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By LISA TSERING
India-West Staff Reporter

OAKLAND, Calif. - Halfway through a lively show at the Oracle Arena 
June 2, A.R. Rahman put on the brakes, and took a moment to ask the 
audience to pause in their revelry.

"You are all in high spirits right now," the composer said 
softly. "But think about those who are in hunger, or living in 
poverty." Seated at a grand piano, he started to play the 
gentle "Pray for Me Brother," inspiring thousands of fans to wave 
their lighted cell phones in the dark, swaying to the music.

It was just one of many memorable moments during a three-hour concert 
that saw the sold-out crowd leap to their feet for his greatest hits 
from "Dil Se," "Taal," "Roja" and "Bombay," and newer, but just as 
distinctive, songs from "Rang De Basanti," "Water" and "Guru."

The show wasn't all Bollywood - when Rahman performed "Vaaji vaaji en 
jeevan si sivaji" and "Athiradee" from "Sivaji," the hotly 
anticipated Rajnikanth starrer due out June 15, his South Indian fans 
erupted in hysteria, gyrating in the aisles and screaming, "Sivaji! 
Sivaji!" A performance of the film's "Sahaana saaral" by Chitra and a 
young male singer got an equally enthusiastic response. 

>From the beginning of the concert, when the maestro appeared on a 
high riser at the back of the stage greeted by a fireworks display, 
to the ending strains of "Vande Mataram," his signature closing 
piece, A.R. Rahman led an unforced program that veered between the 
extremes of his prolific catalog, from haunting ballads to infectious 
rockers. Some of his musicians told India-West backstage that the 
song list hadn't been put together until the last minute, which lent 
an air of spontaneity to the show. 

Rahman is an unlikely megastar. Softspoken, humble and completely 
dedicated to his music, he spent most of his time onstage behind a 
large bank of keyboards, out of the spotlight, as his longtime 
musical director, K. Srinivas Murthy, led a group of Indian and 
Western musicians and percussionists.

The composer has always been willing to cede attention to his guest 
stars, who included ace guitarist Rashid Ali and University of South 
Florida music student Patrick Hernly, a gifted young percussionist 
who blew the crowd away with a virtuoso centerstage display of tabla 
bol. 

Vocalists Sukhwinder Singh, Hariharan, Chitra, Madhushree, Sadhana 
Sargam, Blaaze, Naresh Iyer and other talented voices, along with 
scene-stealing drummer Sivamani, got some of the best response with 
songs from "Guru," including sizzling versions of "Tere bina" 
and "Barso re."

But one of the major discoveries of the evening was Neeti Mohan, an 
extraordinary young vocalist who added sparkle to a version 
of "Guru's" "Mayya mayya" when she appeared onstage wrapped in a 
huge, voluminous, bright red length of silk. As she slowly turned, 
dancers unwrapped her to reveal a saucy belly-dancing costume, and 
Mohan, accompanied by two more belly dancers, writhed to the item 
number's Middle Eastern beat. Mohan, who is a trained dancer, singer 
and actress with a spot on "Coke [V] Popstars 2" and a role in the 
Sunny Deol production "Socha Na Tha" to her credit, is also the lead 
singer in a Mumbai pop band called Aasma.

"Rang De Basanti" produced some of the most exciting scenes of the 
night as Naresh Iyer teamed with rapper/lyricist Blaaze on the rock 
anthem "Paathshala/Be a rebel," and Sivamani tore up the drums 
on "Khalbali" as dancers in shiny white bodysuits moved around the 
stage.

Hariharan, accompanied by Sadhana Sargam, lent a delicate touch 
to "Sapnay's" "Chanda re" and - since no Rahman show would be 
complete without it - turned in a haunting version of "Roja" in Hindi.

Sukhwinder excelled on "Ramta jogi" and his usual marathon version 
of "Chhaiya chhaiya," and was joined by Stanford University's 
talented a cappella troupe Raagapella on "Chan chan" from Deepa 
Mehta's Oscar-nominated film, "Water."

Naresh Iyer, too, got plenty of stage time on songs 
like "RDB's" "Roobaroo," performing a duet with Rahman on vocals.

Fans hoping for songs from "Lagaan," "Bombay Dreams" or "Jillendru 
Oru Kadhal," one of 2006's biggest Tamil soundtracks, will have to 
wait until Rahman's next show, as he deliberately left them out this 
time around.

Rahman's between-song patter was economical, at one time giving a 
brief mention to the fact that several of "Water's" songs had been 
shortlisted for a Best Song Oscar nomination.

He also mentioned his efforts to help bring the Taj Mahal to 
international prominence with a new campaign to add it to an official 
list of the New Seven Wonders of the World (as India-West readers 
know, Rahman has agreed to compose a song to spread awareness of 
New7Wonders.com, the New Seven Wonders voting campaign on the 
Internet). "Officially, the Taj is not a Wonder of the World," he 
said. "That's a fact. Ask your friends to vote for it on the Net."

Rahman even showed his comic side when he made a thinly veiled barb 
at pop music phenomenon Himesh Reshammiya. Telling the audience that 
he'd been working and traveling a lot lately and had caught a cold, 
Rahman said he told his doctor that he was concerned that he couldn't 
perform with such a nasal voice.

"The doctor said not to worry - that's the 'in' thing," said Rahman.

Rahman seemed genuinely touched when he learned that the City of 
Oakland had proclaimed June 2 as "A.R. Rahman Day" in the city, and 
warmly accepted a plaque from a representative of Oakland City 
Council President Ignacio De La Fuente.

This show was quite different in tone from Rahman's most recent 
California shows. His Hollywood Bowl performance last July (the first 
Indian concert in the venue's history) focused on more of a crossover 
international sound, with music from "Bombay Dreams" and the Chinese 
epic "Warriors of Heaven and Earth"; while Rahman's 2001 and 2003 
shows featured marquee names such as Udit Narayan and were more 
emotionally resonant, tending more toward romantic material and more 
sensitive solos at the piano than 2007's largely high energy rock 
focus.

Deepak Mehta of Mehta Entertainment, making his debut as an 
international promoter with this tour, and his brother, promoter 
Vinod Mehta, made special concessions to VIP ticketholders by laying 
down a red carpet in the VIP section, where guests sipped 
complimentary champagne.

"I feel proud of the show," Deepak Mehta told India-West 
afterward. "It was an excellent show, and to put this kind of thing 
on is not a small thing."

Mehta also mentioned that he will be bringing top-selling qawaali 
artist Rahat Fateh Ali Khan to Chabot College in Hayward, Calif., 
June 30. See www.MehtaEntertainment.com for details. 
:by indiawest
 
 


-A

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