Guru
By Staff
Thursday, January 18, 2007 - 3:00 pm

we recommend
 
An admirable Guru 
GURU
The flamboyantly gifted Indian moviemaker Mani Ratnam has an epic 
romantic temperament, like a reform-minded 19th century novelist, 
with a great eye and a trunk full of Panavision lenese. In his most 
characteristic works, such as Bombay (1995) and Dil Se (From the 
Heart, 2002), he places intimate personal stories at the eye of the 
storm in sweeping political and social dramas. Ratnam's enthralling 
and eventful new picture, Guru, is one of his best yet; in fact it 
may be the best Indian commercial ("Bollywood") movie since the 
Oscar-nominated Lagaan (2000). Inspired by the rags to riches story 
of a real-life Indian petrochemical tycoon, the late 
Dhirajlal "Dhirubhai" Ambani, it's a realistically textured 
biographical thriller staged on an operatic scale. It aims at 
nothing less than the canonization of a new type of cultural icon 
for post-socialist India. Re-named Gurukant "Gurubhai" Desai and 
played with an exhilarating mixture of high-stepping enjoyment and 
focused determination by Abishek Bachchan, the movie's Ambani 
surrogate is a village boy who lays the groundwork for a huge 
company simply by pouncing on opportunities that others miss. We 
enjoy rooting for this enterprising businessman hero, and not just 
because we identify with the character's delight at working out a 
clever new way to avoid paying excise taxes. He's a hero not in 
spite of the fact that he's a crafty corporate Capitalist but 
because of it—because his textile factories have created tens of 
thousands of jobs, and because the ordinary people he recruited as 
shareholders have been hoisted out of poverty by his success. Some 
elements of Desai's story test positive for sentimentality, 
including his playful, ardent relationship with his plucky wife 
(Aishwarya Rai). The failure to make the private lives of the 
characters resonate with the main story is an unusual one for 
Ratnam, owing perhaps to his overriding drive to valorize Guru as a 
positive force in Indian public life. But the film is a triumph of 
casting: In a role that is often about the sheer steamrolling force 
of his character's personality, Abishek Bachchan's attention to 
detail makes Guru accessible rather than intimidating, admirable but 
also plausible. In the end this Guru is just like one of us, only 
richer. 
(David Chute) (Naz 8, Artesia) 

http://www.ocweekly.com/film/new-reviews/new-reviews/26580/


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