Hi Triply,

That was awesome analysis.... loved it!


Aravind

"Triply R." <[EMAIL PROTECTED]> wrote:                                  
Recently, I got into a discussion with my wife about
 the massive popularity of Lage Raho Munnabhai. The
 conversation inevitably turned towards the other film
 dealing with martyrs affecting the thoughts of urban
 Indians, namely, Rang De Basanthi. Hanging around at
 Naachgaana.com was a real eye-opener for me as I found
 quite a few opinions about how LRM was much better
 than RDB. That seems to be the general consensus of
 the majority there. LRM is the best movie of the year,
 followed by RDB, which is flawed. Me, I feel that it
 isn't so and my discussion was regarding the impact
 each movie had. So, here I present both sides of the
 tale. Most of the positives and angles regarding LRM
 are provided by my wife.
 
 The year started with a bang, with the release of RDB
 for me. I caught the afternoon show on the day of the
 release, just 1 hour after the show the ARR group was
 watching in PVR (We have an unwritten rule that any
 Aamir Khan movie should be watched in Gold Class, cos
 it will generally be worth it). And I came out of the
 theatre totally bowled away. I felt the movie was
 possibly the best movie I had ever seen in a long,
 long time. It really is so. Since Rangeela was really
 a long long time ago, 11 years ago, I can say without
 hesitation that RDB is the best movie of the past
 decade. My wife, however, wasn't as impressed. She
 loved the movie, but just like many others who claim
 the ending was flawed, she started dissecting the
 ending with cold logic, saying that no government
 would ever use black cat commandos in the full glare
 of the media as it was shown in the movie. Considering
 the fact that she was a journalist cum reporter
 herself, I didn't argue with her. I was blissful in my
 ignorance of the facts and just went with the flow of
 the movie. I never got tired of watching it.
 
 Months later, when we went to watch LRM, I laughed and
 had a great time with Munnabhai, Circuit and Lucky
 Singh. But, unlike RDB, the thought I had when I
 stepped out of the theatre was that MBBS was a better
 movie. My wife agreed. 
 
 But towards the end of the year, it looks like LRM
 will remain the highest grosser of the year, if Dhoom
 2 doesn't overtake it. RDB is one of the big grossers
 this year, but not among the top three. So that
 started the discussion. What is it about LRM that
 seems to appeal so much to everyone? The answer seems
 very simple. It is a great entertainer. It makes you
 laugh and cry. But so does RDB. Aah, but LRM has a
 happy ending, something that RDB doesn't have. But
 that really isn't the reason why LRM is so popular. I
 cross Rex everyday to work and I remember seeing the
 poster of LRM everyday for what seems like an
 eternity. The reason for the appeal is Gandhigiri.
 Pure and simple. The movie shows very effectively how
 to deal with everyday frustrations very realistically.
 If someone spits in front of your apartment, you don't
 have to develop a split personality and go all Anniyan
 over them with the Garuda Puranam. Just keep wiping it
 off in front of him and he will realise his mistake.
 You lose all your dad's money, come clean and just
 tell him. Don't try running away or killing yourself
 for it. The concept that the truth still works and
 that showing the other cheek is still the best way to
 end any animosity is really laudable and the movie
 makes it really believable. 
 Another aspect of LRM is that there is no completely
 bad guy. The main antagonist is basically a good
 person with something bad in him. And these are the
 kinds of people you meet everyday. You don't always
 run into an evil minister who has killed your friend.
 You meet someone who does something bad, either out of
 selfishness or out of love for someone else. And the
 movie shows that these people can be dealt with too.
 No one is completely evil. Just appeal to the good in
 anyone and you can win them over. You can even turn
 Darth Vader from the dark side!!
 
 The ultimate appeal of LRM lies in the fact that it is
 a movie that propagates Gandhi's values and it does
 them effectively. Truth really does win in the end and
 everyone is basically good.
 
 Contrast this with RDB. The main antagonist is a
 corrupt minister. At face value, this is the same as
 hundreds of action films that came out in the 80s,
 right? Only if you take the movie at face value. The
 main antagonist of RDB isn't the corrupt minister, but
 the tendency of the people of India to let things be
 as they are. I have said this before and i say it
 again. Killing the minister isn't the solution
 presented by RDB. It was the catalyst that triggered
 an awakening in the heroes. They don't go on a killing
 spree. They decide to come clean and surrender
 themselves to the police. It was a brilliant piece of
 writing that demanded that they be killed in the end.
 Getting arrested would have been anti-climactic.
 Killing them maybe viewed as manipulating the
 audience, but it really resonated stronger
 emotionally. When you think about how carefree they
 were and how they finally died, it really tugs the
 heart strings. And it also drives home the point that
 violence is not the answer. Killing is wrong. And you
 will pay the price for doing wrong.
 Everything else about RDB needs no explanation. It
 shows the apathy that the people have for their
 country and it shows how we need to take action if we
 want things to change.
 
