i didn't understand from these lines.whether they say he inspired from the 
english song 
 
do let me know.
 
murali



To: [EMAIL PROTECTED]: [EMAIL PROTECTED]: Sun, 20 Jul 2008 22:08:24 
-0700Subject: [arr] Late ...but finally The Hindu reviews JYJTN ...Sudish Kamath







Right from the jazzy opening credits, A.R. Rahman seems to have a blast with a 
fitting genre-tribute to Harry Connick Jr's 'Let's Call The Whole Thing Off' 
(from the 'When Harry Met Sally' OST) with 'Tu Bole'… The album is a must-buy.

Full of magical moments 






 LOVE IS IN THE AIR: Jaane Tu. Ya Jaane Na 

Jaane Tu…Ya Jaane Na 
Genre: Romance
Director: Abbas Tyrewala
Cast: Imran Khan, Genelia D'Souza, Naseeruddin Shah, Ratna Pathak Shah
Storyline: Best friends Jai and Aditi don't know they love each other. Until…
Bottomline: Fall in love with the magic of movies

Every generation cherishes a coming-of-age film they grew up watching. Two 
decades ago, Aamir entered the Bollywood Khan-daan with one of the most 
definitive films of that generation. 'Qayamat Se Qayamat Tak," Jo Jeeta Wohi 
Sikander,̵ 7; 'Dil Chahta Hai' and now…The new generation has 'Jaane Tu… Ya 
Jaane Na,' a film that will live on for years as another Khan arrives in style.
Despite its inspired origins (a structure borrowed from 'Forget Paris,' 
'Celeste and Estrela' and also employed earlier in 'Chalte Chalte') and being 
derived from the Hollywood school of romantic comedies, 'Jaane Tu..'. is one of 
those movies that instantly connects to the youth simply because of the world 
it is set in and the characters who inhabit it. Full of ordinary people 

This world where 'Pappu can't dance' is about a bunch of friends who are as 
ordinary as they get in the real world, leading perfectly normal lives with 
friends who sing out of tune. A world where a boy and girl can be the best of 
friends and yet had somehow never really considered seeing each other. A world 
where it's no big deal for people dealing with unrequited love to settle for 
love where it is available. A world where people are never sure of their 
feelings. And where compatibility is the necessity for romance.
What's interesting about Abbas Tyrewala's storytelling is how he makes a simple 
slice-of-life story turn larger than life by exploiting the age-old unwritten 
law of machismo buried in our films.
Tyrewala also has extremely believable support characters, whether it is the 
circle of friends or family… Ratna Pathak Shah has to be one of the best 
onscreen moms in recent times. The ensemble is an example of flawless casting. 
What makes us like Imran Khan instantly is that right from the start, he's just 
the quiet boy next door who never tries to impress (no fancy bikes or 
complicated dance steps other star-sons use to launch themselves), always doing 
exactly what the character demands him to do. 
Genelia's Aditi is easily excitable and hence, those who hate her may still 
hate her and those who love her would love her more.
Right from the jazzy opening credits, A.R. Rahman seems to have a blast with a 
fitting genre-tribute to Harry Connick Jr's 'Let's Call The Whole Thing Off' 
(from the 'When Harry Met Sally' OST) with 'Tu Bole'… The album is a must-buy.
Yes, it may not be a wholly original film, but it has those magical moments 
that make you forget everything else.


SUDHISH KAMATH
http://www.thehindu.com/fr/2008/07/18/stories/2008071851070200.htm-- 
-Ahttp://viewsnmuse.blogspot.com 




 





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