Aamir Khan's `Rang de Basanti' Has Raw Energy: Movie Review  
 

 
         By Nabeel Mohideen 
           Feb. 1 (Bloomberg) -- Rakeysh Omprakash Mehra is a bit like an 
erratic chef with a cupboard full of wonderful ingredients and no recipe book.  
        
         The director's second feature film, ``Rang de Basanti'' (The Colors of 
Spring), isn't quite an overcooked mess, but there's just too much in there to 
figure out the flavor. Is it ``youth'' movie, coming-of-age tale or political 
tract? Is it mainstream Bollywood or middle-of-the-road, urban-multiplex 
fodder? Then you have Aamir Khan, all of 41 years, and just about passing off 
as a young man who finished college five years ago.          
         To be fair, this isn't a vehicle for Khan; almost all of the leading 
players in the film get equal billing. Mehra opens the story in London, where 
Sue (British actress Alice Patten) is leafing through her grandfather's Raj 
diary and getting ready to make a film on several early heroes of India's 
freedom struggle.          
         She gets to India and runs into DJ (Khan) and his cronies, a 
fun-loving but largely aimless bunch of student types, eventually persuading 
them to play the characters in her film. It's all fun and frolic until one of 
the friends, an Indian Air Force pilot, is killed when his fighter crashes, the 
latest in a series of such accidents. Spurious parts, unscrupulous politicians 
and dubious middlemen are to blame, the film says.          
         Getting Real          
         The tragedy makes the story of the film within the film all the more 
real to DJ and his friends. Is this why all those brave young men laid down 
their lives? The boys must become men and the girls must shed tears for these 
unlikely new martyrs. The title of the movie refers to a tribute to freedom 
fighter Bhagat Singh that variously translates as the spirit of sacrifice, 
martyrdom, awakening, freedom.          
         Mehra used to direct television advertisements before he entered films 
with ``Aks'' (Reflection) in 2001. This effort is similarly full of visually 
arresting sequences joined together with the seams showing. What keeps the 
enterprise on track are some of the individual performances, the raw energy of 
a young cast and A.R. Rahman's splendidly rousing soundtrack.          
         Khan's acting prowess -- and he does shine as the impish DJ, floppy 
hairstyle and all -- is almost matched by the youngster Siddarth, who is a 
delight. Patten (daughter of Chris, Hong Kong's last British governor) does a 
very creditable Hindi accent and Soha Ali Khan shows flashes of mother Sharmila 
Tagore's talent.          
         Winsome Cast          
         The director, with all these riches at hand, has disappointingly 
chosen to throw everything into the mix. You want to like this movie. It's got 
its heart in the right place, there's an adult sophistication to the polemic 
and the hard- working cast is winsome. And yet...          
         It was the same with ``Aks,'' a derivative story that was adventurous 
in scope and execution, the sum of its parts didn't quite add up to a whole. 
Yet this is a film that will find an audience because it has Khan in it, which 
means, at the very least, a challenging script and time well spent.          
         Khan is that Bollywood rarity, a star who chooses to work only if the 
role and the film are worth his while. ``Rang de Basanti'' may not be all it 
could have been, but it's still a cut above. The film opened globally on Jan. 
26, India's 57th Republic Day. 


(The opinions expressed do not necessarily reflect those of Bloomberg.)



http://www.bloomberg.com/apps/news?pid=10000088&sid=aLgKdgt4AprM&refer=culture








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