will-power 
of the young freedom-fighters who fought single-mindedly so that we 
can have the freedom to choose for ourselves today. `Door reh paaye 
jo humse, dum kahan manzil mein hai…?'…wow…!

Lukka Chuppi: I've looked everywhere- through books, movies, song, 
you name it, for that one piece that could encapsulate the depth of 
my relationship with my parents. I had almost given up on the search- 
I was always told I had to stay with my parents all my life and treat 
them like God or the other extreme, i.e.: once you grow up, parents 
aren't of any real consequence. The best I could find was probably 
Farida Jalal's relationship with Ajay Devgan in TLOBS. Now, I finally 
have a song that explores a beautiful relationship between a parent 
and a child- it is mature yet retains a certain child-like innocence. 
There is a parent who gives the child all the independence he needs 
but never stops worrying for his safety. There is a child who does 
think of his parents while exploring the beauty of the world beyond 
home. Lata, to my ears, has never sounded so beautiful- so motherly. 
I am glad A.R.Rehman sung his part- his voice has a certain rawness 
and sincerity that allows me to relate to the expression- more so 
than what a Sonu Nigam would have been able to do for me. And what 
Lata and Rehman do at the end- that whole re ga re ga sa sa sa rerere 
thing (see, I don't even know what it's called)…if that is not 
beautiful, I don't know what is. 

Edited to add: I just read an article that says this song is sung by 
a mother at her son's funeral. Wow, I never thought of it that way. 
It makes for an even more emotionally charged experience. However, 
it's hard for me to get over my interpretation of the song. It will 
probably register after I watch the movie. 

Khalbali: 9/10 This such a fun song! A.R.Rehman sounds so Arabic!  
Though I would probably like it better if I understood ALL the 
lyrics… haha. I'm still not sure if the word Khalbali is something in 
Arabic or what we generally refer to as `disturbance' in Urdu. 
Anyway, I have founds parts that I absolutely love. Especially the 
lines `hone hone de nasha…khone khone ko hai kya?…ek saans mein 
peeja, zara zindagi chhadha…hai yeh to ek jashn…tu thirakne de 
kadam…'…so very standard Prasoon Joshi- the kind of thought process 
that I love him for- and really, no one uses the word `thirakne' the 
way Joshi does.  When have you heard a group of youngsters sing `ghar 
bataake aaye hai' ever before…? I love it!  Oh, and that sound of the 
glass shattering, that was just awesome. Talk about relevance 

Paatshaala (both versions): Haha, reminds me of the A.R.Rehman of my 
childhood…just a flashback to all the songs I used to love as a kid- 
Muqabala, Columbus Columbus, Mustafa Mustafa, etc…fun lyrics that 
would sound rather silly if you didn't have a taste for them- point 
being, I have a blast when I hear lines like `yeh surat teri meri 
mobile library' and `talli hokar girne se, samjhe humne 
gravity'...or `to the mahal of the taj, to the minar of qutub' …
believe it or not, those kinda lines require a lot of wit  oh right, 
and the lines `apni to paatshaala, masti to paatshala' have become a 
kind of motto for me…I was never big on the traditional schooling 
methods anyway 

Ik Onkar: This is beautiful…

You know there was this dialogue in the movie named Seher…it went 
along the lines of `jab shareer thak jaaye, doobte hue sooraj ke 
saamne khada hona chahiye, thakaan door ho jaati hai'…it's true, it 
works. Now imagine a song being able to do that for you. That's Ik 
Onkar…so serene, so calming…it strengthens faith. The line `hai bhee 
sach naanak hose bhi sach' which means `he is the truth now and he 
will remain the truth' just encapsulates the whole universe in that 
one moment. I don't know if that made any sense to anyone, but it 
does to me, haha.  

Khoon Chala: I always considered myself president of the Mohit 
Chauhan appreciation club… biggest fan, all that. I should have known 
there was someone who holds him in greater value. A.R. Rehman truly 
understands Chauhan's potential and puts his vocals to magnificent 
use. To properly express the meaning of the song, what is required is 
an understanding of the balance between the building of an ideology 
that requires deep thought, and a need for action that requires 
youthful anger and ambition. Khoon Chala isn't your typical Chauhan 
type of song. He has previously sung pretty straight-forward and 
simple songs. I am so proud of how he has handled this challenge. 
Good stuff. Another winner for him after Main, Meri Patni Aur Woh. Of 
course, there would be no challenge if it was not for Joshi's lyrics- 
profound thoughts worded simply and directly. He gives the song so 
many layers. It's awesome!

Tu Bin Bataye: The only problem I have ever had with A.R. Rehman is 
how his music often over-powers the entire song and pushes things 
like lyrics and vocals to the back-ground. I can't even complain 
about that anymore. A.R. Rehman gives his most suitably under-stated 
music for this song. He lets the listeners focus on the real winner 
of the song- the lyrics. I have never been in love…but this is what 
makes me believe in it. The simplicity- it's the love that spells 
pure…not commercial. It talks about commitment on a very emotional 
level- it's not the demanding kind. Oh damn, I'm in love…. 

Rubaru: I'm in love …with Naresh Iyer. Dude, he sounds so real! He 
sounds like the guy who would sit around with friends, strum the 
guitar and sing a song with depth…hmm, a song like Rubaru . OK, here 
is the real shallow me …I wonder if Naresh Iyer is cute . That being 
said, this song rocks in every department- whether it is the music or 
the lyrics! I don't think there is anyone young who doesn't relate to 
the song. Since everybody has their favourite lines, let me point out 
mine- `machal gaya…sitar mein, badal gaya'…the lines just do a little 
dance within you…haha, ok, forget I said that. Anyway, I love how the 
whole concept of the song takes a little twist with the line `jo ban 
sake tu humsafar mera, nazar mila zara'…it's so right…so young 

Rang De Basanti: A lot of people seem to have an issue with Daler 
Mehndi…I'm loving him! He sings each word so clearly! It's like he is 
having a blast. Of course, due to ample support in the lyrics 
department. The lyrics are so alive and colourful…just add a whole 
feeling of vibrancy to the proceedings. Besides a lot of things, no 
one lists things like Prasoon Joshi does. He covers every emotion, 
every state, every aspect of a certain theme. Check out this song- he 
covers sapne, apne, khushiyan, gham, nasle, fasle, dhadkan, sargam, 
soorat, darpan, ishq, charni, raddi, sagar, gaagar, basti, hasti, 
hashas, nasnas, bachpan, chauban, dhool, dharti, watan, khushboo, 
pawan, saasein, junoon, lal lahoo….and brings every thing together 
with rang…!

All that being said, what makes RBD a winner is not a single person- 
but the co-ordination between all the artists. There seems to be a 
deep understanding of what the movie and the theme requires and 
everyone seems to have put their best foot forward to fulfill that 
requirement. It is a brilliant example of team-work…and also a 
brilliant example of the power of simplicity and authenticity. A good 
friend of mine today said `RDB proves that being young and hip does 
not mean ripping songs off rappers'. I couldn't agree more. If you 
are looking for tunes that you probably heard two months ago on much 
music with irrelevant lyrics that teach you not to `talk to stranger, 
stranger is danger', don't look here. A.R. Rehman and Prasoon Joshi 
move above the norm nowadays- they actually wake you up…and provoke 
thought.

At least, they did that for me. 










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