On 6/6/2008 1:36 PM India Time, _V S Rawat_ wrote:

> On 6/6/2008 11:18 AM India Time, _sheetalambar_ wrote:
> 
>> Hi there everyone !!
>> Does anyone know where I can find an english translated version of 
>> MUJHPE TOOFAN UTHAYE from TEHZEEB ? 
>> Or is it possible if someone could translate it for me ?
>> Pleeeez & Thank You !! :)
>>
> 
> hindi lyrics are these. hope someone could spare time in translating 
> them to english or I will do on sunday.

OK. not seen translations posted till now, so taking the plungs myself. 
Here it is.

btw, the construction and choice of words is peculiar and is not 
followed in day-to-day hindi/ urdu, and I didn't catch even the original 
words correctly, so I am not able to correctly get the concept and thus 
the translations may be lacking in many aspects.

> 
> mujh pe tuufaa.N uThaaye logo.n ne \-2

people have raised storm on me (my behavior, my actions, my love story...)

> muft baiThe\-biThaaye logo.n ne \-2

(storm raised by those) people who were sitting idle and free

> kar diyaa apane aane\-jaane ke \-2

my coming and going (to a particular place)

> tazakire jaaye\-jaaye logo.n ne

was talked about by people who were gone cases

> 
> mujh pe tuufaa.N uThaaye logo.n ne
> muft baiThe\-biThaaye logo.n ne
> 
> vasl kii baate.n kab ban aa_ii thii.n

the talks about our meeting were all made

> dil se dafatar banaaye logo.n ne

my heart was made an office (under public scrutiny) by people

> baat apanii vahaa.N na jamane diye

people didn't let me leave an impression at that place

> apane naqsh jamaaye logo.n ne

people rather left their own impressions (at that place, on that person)

> 
> mujh pe tuufaa.N uThaaye logo.n ne
> muft baiThe\-biThaaye logo.n ne \-2
> 
> sun ke u.Datii sii apanii chaahat kii \-2

when I heard of rumors about my love

> dono.n ke hosh u.Daaye logo.n ne

people made my beloved and myself worried

> bin kahe raaz haay bin haa.N ne \-2

the secrets that were not spoken

> use kyuu.N kar sunaaye logo.n ne

why did people tell my beloved

> 
> mujh pe tuufaa.N uThaaye logo.n ne
> 
> kya tamaashaa hai jo naa dekhe the \-2

there was no show that I might not have seen

> wo tamaashe dikhaaye logo.n ne

even then, people have shown me such shows

> kar diyaa momin us sanam ko Kudaa

people raised momin's (the poet's) beloved to the level of a god

> kyaa kiyaa haay\-haay logo.n ne \-2

Alas, what have people done.

> 
> mujh pe tuufaa.N uThaaye logo.n ne
> muft baiThe\-biThaaye logo.n ne
> mujh pe tuufaa.N uThaaye logo.n ne
> 
> mujh pe tufaan uThaaye logo.n ne \-2
> 

The ghazal has serious thoughts but the construction of the ashaars give 
an impression of it being humor (mazahia ghazal). Some poets were 
masters of such an art.

Daag Dehalvi:
hosh-o-havaas, taab-o-tuwaan 'Daag' ja chuke
ab ham bhi jaane waale hain saamaan to gaya

Meer Taqi Meer
Ishq ek 'Meer' bhaari patthar hai
kab is natuwaan se uthta hai

Mirza Ghalib
hairaan hoon dil ko roouun ki peetoon jigar ko main
maqdoor hoon to saath rakhoon nauhagar ko main

(name not known)
Mariz-e-muhabbat unhi ka fasaana sunaata rahaa dam nkaltey nikaltey.
magr zikr-e-sham alam jab k aia chiragh-e-sahar bujh gaia jaltey jaltey.

The point is, such type of serious-thoughts-wrapped-in-light-humor are 
very popular among are respected by language-knowers, but common people 
get only the outer humor and do not reach to the serious meaning hidden 
in the depths of such ghazals, thus most common people take the ghazal 
lightly, in the same vain as a joke. They listen to it, smile and laugh, 
and then forget it.

And if you see, most of the ghazals in Tehzeeb were of such uncommon 
constructions, not prevalent in urdu ghazals, hard on ears and mind, and 
that could be one reason why Tehzeeb's music didn't become popular.

I think that the selection was ghazal lyrics was not done by ARR. I 
think these were choosen by Khalid Mohammad. The surface humor of these 
ghazal lyrics appeared absolutely out of place in the outright serious 
mood of the film and people could not accept it, and ARR's first attempt 
at composing the ghazals found no takers.

-- 
Rawat

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