'Jaane Tu Ya Jaane Na': Campus se Campus Tak! Sometimes it does happens
that a recycled dress looks better or a rehashed dish actually tastes
better that the original.  The plot of Abbas Tyrewala's 'Jaane Tu Ya
Jaane Na'
<http://entertainment.in.msn.com/bollywood/jaanetuyajaanena.aspx>  has
been used in so many films that the thought of yet another 'best friends
who don't realize they are in love' idea induces a groan.  [Jaane Tu Ya
Jaane Na: Campus se Campus Taq!]    Movie Review by Deepa Gahlot    But
the film turns out to be delightful—funny, poignant and genuinely
youthful.  The quirkiness of the director, the witty lines, the
freshness of the characters start to grow on you;  the unusual casting,
the reality of ordinary people's lives hits home and then you sit back
and enjoy the rest of the film and come out smiling (in spite of that
grr-inducing 'Godot' cleverness!)   Jai Rathod (Imran Khan) has been
brought as a decent, non-violent boy by his slightly loopy mother
Savitri (Ratna Pathak Shah) who fights with his dead father's portrait.
His best friend Aditi (Genelia D'souza) is a feisty and ill-tempered
girl, whose favourite punching bag is her brother Amit  (Prateik
Babbar).   They have a 'gang' of loyal friends and everyone thinks Jai
and Aditi are made for each other, except the two themselves. Jai falls
for a soft, feminine Meghna (Manjari Phadnis), while Aditi is attracted
to a macho type (Ayaz Khan).   The lure of the film lies in its
perfectly ordinary characters, who seem real, with their own set of
whims.  For instance, there is a sweet tenderness in the relationship
between Aditi and her brother. They fight all the time, and she never
realizes that he really cares for her, and that his angst-ridden
loneliness is actually the pain of losing her—his best friend—to
other buddies.
Megha with her silly "What's this?" fantasy game looks ditzy, but hides
a traumatic growing up with bitterly unhappy parents. Jai's mother is an
activist (you see her reading heavy-duty books), who is constantly
battling the creepy neighbourhood cop Waghmare (Paresh
Rawal—hilarious!) But all this is revealed with a light,
sympathetic, affectionate touch.   There is the very, very hackneyed
airport climax; there is the very slightly disturbing thought that the
film actually lists violence as a mark of manhood. But 'Jaane Tu…'
(the title from a song in 'Aa Gale Lag Ja', sung by various characters
with various degrees of cacophony)  is such a nice, clean, enjoyable
film that you don't really mind. The Khan brothers—Sohail and
Arbaaz—sportingly put in crazy cameos,  revealing a hitherto unseen
comic side.   Imran Khan has an apple pie kind of wholesomeness and
Genelia D'Souza a sugar-and-spice charm that will appeal to the films
target audience of teens. Both give perfectly tuned performances and are
accompanied by a supporting cast of spirited, raw youngsters and the
dependable veterans like Paresh Rawal and Ratna Pathak Shah. And
everybody's going to come out humming Kabhi Kabhi Aditi or Pappu can't
dance—AR Rahman at his popular best.   Source: India Syndicate

http://entertainment.in.msn.com/bollywood/article.aspx?cp-documentid=154\
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