Oh yeah! Chord :) How can we forget such an energetic album? And that Jazz bit was really genius thinking yet situational. ManiRatnam really well picturized it in slow motion Kareena Kapoor playing with waves. Let's call it Jazzy waves :)
Generally, In most of the songs Rahman creates such up/downs and also fusing two geners to remove monotonous of the song. In the same album he used classical bit Pa Sa Ni Sa in Fana song. That's what we call creativity and so his songs are always special. :) --- In arrahmanfans@yahoogroups.com, "Chord" <[EMAIL PROTECTED]> wrote: > > How did this album eventually go down? I remember that when it first > came out, it was not well received by reviewers, claiming it lacked > soul, etc. I personally was a bit taken aback by the heavy techno > nature of the music but I can say with confidence now that it was a > bold effort by Mani and Rahman with new ground treaded. My favorite > song of that album is Khuda Hafiz/Goodbye Nanba and it remains one of > my all time favorite Rahman songs for many reasons. It's sheer genius > with panache, punch, style, hooks, melody, you name it. I'm still > blown away by the middle jazz interlude......it's so genius I just > burst out laughing at what a crazy and brilliant idea that was to put > a jazz interlude within a techno song! Wow! >
