Money matters is the easiest that media can say to convince. Regarding YRF studios, they have the same EUPHONIX system as AM Studios (so far the only 2 in India). I am not sure of its 7.1 delivery like what is there in the AM. However it has got lot of Pro tools & audio Engrs might be the largest. Being a fan of audio engineering and with great respects I have for them I dont wish to make the following statement but I can resist Those many AE's actually created ultimate noise in Jhoom Bara bar Jhoom & Dhoom 2, unbearable.
-R --- In [email protected], Vithur <[EMAIL PROTECTED]> wrote: > > I dont believe in this... ARR getting angry for money matters, and turning > down a project.. > > I dont understand why should Directors want or demand ARR to work according > to their schedules... Staying awake in the nights and recording is ARR 's > wish and comfort. That cant be areason at all.... Sounds very foolish to > me. If Yashraj cant be awake in the night, he can very well go during the > day, and ask ARR to play the tune, that he has recorded. > > Is Yash Raj Studios better than Panchathan or AM studios. ?? BIG LOL > > On Sat, Oct 11, 2008 at 3:00 PM, adnanakkm4u <[EMAIL PROTECTED]> wrote: > > > Rahman snubs Yash Chopra > > > > (BM&C) > > > > 11 October 2008 > > > > Music maestro turns down opportunity to work with the legenadary > > Chopra due to money matters > > > > Going by the recent fate of YashRaj Films at the box-office since > > his retirement, Yash Chopra decided to make a comeback for one last > > time. However, Yashji's plans of pulling a grand casting coup failed > > thanks to music maestro A R Rahman. > > > > Due to his friendship with the Bachchan family, Yashji signed > > Amitabh Bachchan and Abhishek Bachchan and even convinced them to > > work in the film with Shah Rukh Khan. > > > > But it wasn't the cast that Yashji was worried about; it was getting > > his dream music director, A R Rahman that he was more concerned > > with. Says a YashRaj source, ìYashji is a big fan of Rehman but he > > never got to work with him because Aditya isn't too fond of Rehman's > > brand of music. Since this is Yashji's last directorial film he was > > adamant on fulfilling his dream by getting Rehman to score the music > > of his romantic musical drama.î > > > > Yashji personally called Rahman for a meeting. Rahman was equally > > excited to receive a call from the legend, but what followed later > > was something that Rahman never expected. Reportedly, Yashji put a > > list of demands on Rahman which upset him so much that he walked out > > of the meeting. > > > > A source close to Rahman reveals, ìRahman works only at night and > > Yashji was informed about this before the meeting. Despite knowing > > this, Yashji demanded that Rahman should work in the day because > > Yashji owing to his health could only work in the day. He also > > insisted that Rahman should record only at the YashRaj studios and > > even stay in the studios during the recording.î Apparently, Rahman > > agreed to all this but what transpired after this is what angered > > Rahman. When it came to Rahman's fee, Yashji offered him an > > extremely paltry sum and when Rahman protested Yashji reportedly > > said, ìYou should consider yourself lucky that you are getting to > > compose music for a Yash Chopra film. This is a privilege and not > > all music directors get this chance.î This angered Rahman, who is a > > legend himself. He excused himself from the meeting and never > > returned. Later Rahman asked his office to tell Yashji that Rahman > > wasn't interested in his project. > > > > Yashji tried getting in touch with Rahman but the latter has been > > avoiding him. With little choice left, one last heard that Yashji is > > in talks with the trio of Shankar-Ehsaan and Loy to compose music > > for this film. > > > > source:http://www.khaleejtimes.com/citytimes/inside.asp? > > xfile=/data/citytimes/2008/October/citytimes_October77.xml§ion=ci > > tytimes > > > > > > > > > > -- > regards, > Vithur > > ARR in my Heart; > His Music in my Blood; >
