Bhansali to make music with Monty

Favourite Ismail Durbar is missing from Saawariya

Subhash K Jha

Change is a natural part of growth. I've changed almost the entire team  for my 
new film Saawariya,” says Sanjay Leela Bhansali. His last film Black has just 
won itself a truckload of Filmfare awards. “It feels good. When you struggle to 
create  something,  the fruits of success taste sweeter,” he adds. His 
beautifully appointed  home is flooded with symbols of congratulations. “I'm 
essentially a recluse. When people reach out to me   in my time of joy, like 
this, I feel  grateful and exhilarated.”

Exhilaration is the predominant mood in Sanjay Leela Bhansali's   scheme of 
creation. The song recordings for Saawariya are on. Various singers have been 
tested and tried out. Yes, Sanjay is an experimental  mood.

He has made an extremely bold and adventurous move by signing Monty to do the 
entire music score for Saawariya. “After doing two films, Hum Dil De Chuke 
Sanam and Devdas with Ismail, it wasn't easy to move away,” sighs Sanjay. “But 
like I said change is an inevitable part  of  growth. When Monty did the 
background music of Devdas and Black I realised he has the capacity to go 
beyond the theme in search of unexpected musical experiences. He's equally 
capable of  doing Indian and Western styles. For the background of Black we 
shot with stock music  and wondered how Monty would equal the work of great 
composers that I used to shoot my scenes with. But Monty stunned us. He lived  
up to every expectation.”

The praise for Monty's worth came  from the highest  quarters. “Amitji, with 
his powerful sense of music, called Monty a genius. Monty comes from a family 
of great musicians. He's Pyarelalji's nephew and was trained by Pyarelalji's 
father who has trained half the musicians in the industry. Monty started 
playing the piano at the age of five.”

Sanjay lights up as he plays a haunting love melody by Monty for Saawariya. 
“There's a kind of beauty, spirituality and  sensuality  to his music,” says 
Bhansali. “It's not about telling the world, ‘Main dikha doonga, hila doonga, 
phaad doonga.’ (I'm going to shake up the world).  Monty has a  sense of 
commitment. He stood by me and composed the theme when the Devdas score was 
left incomplete.”

One can expect  a totally unique music score in Saawariya. “It isn't anything 
like the music in Hum Dil De Chuke Sanam or Devdas,” he says. “I just hope 
people like what we're  attempting here. After A R Rahman, I think Monty is  
the only complete music composer.”


The Full Monty
Monty started off as a keyboard player in Ismail Durbar's team. Today, he heads 
the team that will compose music for Saawariya. So who's Monty? He is composing 
maestro Pyarelal's nephew, and now, Bhansali's protege. He became acquainted 
with the notes at the age of five, a time when his uncle's violin used to be 
his wake-up call. Now, he wants to be a creator of 'epic' sounds. Will 
Saawariya pave the way for similar success? 




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