 Technically I think that just about everything in RDB
 blows everything from LRM away. I am definitely not
 the best judge for this considering my extreme bias
 for RDB and the fact that I watched LRM only once. But
 still, cinematically, the frame compositions of RDB
 and the sheer vibrancy of colours really is wonderful.
 I remember being blown away by certain visual
 compositions in MBBS, like the scene where Munnabhai
 and Circuit are sitting at the dhobi ghat in the
 night. There were several good visual moments in MBBS,
 but I really didn't find anything as outstanding in
 LRM. 
 
 As for the editing, I think both the movies have great
 editing because at no point of time does either movie
 lag and neither of them seems to have any jarring
 transitions in the scenes. The scenes flow very well
 into each other for both the movies.
 
 When it comes to music, there definitely is no doubt
 as to who is the winner. While I will always feel that
 RDB is one of Rahman's weaker scores, it still is
 leagues ahead of the soundtrack of LRM. And as if for
 compensating the weak songs, Rahman comes up with what
 could arguably be the best background score ever. No
 small feat, considering the bgm of Rangeela, Thiruda
 Thiruda, Dil Se, AE, Lagaan and so many others. You
 could enjoy the songs of LRM while watching the movie,
 just going with the flow. But unlike MBBS, the songs
 don't form that vital a part of the movie this time.
 And that is again where RDB scores. No song is out of
 place. While I don't listen to the songs often, I
 never ever fast-forward them when watching the movie.
 They gel extremely well into the movie and it makes
 you appreciate the songs much more.
 
 Finally, coming to the acting, both the movies are
 full of amazing performances. Sanjay Dutt is really
 the embodiment of Munnabhai. If I was to ever choose
 the 3 best Dutt performances, this would rank right up
 there, along with his amazing act in J.P. Dutta's
 Hathyar all those years ago and his Billa from
 Musafir. Sanjay Dutt really can surprise anyone with
 his acting. Arshad Warsi is indeed phenomenal as
 Circuit and Boman Irani's Lucky Singh completes the
 triumvirate of great performances. Can Boman ever turn
 in a mediocre performance? The women were just
 passable. I really don't like Dia Mirza and I felt
 that Vidya Balan was as good or as bad as Gracy Singh
 in MBBS. 
 The performances in RDB are phenomenal as well and I
 cant think of a single performance that I would have
 liked changed in any way. 
 
 It is indeed so rare to have a movie where every
 performance is a masterpiece and every shot is eye
 candy. As a fantasy journey, I enjoyed the ride
 offered by RDB more than the one offered by LRM. Maybe
 I should watch it again and I may appreciate it a lot
 more. 
 
 As it now stands, my wife has learnt how to just go
 with the flow of the movie and she always cries at the
 end of RDB. Whenever we watch it on DVD, it never
 fails to bring her to tears. I agree to the merits of
 LRM. I never went into the movie with a pre-conceived
 notion and I never came out of the theatre hating the
 movie. It was a nice movie and it has some brilliant
 performances. But I can never understand it's
 overwhelming popularity. Still, we could have done
 worse.... KANK could have been the biggest grosser of
 the year!! On a side note, I really hope that Siddarth
 manages to go to the US. In AE that was all he wanted
 and he ended up become a politician. In RDB that was
 all he wanted (apart from Soha of course!!) and he
 ending up dead!! Hope someone gives him a role where
 he finally goes to the US!!
 
 The last thing I want to say is that, Bhagat Singh and
 Chandrashekar Azad's philosophy of fighting fire with
 fire and winning our freedom by guerilla warfare
 appealed to a select few. Gandhi's Ahmisa theory and
 movement swayed the entire nation and ultimately led
 to our freedom. Now, 59 years later, the same way, a
 movie woven around Bhagat Singh and Azad appealed to a
 few people (well, not too few!!), but a movie
 propagating Gandhi's ideals has stirred the entire
 nation!! History has repeated itself!!
 And lastly, apologies for the long mail!!
 
 Regards,
 Triply
 
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