Well, I want to thank YOU for taking the time to read it and post to me how much you appreciate it! I feel so strongly about this album that I had to express myself through this review.
You're very welcome! --- In [email protected], "kool_navi007" <[EMAIL PROTECTED]> wrote: > > hey CHORD.............i m not getting the words for how to thank > you........giving such a fantastic review for boss's JA..........and > that with all the raaga details............thank you so much........ > > > > > > > > --- In [email protected], "Chord" <purevibz@> wrote: > > > > I have been waiting for what seems like eons to finally listen to > the > > music of Jodha Akbar. From the very beginning when I first heard > of > > the project, being a period film with Ashutosh as director, I > > surmised and hoped that Rahman's best would be tapped once more. I > > honestly feel that Rahman's best was not tapped in his recent Hindi > > or Tamil efforts, but that is another debate (not that I don't > enjoy > > his latest offerings). I have been very vocal about JA recently, > not > > only because of all the delays (I needed to vent!), but also due to > > cautious excitement in believing that something very special was > > about to be delivered by our Boss. Like with all ARR albums, this > > album has yet to fully absorb itself within my psyche as it's just > in > > its infancy of release. Here are my opinions on each track as I > have > > formed until now, possibly subject to some modification over time, > > but likely to stick at its core > > > > 1) Azeem O Shaan - Song spells grandeur and pomp. Like the loopy, > > punchy rhythm with some variations in between. Incredible use of > > drums, percussion as Shivamani has outdone himself. Of particular > > amazement if use of the the Japanese sword sound and rhythms in the > > second interlude. That is so awesome. I like the chorus overdubs > too. > > However, I found the track overall a bit musically "dry" with > little > > musical interludes and emphasis more on rhythm, which may be > > appropriate for the film situation. My least favorite track > > relatively. (7/10) > > > > 2) Jashne Bahaar - Love the use of the Oud throughout this > > beautifully crafted and melodically simple track. Simple, but > > brilliant and heartwarming melody rendered to perfection by Javed > > Ali, who has sung his best song to date with this in all > > probability. I like his strong, clear voice a lot and he sings > with > > good emotional strength. Love the intense Santoor flurry at the > end > > of the first musical interlude preceded by a melodically beautiful > > Oud solo. Rahman has used beautiful synth warm pads with soft > > strings to create a texturally delicious aural backdrop and > > soundscape to the song with his vintage trademark of delicate chord > > sequences. 8/10 > > > > 3) Khwaja Mere Khwaja - Wah! Kya Baat Hai Rahman Saab!!! I have > > never heard Rahman sing in such pure classical form during his > > frequent alaaps. Though we have heard him run away with sargams in > > other tracks, he has delved into the heavier side of classical > > singing with this piece de resistance of a track. The song builds > so > > beautifully beginning with harmonium and alaap, transitioning to > the > > chordal piano loop, eventually to tabla with madham khayal (medium > > tempo) to drut khayal (fast tempo at the end). Love the claps on > the > > downbeat rhythms. Last but not least, what an amazing musical > > interlude as Rahman changes raagas from Alaya Bilawal to Kalingda > > with use of what sounds like a flute and oboe combined. Gives the > > interlude a strong middle eastern, moghul flavor. Rahman uses the > > same interlude melody overlayed during the song's final stanzas > with > > amazing harmonization that only a musical genius can accomplish. > > Mindblowing track sung with great passion and devotional love. > > (10/10) > > > > 4) In Lamhon Ke - Such a dynamic track, unusual in structure > without > > sounding too experimental. Incredible singing by Sonu and > Madhushree > > with breath-taking melodies. Arrangement wise, there is too much > > going on for me to get into detail here. There are so many > beautiful > > ornamental touches throughout the song with flute and santoor > weaving > > in and out to create one of the most beautiful aural tapestries. > The > > first interlude is mindblowing with heavy chorus rendering fast > > taranas in raaga Desh followed by a heavy and dramatic antara with > > raaga Kirwani following a crescending melodic contour with eventual > > denuvement back to the main melodic theme. I wish the sitar piece > in > > the second interlude was longer and more elaborated as it just > teased > > a bit before Madhushree joins. She sings