ya.. that's me!!!  :) :)

Thanks Gops...... Thanks vithur!


http://arrahmaniac.blogspot.com


--- On Fri, 6/20/08, Vithur <[EMAIL PROTECTED]> wrote:
From: Vithur <[EMAIL PROTECTED]>
Subject: Re: [arr] Aravind reviews Ada
To: [email protected]
Date: Friday, June 20, 2008, 9:49 AM










    
            Aravind here is our  Aravind AM... Cheers . 


On Fri, Jun 20, 2008 at 9:44 AM, Gopal Srinivasan <[EMAIL PROTECTED] com> wrote:






Ada - Music Review Ada - the album is aptly
tagged "A Musical journey by A.R.Rahman", for he has been composing for
this film for about 7 years and the album takes us through a journey
with ARR!!!


The album starts with the male version of Ishq Ada Hai rendered by Rashi Ali, 
the guitarist who has been playing guitars for
ARR for quite sometime now. Though he has sung "Nadhirdhinna" in
Parthale paravasam, it went unnoticed... Ishq Ada should prove to be a

nice platform for him, to launch him as a singer, for it showcases his
powerful voice brilliantly! The waltz pattern, the addictive accordion
bits, the simple tune - all of these make the song instantly likeable.


Then comes Hawa Sun Hawa - one of the most beautiful melodies composed by ARR. 
Rendered by Sonu
and a much-younger (less shrill) Alka Yagnik (probably recorded in
2002-2003), this track takes time to grow on, but will become one of

the songs, closest to the heart! Naveen adds more beauty to this song
with the wonderful flute interludes, which leaves you yearning for
more!!

Gumsum Gumsum is one of the tracks that was given for the remix contest,

which was organised for promoting the movie. So I'd heard first 60
seconds of just the voice track and imagined that it would be a totally
western track with drums et al! Lo and behold... Rahman surprised me

totally, making it a desi track with dholaks!! Was this composed at
about the same time as Water?
I felt there was an "aayo re" hangover in the santoor interludes (just
the style, I mean!). Another duet for Sony and Alka and they do a

commendable job!
And, how could I forget the short guitar surprise at around 3:40!!! The muted 
guitar bit is MAGICAL!!!

Sonu Nigam comes back, this time accompanied by Sunidhi Chauhan (her second 
song for Rahman) for Gulfisha.

And Sunidhi works wonders in this one! The song starts of with French
chants by Viviane Chaix and then moves on to powerful Sonu's voice.
But, it is Sunidhi who takes it to a completely new level! The point
when she switches to the high pitched Gulfisha from the low pitched one

(at around 1:18) is mindblowing! ! This song, too, will take sometime to
grow on you!

The next song in the album is the one which brings
in the "who came first - chicken or egg" type question back again -

Does Rahman always choose to render the best song of the album or does
the song become the best because of Rahman's rendition? yes... Meherbaan 
rendered by ARR is definitely the "Song of the album". Starting as a

soft melody with backed by piano and a gentle rhythm, it it becomes
rock-ish with distortion guitars in the second half of the song, still
retaining the melodic feel. There's a certain something in his voice

which makes any song he sings, SPECIAL! This one is no different!

Next in the album, Tu Mera Hai must be one of the songs recorded during the 
later half of Rahman's 7
year long "Musical journey", for it features Naresh Iyer along with

Chitra and Sukhwinder! Sukhwinder and Chitra have done a commendable
job, with Naresh Iyer chipping in with the "laahi laahi" bit! Though
this was my least fav in the album, this one is rapidly moving up my

list!!

Rahman tries to recreate the "Ae Ajnabi" magic with Hai Dard - a sad song sung 
by Udit Narayan - and pulls it off! Though not as
powerful as the classic Dil Se track, this one is great in its own

right. The song is styled like a 1970s bollywood pathos song, in waltz
beats. Udit's voice aptly conveys the emotions of the lover in pain!
The sax interludes create a mystic feel to the song!

Parul Mishra, the winner of Fever FM's Voice Hunt (held last November), makes 
her debut with Ishq Ada Hai.

Her voice is fresh and quite unusual, and she carries off the song with
ease, and makes this song rank higher than the male version! The
backing vocals and arrangements are quite different from the male
version of the song.


Legendary Malayalam singer P.Jayachandran makes his Hindi debut with the pathos 
number, Milo Wahan Wahan, with Alka for company. Alka
starts off the song, and sets the mood of the song perfectly. When
Jayachandran joins in, the song moves up a few notches! The highlight

of the song is the second antara sung by Jayachandran (starting 5:05).
What a voice!
The lyrics, are a bit of a letdown - though the mood
of the song is conveyed perfectly in the lyrics, the lines are far from

poetic!

Sanjeev Thomas mesmerises us with the Guitar instrumental version of 
"Meherbaan".
The instrumental is as impressive as the original sung by Rahman. The
use of distortion guitar for the high pitched parts and normal electric

guitars for the softer parts speaks of the genius of the man!

In all, Ada is a classic - on the likes of Meenaxi or Taal - a must-have for 
any music lover.

PS: ARR composed this album over a period of 7 years.... I wrote this review 
over a period of 21 days!! :P


http://arrahmaniac. blogspot. com/2008/ 05/ada-music- review.html

 


-- 
regards,
Vithur


HELP EVER; HURT NEVER;
LOVE ALL; SERVE ALL 

      

    
    
        
         
        
        








        


        
        


      

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