Absolutely true !!! Goosebumps all the way!!! " The search is more important than the destination " - a r rahman -
--- On Thu, 17/7/08, Jahanzeb Farooq <[EMAIL PROTECTED]> wrote: From: Jahanzeb Farooq <[EMAIL PROTECTED]> Subject: [arr] Re: Taal Se Taal intro........one of the best ever? To: [email protected] Date: Thursday, 17 July, 2008, 7:29 PM Chord I completely agree with you. It is as if you are describing my feelings about the song. Taal se taal is my most favorite ARR song and exactly as you described the start-up is out of the world. Especially it is heaven when it fully enters to the full mode with all dholaks etc. Mindblowing. Last days once when I played it in my car, my Tunisian friend said it is the best he heard from me till now. Because of the rain effects (water droplets in the beginning and then the rythm) I always love to play it when it is raining. Salute to our boss for creating a masterpiece like this. --- In arrahmanfans@ yahoogroups. com, "Chord" <[EMAIL PROTECTED] .> wrote: > > Taal Se Taal Mila from Taal is one of my all time favorite songs, > period. What I find most captivating is how the song begins and > evolves bit by bit......first the water droplets, then the soft > Taranas by Sukhwinder the dholak, ghungrus, more droplets, then the > steady, mesmerizing rhythm with full ghungrus and dholak. Heard that > Rahman asked the dholak player to tie ice cream sticks on his hands to > create a certain percussion sound. Alka's singing is extremely > beautiful and never shrill, like she often sounds. > > I find that the intro of Taal Se Taal is probably one of the most > brilliant, original, innovative starts to any Hindi film song ever. Recent Activity 68 New Members Visit Your Group Ads on Yahoo! Learn more now. Reach customers searching for you. Women of Curves on Yahoo! Groups see how women are changing their lives. Y! Messenger Instant hello Chat in real-time with your friends. . Bring your gang together. Do your thing. Find your favourite Yahoo! group at http://in.promos.yahoo.com/groups/