her part with such > > sweetness and smoothness with incredible melodic lilt. (9/10) > > > > 5)Man Mohanna - When I first heard that there was going to be a > > Bhajan, I was very happy as I loved the previous two Bhajans from > > Lagaan and Swades. This track totally blew me away with its > intense > > devotional rendering by Bela Shende and heavy classical style of > > singing which is performed to perfection in raaga Mishra Bhairavi. > > I've said before that I'm a sucker for semi classical forms of > music > > and to me, nobody does it better today than Rahman in film > > compositions. The instrumental interludes with flute and strings > > create some of the most haunting and expansive sounds and melodies > > we've heard from Rahman in a long time. The thythms are so > > beautifully crafted with tabla and ghattam? moving along a steady, > > meditative pace. This song has a meditative quality to it which is > > really appealing to me. It is so incredibly rich in > instrumentation > > and arrangements along with the classical singing that I literally > > sat stunned in amazed silence, paralyzed when I first heard it. > > Many, many goose-pimple moments in this song for me. For now, this > > track is my favorite. I realize that for many, it's their least > > favorite due to heavy classical singing and devotional, situational > > nature of the song. (10/10) > > > > 6) Jashne Bahar Instrumental - Naveen is in top form here, playing > > not only the main melody, but adding improv and variation hitting > the > > higher notes with such passion and restraint. I like it when he > adds > > on to the first musical interlude, overlaying the Oud. This is not > > your usual instrumental rendition of the main song. There is so > much > > beauty and depth to Naveen's playing. It just sounds so soothing. > > Musical therapy here. (9/10) > > > > 7) Khwaja Instrumental - This one took me by surprise in a very, > very > > good way. Only Rahman can compose an instrumental variation of a > > song that sounds so unlike the original song in form and > structure! > > From the beautifully looped harp rhythm to the magical oboe and > > string/symphonic arrangements, this is an instrumental that speaks > of > > Rahman's purity of soul and quiet love for all of humanity. It is > > one of the most peaceful pieces of music I have heard. It reminds > me > > of a beautiful painting, pure untampered art straight from the > heart > > and soul. Amazing chords with an incredible hook at the 2:21 > mark. > > Absolutely heavenly piece that just melts in your ears. WIsh it > was > > longer. (10/10) > > > > This is by far one of Rahman's finest set of compositions and will > > likely reach my top 5 Rahman albums in due time. THere is not one > > single track that I can say is sub-par or not up to the mark. All > > the delays, frustrations, waiting was well worth it with this > amazing > > masterpiece. I am just in total awe. How in God's name does > Rahman > > come up with music that's so larger than life? Top form in ALL > areas > > of musical composition - melody, harmony, arrangements, > > instrumentation, percussion, singing, lyrics, emotion, diversity of > > form and style. Rahman has also returned to his trademark > crispness > > of sound and lack of cluttered arrangements that have not been a > part > > of some of his compositions of late. He has returned with > > mindblowing musical interludes and delicate ornamentation, which I > > have missed of late. The soundtrack just oozes with incredible > > melody, as someone here posted, right there with the most > beautifully > > melodic albums of our times. A modern classic that will be > cherished > > by music lovers for generations, esp. if the film does well. Some > > have criticized that the music sounds too modern for a period film > of > > this type. I don't agree with that criticism as I feel that Rahman > > has balanced contemporary sound with traditional forms just > > perfectly. > > > > I fear that the music may not reach as much commercial succsss as > > hoped due to its emphasis on classical style and since hip hop > seems > > to be the thing that sells today. The film needs to do very well > for > > the music to reach all corners. But, there is no denying that a > > soundtrack like this only comes along once in a blue moon. > Rahmanji, > > you are just beyond words of praise. We are so lucky to be living > in > > the same era as you and your music. In this soundtrack, like your > > very best ones, the pure divinity that is channeled through your > > music shines like the brilliant sun. > > > > My God, what a masterpiece, a true work of brilliant art, wonderful > > magic, extraordinary brilliance, soulful passion, pure > > devotion. > > >
