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Chumma Athirudhu la
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Everything set; I started my ride all the way up to a famous mall in Chennai
to watch the premiere, Sivaji – The Boss; a movie which has been in
limelight for almost 2 years. Engrossed in a witty conversation while seated
for dinner with my buddies, interestingly, I turned aside to see couple of
person carrying a heavy metal box and placed it nearby, which followed by a
dozen more of its kind. Yes I could make hue. It is the rolls of the movie,
the name engraved on the box and also stamped with various theatre names
across the city. Protected by tight security, soon the rolls were kept safe
in separate vehicles and flew past to the respective theatres for screening.

No doubt, the joining hands of Super Star Rajnikanth, the ace director
Shankar and the musical supremo A R Rahman, has drawn the attention of
public who ranks from masses to classes. Especially the film has set an
avalanche of expectations among his ardent fans and made them go frenzy with
each and every piece of news released on it.

In fact, I am no rajni fan either, but I had my own reasons to find myself
on the seat to watch this movie.

I would rather call rajni with his screen name Sivaji, reason explained
later. I was awestruck, looking at the first scene of the movie, where
Sivaji was dragged out of the police jeep with his face masked, to avoid
upheaval of the huge populace gathered around. He was later locked inside a
cell; and was enquired by the fellow prisoner for the reason of his
conviction. Now, the story winds back illustrating the amazing silk route
that leads to the present trauma.

Sivaji raised by his parents who live on the breadline, but still educated
to a minimal level. He finds his way to study abroad through scholarship and
later becomes a Software System Architect in America. Over years, he rakes
in substantial money through his profession and decides to head back to
India. He is keen to realize his dream project, to set up a world class
university offering education at free of cost. Being a new customer to the
Indian way of system, he was taken to ride by the corrupt administrators and
politicians heading various ministries. Quickly adapting to the system, he
decides only way ever to get things done is bribing them. Due to vengeance
and hatred of villain, he was still crushed with iron hands and almost runs
bankrupt. Being brought back to the drawing board, he sets up interesting
plan to run the politician/administrators down and revive his dream project.
From then on, the horse sets off a ride of its own kind and what follow in
is truly the visuals to be cherished.

Recent movies in the industry which holds a penchant for society-based
themes, adds another feather to its cap with Sivaji. However, Sivaji probes
a little further bringing on screen the affairs of Black Economy and Money
Laundering. Shankar, the director, argues the money which is kept behind the
curtains is a treasure in disguise and goes on figuring out a statistics, as
much as 20 Lakh Crores in the coffins. Asserts, this whole money when
laundered in an alternate fashion could serve real purpose in economic
reforms and human development.

In a perspective, it is indeed commendable, that the director tries to
explain basic concepts of black economics in a simple way; comprehensible by
our large rural audiences. After all, most of the rural inhabitants of our
nation are highly receptive, if anything told in the guise of cinema. It is
well known fact that, the ace director's exclusive skills in handling the
complex and versatile issues of the society in rather a simple set of
motion, is laudable on most accounts.

Movie acquires face lift, unlike the earlier ones, with effective use of
modern technology and equipments in the daily walks of the casts. This time
around in our movies, more sense prevails, when one uses hi-tech gadgets and
computers having high order of relevance following suit with the story.

Ever to mention about visual appeal of songs, all the numbers in Sivaji are
above par excellence. 'Adhiradi' song is spectacular and colorful treat to
the eyes which could easily find its way to be one among the best of song
visuals in Indian cinema ever. Rahman's background music is still ringing
loud in my ears and has done one great composition for this movie.

Masterful cinematography and rich visuals is the icing in the cake.
Especially, the second part of movie has spectacular and eye-catching
actions which would get the fans run gaga over their hero.

If you are expecting a Rajni of Baba days to show his face yet another time
on a movie, you would be caught completely wrong, as I was a few hours ago.

The charisma and the magnetism Rajni exhibits on the second-half would
allure even those cynical about him. If you have ever rated Rajni by his
low-to-average movies like Baasha, Padayappa etc, be prepared to watch a
Rajni movie which arguably competes with the best of Indian Movies with a
sheen in quality too rather than the heavily favored quantities.

If you are a local resident or a Rajni lover and have better IQ over
Kollywood, you are in for a two dozen stuffs of amusement in the theatres.
The first half of movie runs with lighter mood and sharp witty comedies of
Vivek would burst you into laughter often many times inside a minute. The
second half is a racy thriller and churns out a different Rajni you have
ever seen before. Shankar is very clever and used Rajni to near de perfecto
and knows the better art of reaching audiences. If you are die hard Rajni
fan, then you would attain salvation by end of the movie.

Just imagine Rajni with his head shaved and bearded full walks across the
podium and introduces himself as the MGR to a large gathering of masses.
Believe me, it was neither a wit nor a scene of lighter vein, but a very
serious part of the movie.

I could already imagine how the gala would be the first day when it strikes
the floors and I pity the guards and other securities of cinema theatres who
would have a terrible day at office for the next few days!

I also believe a couple of scenes where Rajni gets brutally hit, for worse,
a scene where the villain hits Rajni's face with his legs. If that are not
to be removed from the rolls, I seriously doubt whether the movie operator
would have one to run the next show.

Enough is Enough! As I had seen this movie even before the first day, for
fun, I thought I can write a review before the professional reviewers of
websites put one up, after watching it at the comfort of company's
expenditure. The time is almost 4 o clock. Seriously falling out of the
chair. Where is my bedddd ??????

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