AR Rahman speaks to us about his jugalbandi with wife Sehra, cricket, 
and issues close to his heart. 

AR Rahman walks in, straight from the airport, into a room full of 
waiting journos and photographers, all in a frenzy to outdo the other 
for an exclusive with this self-confessed recluse. 

Anyone else might have blown his fuse for having the microphone 
shoved under his nose for the umpteenth time, and being asked to 
say 'something' for Team India. But not Rahman. He smiles politely, 
and refuses to say anything that doesn't concern him and his work. 

Doesn't he like cricket? "I do, but this is hardly the way to show 
it," he says. So what does he feel for, so much that it 
shows? "Causes. I want to remove poverty from India, and change the 
immunity that we have developed towards it. I want to do a lot for 
the specially challenged people. I want to change a lot of things. 

But I don't talk about them either, for I'd like to do my bit and see 
that making a change." Like his first English solo for the UN, Pray 
For Me Brother? "Yes. This is my first humble step in making music 
that is for the whole world as an audience. I was very nervous when 
the song was released. I'm glad it's worked," says Rahman. 

Amidst all this, no one notices a shy, quiet woman standing a few 
paces away, waiting to catch Rahman's eye. His wife, Sehra. "We have 
flown in straight from Glasgow. He must be very hungry," she says 
softly. 

Is it always like this? "Always. I get to see more of him at concerts 
and TV than in reality," she smiles. Our photographer wants her to be 
clicked, but she manages to evade him, and go and stand in a corner. 

Back to Rahman. His recent compositions have been for three 
contrasting films – Sivaji, Lord of the Rings, and now Akbar Jodha 
(excluding Guru, that is). How does it feel to be composing in 
different languages and time frames at the same time? "Terrifying," 
laughs Rahman. 

"To wake up one morning and find yourself working on an epic, and a 
commercial Tamil number together can be petrifying." Sometime ago, 
he'd said that he could not be unapologetic while presenting his kind 
of music to a Western audience. 

Has that changed now? "To a large extent, yes. But if one's used to 
eating burgers, one can't develop a taste for paav bhaaji overnight. 
There has to be a bridge, and that's my music's flavour – 'bridgey'," 
he says. 

>From a distance, Sehra tries to catch Rahman's eyes again. But he's 
busy posing for our lensman. "Do I look sleepy? I've hardly slept 
since a couple of days," he says. So how does he spend his leisure 
time? "I try and spend time with my children." The couple has three 
kids – Khatija, Rahima and Ameen – two daughters and a son. "My kids 
love my music, thankfully. 

My eldest daughter is already learning music," he says. At this 
point, we request a picture with his wife. And finally, he looks for 
her, their eyes meet, and he nods for her to join him. Your wife is 
so shy, how does she handle all the fame, and recognition? "She 
handles our home, I take care of the rest," he quips. 

[EMAIL PROTECTED] 


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