I;ve heard rumors that this will be a period love story. Has anyone
heard the same? 

--- In [email protected], "Ricky" <[EMAIL PROTECTED]> wrote:
>
> I admit, Rahman + Gulzar + Mani -- that's going to be spelling the Dil
> Se magic again! 
> 
> However, I kind of disagree with your statement that Yuva was more
> about rhythm. Yes - rhythm experimentation was huge  - the underground
> beat effect in Dhol dhol, house and electro effect in Fannah, etc.
> However, I believe it was actually more focused on the sound
> engineering perspective, and experimenting with voice, instruments and
> sound in general. For example, the combination of jazz with dance in
> Anjana is a mindblowing creation..and just the overlap of the male and
> female alaap before the 1st stage can blow everyone away! Think about
> Rahman's alaap in Kabhi Neem neem -- a great tune with soothing
> guitars..truly magical. And then think of the way he has used a rap
> with classical, pop and bhangra touch to create the unbelievable Dhol
> Dhol. Of course, the classical alaap in Fannah..the slap guitars in
> Dhakka laga bhuka, the electronic mandolin in Badal...all wonderful
> experiments..that raise the bar of sound mixing higher than ever.
> 
> I sort of understand your concern of the missing melodies in Yuva.
> But, if one were to hear beyond the sound mixing, they would notice
> that all of those creations are actually soaked in melody. Its just
> that the overall result is just so above standard, that we don't
> realize the marvel behind it!
> 
> -Ricky
> 
> --- In [email protected], "Ajit" <ajit_mundra@> wrote:
> >
> > Just think.......Mani, Rahman, Gulzar....back together.   Curious to 
> > know what will be the result. Have a feeling it will be fresh and
given 
> > that the movie is a love story, we can hopefully look forward to some 
> > very melodious music (unlike Yuva which was more about rhythm).
> >
>









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