I respect the overall review, but I am pretty appalled at the guy 
saying he wishes the Khwaja instrumental away.  Probably a bit too 
classy for him.  Hardly a redundant instrumental.....he could not be 
more wrong.  I found this instrumental so special because it sounds 
so unlike the original song except for core melody and it's just 
beautifully composed. One of my favorite instrumentals of recent 
times.  I just don't get some people's reasoning.  It's beyond me. 


--- In [email protected], "Chord" <[EMAIL PROTECTED]> wrote:
>
> Again, Man Mohanna bashed.  The beginning is incredible for 
> me.....what's wrong with it?  It's a mishra Bhairavi based track, 
> serious, somber.  It's very devotional.  It has rich 
instrumentation 
> and supreme classical melody, powerful lyrics, and top singing.  
It's 
> such a shame that a brilliant track is being panned left and right.
> 
> I guess most people hate semi classical music.
> 
> 
> --- In [email protected], "mmparthi2003" 
> <mmparthi2003@> wrote:
> >
> > Now thats a review! a good one! Thanks Thulasi for sharing it
> > 
> > 
> > --- In [email protected], "Thulasi Ram" <karokelip@> 
> wrote:
> > >
> > > http://www.buzz18.com/videos/videos/watch-the-music-of-
> jodhaa/33951
> > - link
> > > for video clip
> > >
> > http://www.buzz18.com/reviews/music/music-review-why-jodhaa-
> works/35491/0
> > > 
> > > MUSIC REVIEW: Why Jodhaa works  What makes Jodhaa's music 
> worthwhile
> > is that
> > > it showcases a rich culture  Abhishek Mande | Buzz18
> > >  Last updated : Jan 24, 2008
> > > email <http://www.buzz18.com/sendtofriend.php?id=35491>
> > > 
> > > 
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> > > 
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> > > 
> > >  An argument that a traditionalist recently put forth about
> > Bollywood film
> > > music was that it does not work without visuals. It wasn't 
> something one
> > > could refute because very often the hamming of a song's video on
> > channels
> > > makes it a 'chartbuster'.
> > > 
> > > However a sneak peek into the songs of *Jodhaa Akbar* at its 
> launch
> > recently
> > > had a completely opposite effect. For a change, the music 
seemed 
> so good
> > > that the picturisation somehow couldn't keep up.
> > > 
> > > That's AR Rahman for you. For a brief while after *Taal*, 
Rahman 
> had
> > begun
> > > to sound quite predictable. But it was in *Lagaan* that we 
found 
> him
> > > delivering songs that were not necessarily in his 'trademark 
> style'.
> > > 
> > > It is interesting to note that music director has teamed up yet
> > again with
> > > the *Lagaan* director and this time too he belts out a fairly
> > interesting
> > > line-up of songs. The question however is whether Ashu can 
match 
> his
> > vision
> > > to Rahman's.
> > > 
> > > Nevertheless, the seven-track album has five songs with two 
> instrumental
> > > pieces. While the instrumental version of *Jashn-E-Bahaaraa* 
> seems quite
> > > justified, it is somehow redundant to have a similar version of 
a
> > sufi song
> > > â€" *Khwaja mere Khwaja*.
> > > 
> > > Of course some critics would argue that music is just as 
important
> > an aspect
> > > of Sufism as lyrics (Remember Kabir's *dohas* may be all about
> > words, but
> > > Nanak preferred to reach God through music).
> > > 
> > > Nonetheless after hearing Rahman's rendition of this song and
> > listening to
> > > its lyrics (Kashif) you cannot help but wish the instrumental
> > version away.
> > > 
> > > It is after quite some time that one enjoys Rahman singing one 
of
> > his own
> > > compositions. This is the only track, for which the music 
director
> > lends his
> > > voice in this album. From among the rest too, the 
> only 'established
> > > mainstream' singer is Sonu Nigam who sings *Inn lamhon ke daaman
> > mein* along
> > > with Madhushree.
> > > Yet the album holds its own with the opening track, *Azeem-o-
shaan
> > > Shahenshah* â€" a tribute to the Mughal Emperor and
> > *Jashn-e-bahaaraa* â€" a
> > > soft romantic ballad. While Rahman embellishes the first track 
in 
> an
> > > almost-operatic fashion, the second one has minimal instruments 
> with the
> > > melody ruling supreme.
> > > 
> > > This is a trend that the maestro seems to have been taken in by.
> > Take *Rang
> > > De Basanti* for instance. As a colleague pointed out, while it 
did
> > have *Masti
> > > ki pathshala*, on the other hand there also was *Luka chuppi*.
> > > 
> > > Coming back to *Jodhaa…*, the one song that stands out as a 
> sore thumb
> > > however is *Mann Mohanaa*. The sufi theme that runs through 
most 
> of the
> > > album somehow abruptly gets cut off with this track. It's 
almost 
> as
> > if *Mann
> > > Mohanaa* was added as an afterthought.
> > > 
> > > Historical film music often borders on being patriotic (think
> > *Mangal Pandey
> > > *, or even *Lagaan* for that matter). Partly because of its 
> subject
> > matter,
> > > *Jodhaa Akbar* strays away from all of this. Its music therefore
> > showcases a
> > > culture… a culture that the Emperor had so carefully and
> > meticulously built
> > > and preserved.
> > > 
> > > So what's the verdict? We'd say go ahead and buy the music of
> > *Jodhaa Akbar*.
> > > It also comes in elaborate packing and along with a bonus DVD. 
But
> > at Rs 160
> > > it's a little on the expensive side. Think about it. If you 
don't
> > mind that
> > > big a hole in the pocket, what the hell!
> > > 
> > > *Rating:* 3/5
> > >
> >
>


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