hi swaps...
reg adhisayam song... its in 10\8 if i m correct... the uniquesness of this
meter its very tough to tell that this is the first beat...
On 11/29/06, ~ [EMAIL PROTECTED] ~ <[EMAIL PROTECTED]> wrote:
Hii
Gr8 2 notice such details...ARR's not only master of melody but has
intricate knowledge about taal. Very few must have noticed he's compsed
"Roshan hui raat" from Sapnay in a 5-beat metre (taka takita) & in that too
there r some portions where the song goes off-beat n returns to the 'sum'.
Another master piece is the 1st interlude of "Jiya jale". The entire song
goes in 2/4-metre (8)..but in the interlude he xperiments with diff taal
structres fom 6/8 to 5/8 n so. Also "Adhisayam" from Paarthale
Paravasam...gosh! Thats one helluva song in terms of taal. 7/8,5/8,6/8...the
meter keeps on changing...n u actually hv to concentrate n listen to when it
comes to the sum. Many such brilliant compositions...but go unnoticed.
Rite now...its Guru all the way!
Thanx ARR
Swaps
*Rikesh Poonith <[EMAIL PROTECTED]>* wrote:
Hi Guys, here are some songs done mostly by Rahman & not other composer
in "Dadra Taal' and Deepchandi Taal' recently.........
Dadra Taal:
The Rising- Mein Vari Vari
Mangala Mangala in 3 VersionS..
Dekho Ayee Holi ( a mix with Dadra & Kaherwaa taal )
Bose (The Forgetten Composer)- Ekla
Dilli
Durga (Instrumental)
Guru- Ek Lo Ek Mufff
Deepchandi Taal :
Almaudat Maula
Piya Hadji Ali.................................................. etc
We can noticed that only some of AR Rahman songs are based in 2 taalas
such as Chand Ayaa Hein (Dil hi Dil Hi) & Dekho Ayee
Holi.....................
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