REVIEW: Good value for Mani

Khalid Mohamed

Mumbai, January 12, 2007


Guru
Cast: Abhishek Bachchan, Aishwarya Rai
Direction: Mani Ratnam
Rating: ***1/2

Don’t care a fig, just think big. A boy from a Gujarat hamlet wants to do his 
own gig. Off he
goes to Turkey. And after some malarkey with a Mallika-e-Istanbul, lands a 
cushy job for which
he must wear a tie. Not done. So, Hamlet returns to the aridlands to bake his 
own apple pie. Do
or die.

That’s writer-director Mani Ratnam’s Guru – a more than obvious but 
unacknowledged biopic on
the rise, fall and rise of Dhirubhai Ambani. Wonderful. It’s quite a story 
salt-`n’-peppered
with romance, high drama and unbridled ambition, filmed with a reliance on 
research and
authenticity.

In fact, you’re hooked right off because no other living director today has 
more style, sass
and sizzle than Mani sir. The opening reels move from black-and-white (like the 
director’s
Dalapathy) to the earth colours of the rural stretches, the Istanbul streets 
and then finally
to the vibrancy of Bombay in the 1950s, adapting to the business-ops thrown up 
in independent
India.

Absolutely goal-oriented, Gurukant (Abhishek Bachchan) manipulates a 
dowry-cum-wedding with a
restless young woman (Aishwarya Rai). In the city of dreams with her, it’s 
toughgoing for the
wannabe textile tycoon -- till he finds a bemused patron in a newspaper baron 
(Mithun
Chakraborty). The adversary of the moment, a Parsi aristrocrat (Slick Hair, 
cool linen suits),
is squashed. No gift vouchers for guessing the allusions to real life 
personalities. Very easy.

Throughout, the camera pirouettes around Gurubhai, affording an intimate 
glimpse into the heart
and mind of a man who would be a visionary – never mind if he must adopt means 
that range from
the fair to the very foul. Tables turn when he is attacked by the very hands 
which once fed his
ego. In fact, the surrogate father-son relationship with the newspaper baron is 
edged with
irony. Even when they are at principles drawn, there is a residue of emotion 
and caring.

For a major part of its length, the rags-to-riches dramalogue, is impressive. 
Indeed, you’re
amazed by the attention lavished on period detail, the flashes of humour 
between Guru and his
wife in the bed chamber, the painstakingly created set designs and the 
mood-accentuating
background score.

Alas, a sense of ennui sets in towards the latter half when the script becomes 
much too
verbose. Yakety yak yak. Also, there is far too much dithering over the 
attraction between the
news baron’s physically challenged grand-daughter (Vidya Balan) and a 
muckraking Reporter Raju
(Madhavan). Balan and Madhavan, believe it or collapse, even go in for a Dhoom 
2-style liplock.
Mwaaah.

Gratifyingly, the dramatic intensity returns in the finale. Gurukant delivers a 
volatile
speechlet about the state of the nation. You’re shaken as well as 
stirred..albeit not without
questioning Ratnam’s message – as long as public welfare is on the agenda, it 
doesn’t matter if
you use bribes and cross legal limits. Really?

Be that as it may, Guru is certainly leagues ahead of the B- to Z-grade movies 
you’ve been
squirming through at the ‘plexes lately. Rajeev Menon’s international calibre 
cinematography,
the expert editing by Sreekar Prasad and AR Rahman’s excellent music score are 
the fringe
benefits.

The dialogue is a bit shaky though, like the hyperbolic equation with the 
sacrifices of Mahatma
Gandhi in the climax address to a stern-faced jury, headed by a chameleonic 
Roshan Seth no
less.

Of the cast, Vidya Balan is wasted. Madhavan is starch stiff. Mithun 
Chakraborty is passable.
Arya Babbar, as Gurukant’s brother-in-law is awkard, suddenly exiled by the 
screenplay midway
as if had overstayed his welcome.

On the other hand, Aishwarya Rai is marvellous, handling complex scenes with 
grace and empathy.
Above all, the enterprise belongs to Abhishek Bachchan. He is astonishingly 
nuanced and
unwaveringly forceful in his career-best performance after Yuva.

Ratnam and Bachchan Jr have given you a film that’s as close to life as say, 
business is to
politics. For the discerning viewer, satisfaction is guaranteed..and some more.

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