the last portion in Nazarein churana song (JTYJN) when the male &
female voices come together (3:12) sing a line and then the female
voice continues letting the male stop the guitar jamming in this
portion is perfect. I had heard these kind of interventions in the
older symphonies where it makes you wonder with the raised brows
usually with horn & flute. Here you are listening with an absolute
contrast with guitar & voice in this song I don't know if I have just
think it as jamming or accept that as the wonderful composition and I
will go with the later. Anybody to fall in my league????
