Eastern European nations and Western nations in general usually have great
orchestral teams (players, arranger/orchestrator, conductor) with very
strong musical background, can deliver excellent quality of music in
shortest possible time for relatively cheap price. Their recording/concert
hall and the players amalgam have their own unique sound which can uplift a
movie.

Eastern European orchestra's are usually cheaper compared to their western
counter parts, so you can see lot of Czech, Budapest orchestras playing in
low budget movies.

There is more to choosing an orchestra than budget, but I am glad that our
Boss is thinking along international standards.

I wish FX/Sound design (yeah dishoom dishoom sounds) and Visual FX people
start doing the same. *sigh*

--
:: Bharath
http://singingphotons.net



On 5/15/07, Sarathy S <[EMAIL PROTECTED]> wrote:


Usually a film unit would prefer to shoot scenes abroad be it songs or
story demanding locations. But what is the need for Music Directors to
either record or re-record sounds in abroad like arr doing in london, czech
etc.. for indian movies...  when ARR himself owns a complete new hi-tech
studio to international standards in Chennai. For that sake even other
chennai music directors sometimes do record songs & bgms in abroad or other
indian cities' studios when there are hi-tech studios in chennai itself. Why
is this practice ? or What could be the fact other than reasons like chennai
studios are booked for some other movie projects on the dates required. Coz
such practice involve heavy expenditure for that producer ??


*Mohd Nash <[EMAIL PROTECTED]>* wrote:



   It's official now. AVM came up with an announcement on Friday, the 10th
of May on the release date of its next Magnum Opus production - Sivaji.

The worldwide release date has been announced as 31st May.
Generally, expectations soar high where Shankar's movies are concerned -
it just got bigger with Rajini.
  Sivaji will be AVM Productions' 168th movie. With Sivaji, Rajini's will
be completing his century in Kollywood. Another interesting fact is, this
movie is AVM-Rajini combo's 9 th venture together. Incidentally this is
Shankar's 8th movie, which happens to be his lucky number.

If you suppose Rajini-Shankar-AVM combination is big enough, then think
again. Because all the biggies in their respective fields of expertise have
worked for Sivaji. Camera by KV Anand, art direction by Thotta Dharani,
editing by Antony, dialogues by Sujatha, music by AR Rahman, lyrics by
Vaali, Vairamuthu, Na Muthukumar and Pa Vijay and stunts by Peter Haynes
just to name a few.

AR Rahman's hard work seems to have obtained the desired results. As
Sivaji's songs, which are repeatedly broadcasted by all radio stations, are
now the talk of the town. The movie's BGM and re-recording, which have come
out exceptionally well and far more superior have been done at London and
Czech Republic's capital Prague.

Stunt master Peter Haynes' fight scenes have been made aiming at
perfection. KV Anand has used the latest technology "Super 35 and 4K." It is
the first time that 4K technology is being used for a Tamil movie. Sivaji
will also be the first Tamil movie to have more number of prints than ever
before. According to the press release every teeny weeny bit of detail is
taken care of.

http://www.behindwoods.com/tamil-movie-news/may-07-03/14-05-07-sivaji.html
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