Thanks Gomzy , for mentioning abt it. I am not saying this for any publicity. Just felt it could have been added, so that the world acknowledges ARR fans differently from other celebrity fans.
Thanks anwyay. On Sun, May 4, 2008 at 10:04 AM, Gomzy <[EMAIL PROTECTED]> wrote: > Vithur, > > We did mention it to her not once but twice about it. I am surprised she > has not written about it. > > On Sun, May 4, 2008 at 9:59 AM, Vithur <[EMAIL PROTECTED]> wrote: > > > Gomzy > > > > Was no mention made to the Times regarding our fans doing noble > > activities on a regular basis in Chennai. That should have been highlighted. > > It would have really made ARR feel proud of us > > > > On Sun, May 4, 2008 at 9:02 AM, Gomzy <[EMAIL PROTECTED]> > > wrote: > > > > > The times of India, Blore edition. page 21 > > > > > > Mad about Rahman, dil se These fans live and breathe A R Rahman's > > > music, finds > > > Sharmishta Koushik > > > > > > It was the year 1992. The film Roja was released and with it, a > > > new music sensation blossomed in the Indian film industry, attracting > > > droves > > > of fans, mesmerized by his melodies. Their chotti si asha is simply to > > > have > > > the pleasure of listening to A R Rahman's music and perhaps, watching him > > > perform live, and if they were really lucky, say a few words to the > > > musical > > > genius in person. Meet the A R Rahman Fans. > > > What started off as an e-group, set up by Gopal Srinivasan, a > > > Bangalore-based consultant, is, today, a veritable database of all things > > > Rahman. From several media interviews to rare recordings of his tracks and > > > the inside information on when a new album will be released, these > > > die-hard > > > fans are truly connoisseurs of Rahman's art. "The intent behind > > > establishing > > > this group was straightforward — to use the power of the internet to > > > network > > > with Rahman's fans around the world so that we could share the joy of > > > listening to his music. In many ways, it is Rahman himself who is > > > responsible for the popularity of this group — his music and his appeal > > > cutting across barriers. I am guilty of initially under-estimating the > > > global reach of his music — little did we realize that we would have > > > people > > > from so many countries across the world joining in," says Gopal > > > Srinivasan. And > > > indeed, today, the e-group has over 13,000 members. > > > On a rather sultry Sunday evening, a few members of the group in > > > Bangalore gathered in front of the rose garden in Cubbon Park to talk > > > about > > > their passion. Quite befitting, considering that for most of them, their > > > love affair with A R Rahman's music began with the film Roja (rose), > > > and like his music, their devotion to his talent has only increased from > > > strength to strength. Says Kangan Upadhyay, who works in a software > > > company, > > > "We heard the songs of Roja before they were officially released. And > > > although I didn't know the language, I could relate to those songs.'' > > > And she gives credit to the music director for her superb scores > > > in her II PU exam. "At that time, the music of Alaipayuthe was released, > > > and > > > I kept listening to it all the time while studying. I scored 99% in > > > Maths. I > > > kept humming the songs in my mind even as I was writing the paper,'' she > > > recalls with excitement. > > > The way Rahman's compositions revolutionized Indian film music is > > > something the fans immensely respect. "He brought in a whiff of > > > freshness,'' > > > says Balaji Rajagopal, a chartered accountant. "He brought to Indian > > > films a > > > sound which was, until then, only heard in jingles,'' says Chandrashekhar > > > Ganesh, a techie. "Earlier, viewers would walk > > > out of the theatre for a smoke when the songs would come on. Rahman's > > > music changed all that,'' says Gomtesh Upadhyay aka Gomzy, a techie. > > > "He's even a good singer,'' says Vithun Kumar, a BE student. Adds > > > Shahnawaz Gaffoor, a techie, "His music is international.'' > > > Not surprisingly, Rahman's concerts are always a grand event, akin > > > to international acts performing in India. And these fans ensure they are > > > there to watch Rahman live. Most of them took off to Chennai recently, > > > when Rahman performed there for a concert organized by The Times of India. > > > In fact, it was during the 2005 concert in Bangalore when the city's fans > > > met each other in person. They volunteered backstage and even had T-shirts > > > created especially for the event. > > > Rehearsals are when they get to interact with the maestro. Some of > > > the members have even met him at his residence in Chennai. "Once, I went > > > to > > > meet him at his place. As he was busy he told me to come the next day. He > > > asked me if I was a non-vegetarian. Since I wasn't, he ensured that > > > vegetarian food was ordered for me,'' says Prabhu Krishnamurthy, a techie. > > > During the 2005 concert, they even gifted Rahman a montage of all > > > his album covers, about 94 — both film and non-film scores. It now adorns > > > a > > > wall in his studio. And needless to say, if a fan wants to meet him at the > > > studio, those from this e-group are allowed right in. Rahman has even > > > dedicated a colouring book for children, released during the Pray For Me > > > Brother tour, to the e-group in November, 2007. > > > The members definitely deserve such a token of appreciation, > > > considering they have taken pains to count the number of musical genres he > > > has explored. According to them, his music spans about 36-38 genres. > > > The Bangalore-based fans meet up from time to time, if someone > > > gets hold of the latest copy of Rahman's album or a rare DVD of his work. > > > They recently met to watch a behind-the-scenes DVD of the musical Bombay > > > Dreams, which shows Rahman actually composing some of the tunes. > > > "We upload rare tracks on to the website. But it's strictly for > > > non-commercial and private use. We always buy the original CDs of his > > > albums,'' says Prabhu. "And, of course, we would be the first ones to buy > > > those albums on day one,'' says S Radhakrishnan, a techie. At times, > > > members > > > have heated debates. An unresolved one is about whether Rahman was the > > > first > > > music director to use a bass guitar in his compositions. > > > What sustains their immense passion is not just Rahman's music but > > > also the person he is. As Radhakrishnan puts it, "He has never let us > > > down.'' > > > > > > > > > > > > RAHMANIACS: These fans are devoted not just to his music but also the > > > man behind it > > > > > > > > > > > > -- > > regards, > > Vithur > > > > Whatever God wants to give, no one can deny; Whatever God wants to deny, > > no one can give. Be happy always > > > > > -- regards, Vithur Whatever God wants to give, no one can deny; Whatever God wants to deny, no one can give. Be happy always
