*En Jeevaney Song
http://nauchad.actrice.free.fr/AayuthaEzhuthu-BGM/En-Jivaney.MP3* Thanks to Vishnu Anil for posting this.. On Fri, May 30, 2008 at 10:31 PM, Sreekrishnan R <[EMAIL PROTECTED]> wrote: > Thanks a lot Vithur Bro.. > > "I have also sung for a Re recording in Aayidha Ezhithu, when Madhavan and > meera Jasmine meet, develop love etc etc ." > > I still remember that this Background score with vocal haunted me for so > long.. It starts as "En jeevanae..." and in the Hindi Version of Aayithe > Ezhuthu; "Yuva", this vocal was rendered by Rahmanji himself.. I watched the > movie in the Theater 4 times within the first 3 days just to enjoy the > Background score of AE, especially for this vocal part of > 'Manickavinayagam'. When I heard it first I thought that it was renderd by > Bharathiraja Sir. And some years after the release of the movie, today I got > it correct. Thanks to Vithur Anna for that. :-) > > A humble request : Can anyone please post the lyrics of that Vocal part > (En jeevanae...) by Maanichavinayagam ? > > Thanks in anticipation.. :-) > > May God be with you all.. forever... > > Best regards... > > Krish... > Rαнмαη ƒє√єr™ ♫♫ > > > > *Vithur <[EMAIL PROTECTED]>* > The transcript of the Part II of the interview of Singer Manickavinayagam > is as follows :- > > Q :- What other songs have you sung for Rahman ? > > Ans :- There was a song for S.J. Suryah. At the time of recording itself, > there were lot of furore. Because, S.J. Suryah, wanted maximum amount of sex > exposure and involvement in the song. He wanted lyrics to be written like > that. Vaali Sir got fed up, and went off home saying that he couldnt write > more than what he could at 11 30 PM. Rahman Sir was struggling in between. > He was making corrections in the Pallavi and Charanam. Then he told Suryah, > if he wanted him to get beatings from people. Rahman sir was scolding > Suryah. Then, he called me, and requested me to make some changes in the > lyrics of the charanam. I was just blushing him, by telling him that I am > not coming forward for this game of yours.. But the recording went on quite > nicely, and in a enjoyable fashion. The only worry for me was that the song > didnt come in the movie. ( MAARKANDEEYA NEE VARUVAAYA song ) . Nityashree > was feeling very uncomfortable singing that song. The song could have been > picturised in a better manner, which could have avoided it from being > deleted by the censor board. > > *ONE THING ABOUT RAHMAN IS THAT , WHATEVER MAY BE THE LYRICS ( IN TERMS OF > BEING WORDED SEXY) , HE WILL MAKE SURE THAT , WHEN THE SINGER SINGS IT, THE > IMPACT OF THE SEXINESS IS NOT THAT MUCH DISPLAYED BY THE SINGER. BY CHANCE, > IF THE SINGER HAD GIVEN SOME EXPRESSIONS, WHICH WAS LITTLE EXTRA, HE WOULD > RECORD A VERSION, WHERE THE SINGER HAD NOT GIVEN THAT EXTRA EXPRESSION. HE > ALWAYS MAKES SURE, THAT PEOPLE DONT SCOLD HIM, OR IT DOESNT COME IN A BAD > WAY...* > > ( The above was said by Raihanaji.... ) > > Q :- You had sung for a BGM in Kannathil Muttamittal. I had sung for the > female voice, and you had sung for the male version.. ( this was for the > Vidai Kodu Naadu BGM ) > > Ans :- The same tune was asked to be sung as an aalaap. He had taken it as > two three versions. The song and the BGM were amazing , when I watched the > film. It was a very touching scene in the film also.. > > I have also sung for a Re recording in Ayidha Ezhithu, when Madhavan and > meera Jasmine meet, develop love etc etc . There were two lyrics actually > written by Vairamuthu Sir, called Kiliye Kiliye. Rahman Sir told that he > didnt want those Kiliye Kiliye stufff. Instead, he wanted something like > Nilave, Ennavale sort of lyrics , and asked me, as Vairamuthu Sir was not in > town that time. He played an aalaap of a Hindi Singer, and showed me the > pattern , and wanted me to sing in that pattern. I went inside, and started > practising in my own style. > > The speciality with Rahman Sir is that ,,, He leaves us by giving us full > freedom, so that we can do what all circuses we want to do. So, when I was > singing it, he commented to Maniratnam saying, " See here, How the Pakistani > singer is singing ".... That was a big compliment to me. Though he may be > young to me by age, today, he is a very big genuius internationall > acclaimed. I am very proud to see myself existing in his times. > > The way he recognises, the talent of others, and praises them is not to be > seen anywhere. > > As a Music Director, I had come to panchathan Studio of ARR, along with > Jesudas anna. That time, Rahman Sir had requested Jesudas anna to come and > hear the songs of Roja, telling that it was his first film... His humility > always takes him to heights > > > FAVOURITE SONGS OF ARR > > 1. Chinna Chinna aasai > 2. Ennavale Ennavale > 3. Yerrani Kurrani Gopala --- Rahman Sir's speciality is the way he blends > the fusion in a folk song. Its a blessing of his parents, of GOD. His > fingers have a speciality... a blessing > 4. Udhaya Udhaya - > > A great musician and a great composer is a rarity and we find Rahman Sir in > that category. > > 5. Sahaana Saaral .... Superb Melody... No one can dare to compose such a > melody number for rajni Sir. Absolutely superb > > 6. Kurukku Sirithavale ... Superb Raaga ... > > I used to feel jealous of not getting to sing these songs like Aalakanda ( > Sangamam) > > Snghidane ( aalaipayudhey) .. soft melody. Only hecan compose such tunes.. > > > > -- > regards, > Vithur > > HELP EVER; HURT NEVER; > LOVE ALL; SERVE ALL > > > > > > "No matter how much you do, > it's never enough. > Music is my only therapy. > There are so many awful things happening in the world. > I wish i could heal the world." -- A R Rahman > > ------------------------------ > Share files, take polls, and make new friends - all under one roof. Click > here.<http://in.rd.yahoo.com/tagline_groups_8/*http://in.promos.yahoo.com/groups/> > > > -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
