Hi Gopal

Though many would have similar experiences, Suresh has
written it very well ...I think we should share this
with Rahman and I cannot imagine how happy he would
be.

Cheers.

--- Gopal Srinivasan <[EMAIL PROTECTED]> wrote:

>
http://ursmusically.blogspot.com/2007/08/rahman-and-me-on-nostalgic-trip.html
> 
> 
>      
>         
>           Rahman and Me on a Nostalgic Trip
>         
>      
>       
>     
> 
>     
> 
>     
>       What
> was the first musical note of Rahman that hit my
> senses? What was the
> first rhythm of Rahman that shook my body? These are
> the questions I
> often ask myself, for which I never had a proper
> answer. I could
> vaguely recollect watching a song from ‘Roja’ in DD
> and that’s it.
> Unlike others, who have many a times exclaimed and
> explained, how they
> were stunned by that new sound of Rahman, I don’t
> remember me, thinking
> anything of that sort about Rahman’s music in Roja.
> The answer for my
> no immediate reaction is simple, because at that
> time, I didn’t have
> enough exposure to either film music or Illayaraja’s
> music to compare
> with. I didn’t know anything about the kind of music
> being made for
> movies before Rahman came. Both Rahman and I entered
> into film music at
> the same time, only difference was that he had
> started to compose and I
> had started to listen. I was just 8 years old. 
> 
> I was born and
> brought up in a small town, in a lower middle class
> family. We couldn’t
> afford to buy a Tape recorder or cassettes then. We
> had a big old radio
> in which I don’t have any memory of listening to
> film songs. We didn’t
> have a TV either. We use to go to our neighbors
> house to watch TV. I
> think, after Roja, Rahman did ‘Pudhiya Mugam’,
> because I remember
> liking ‘Kannukku Mai Azhaghu’ so much to an extent
> that I wrote my own
> lyrics for the song, a few insane lines of which I
> still remember. It
> goes like, ‘Vetrikku Mei Azhaghu, Tholvikku Poi
> Azhaghu’. I don’t know
> where I listened to that song first. More than the
> songs, the
> background score of Pudhiya Mugam (which was earlier
> used as title
> music for a teleserial ‘Revathi’) drew my attention.
> 
> 
> I was
> going for a private tuition every evening to my
> class teacher’s house
> where they had a good audio system. They use to
> listen to the songs
> even when we study. I remember seeing the lyrics
> booklet (a first time
> for a Tamil soundtrack) that came with a well
> designed ‘Thiruda
> Thiruda’ cassette. One day, instead of reading my
> lessons, I started
> reading that lyrics book while they were listening
> to the songs. The
> song that hit me like a hammer blow was ‘Veerapandi
> Kottaiyilae’. I
> couldn’t believe what I was listening to. I couldn’t
> understand
> anything in musical terms but I was wonderstruck by
> the energy of the
> beats and the unexpected variations in its tempo.
> The freshness, the
> energy, the innovation and the experimentation in
> ‘Thiruda Thiruda’
> music is still an unparalleled achievement. The
> lunacy of Rahman’s
> music making style in that soundtrack is still
> unbelievable. 
> 
> One
> fine evening, one of my school mates asked me
> whether I heard newly
> released ‘Arabic kadaloram’ song. He said that it
> was going to be the
> song of the year. I didn’t understand what he meant
> by saying song of
> the year. I just forgot about it. By that time, we
> had bought a small
> black and white Onida TV. In DD, they use to air a
> count down program
> called ‘Ek se Badkar Ek’ in which I saw
> ‘Kannaalanae’ song for the
> first time. We were then a big joint family with 15
> members. My uncle
> (my father’s brother) had bought a small tape
> recorder. He often played
> Bombay songs. Since, my father had a fight with him,
> I was not allowed
> inside his room to listen to the songs. I still
> remember how I would
> plead my grandpa to ask my uncle to increase the
> volume so that I can
> listen to the songs from the hall itself. That was
> the amount of
> interest in music Rahman kindled in me. I use to beg
> him to play the
> songs again and again. 
> 
> It was at that time I started buying
> lyrics book. A lyrics book is a small book made of
> low quality paper of
> grey in colour, which will have lyrics of all the
> songs from a movie,
> printed in it. In the front cover, it will contain a
> picture of the
> hero and heroine of the movie. Inside, the song
> lyrics would be printed
> along with the name of the lyricist and the singers
> at the right hand
> top corner. They use to sell it outside our school.
> I bought it for 25
> or 30 paisa. I use to listen to the song with lyrics
> book in my hand
> and sing along with it. ‘Bombay’ was the first
> soundtrack for which I
> bought this lyrics book and use to keep it in secret
> between my school
> books. From then on, I bought the lyrics for all
> Rahman soundtracks
> that I got a chance to listen to. I use to steal
> money from my Dad’s
> purse for buying these books. 
> 
> ‘Kaathu Kaathu ena Kaathu’ from
> ‘Uzhavan’ brings me the memory of those days when I
> was in a crush with
> a girl called Sheela, who is 4 years elder than me.
> I use to sit on her
> laps while commuting in an auto rickshaw to school
> everyday. She
> performed for this ‘Kaathu kaathu ena kaathu’ song
> on annual day
> function and the way she danced graciously for the
> song is still fresh
> in my memory. I listened to the song mostly when she
> was practicing for
> that performance in the school. In those times, Sun
> TV was telecast
> only in the evenings, so for the rest of the time
> they use to play
> audio songs with a blank screen and that is when I
> often heard and
> liked ‘Raakkoli rendum mulichirukku’ song. 
> 
> One day, my uncle
> brought the original cassette of Kaadhalan. For the
> first time, he
> brought the tape recorder to the hall and played the
> songs of
> Kaadhalan. We were around five to six kids there at
> home at that time
> and we all liked the songs instantly. I could still
> remember how we
> group of kids couldn’t stop dancing for the tunes of
> Kaadhalan,
> because, song after song the rhythm pumped up our
> energy levels (we
> fast forwarded the ‘ennavalae’ song, we thought it
> was so boring). We
> played the whole soundtrack over 5 times on the very
> first day until we
> all got totally exhausted.
> 
> So far then Rahman had only reached
> my ears and my body but it was the music of ‘Minsara
> Kanavu’ which
> pierced my body and went deep into my soul. It was a
> kind of experience
> which gives me goose bumps, when I think about it
> even now. In our
> town, in every street, during July-august of every
> year, we celebrate a
> festival called ‘Maariyamman’ festival in which we
> pray to a goddess
> called ‘Maariyamma’ for the well-being of the
> families in that street.
> At this time, they use to hang big speakers in every
> electric 
=== message truncated ===



      
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