Review: Slumdog Millionaire (2008) Slumdog Millionaire
2008
120 minutes
rated PG-13 (language, adult situations, violence)
opens November 12 in limited release

by Scott Mendelson

There
has been an ongoing debate for the last several years about the very
concept of knowledge. With the advances of the internet and billions of
people literally having any piece of information at their fingertips,
what is the real benefit of knowledge? Why teach children facts when
they can look them up in five seconds on Wikipedia or Google? Why
devour trivia books (such as Uncle John's Bathroom Reader) when any
random fact is available upon request? While there will always be such
people as myself who take pride in knowing as much as possible about as
much as possible (I'm not a 'know-it-all', I'm a 'want to
know-it-all'), what practical purpose remains for storing facts, dates,
names, and events when the answer key to the world is sitting at your
fingertips?

Loveleen Tandan and Danny Boyle's delightful fable
Slumdog Millionaire suggests that our lives can be considered a sum of
our knowledge. The more we do, the more we experience, then the more we
know. Hence, the more we know, the richer our lives have been and can
be. The film concerns a single life, up to the age of eighteen, told
against the backdrop of an event that could transform that life forever.

The
plot - Jamil Malik (Skins' Dev Patel) has lived a tough and brutal life
as an impoverished child in Mumbai, India. But now, through luck and
perhaps intent, he sits in the winner's circle of the Indian version of
'Who Wants To Be A Millionaire?'. As he awaits the final question that
will award him 20 million rupees, he is arrested and detained by Mumbai
police on suspicion of cheating. Doctors, lawyers, and scientists have
never won as much money on this show, so how could a poor kid from the
slums possibly know so much? With his life possibly hanging in the
balance, Malik tells his interrogator the story of his life up to that
point, with highlighting key events that will explain how be came to
know the answers to the questions thus far.

That's all you get,
and that's all you want going in. The film is a simple one, and the
life of Malik sometimes flirts with cliche. But the movie succeeds as a
sum of its parts, and its slow-building power becomes intoxicating. The
film looks absolutely gorgeous, with widescreen vistas of India
contrasting with sharp, intrusive closeups during interrogation scenes.
The scenes set on the game show itself are both electric and
claustrophobic, with Boyle doing his best to approximate the feeling of
being on that once legendary show.

The
acting is uniformly excellent, but it never stands out never overpowers
the narrative. Each of the leads is played by three different actors as
they age, and each young actor blends seamlessly with the one following
or proceeding. Of the case, only Anil Kapoor stands out. He has fun
playing the game show host, a seemingly jovial man of shifting motives
and complicated feelings about having his spotlight stolen by this
genuinely interesting young man.

And, unlike several other Danny
Boyle pictures, the film actually has a compelling third act and an
emotionally involving climax. No spoilers, but the film does not go
sliding off the rails in the manner of 28 Days Later, Sunshine, and The
Beach. Granted, he was loosely adapting Vikas Swarup's novel Q&A,
but I was genuinely fearful that Boyle would once again drop the
third-act ball. No worries, the last act is, if anything, superior to
its somewhat dragging initial first act set-up. 

In
the end, Boyle and Tandan have made an enchanting story about the power
of knowledge, knowledge gained from experiences and gained from life
itself. The film sneaks up on the audience, slowly building emotional
investment until the moviegoers are playing along with Malik and
holding their breaths at the end. It is easily one of the more charming
and original movies of this year and is absolutely perfect family
entertainment for anyone over the age of ten. It is a celebration of
not just the usual triumph of the human spirit, but a celebration of
the human experience. For it's not just what you know, it's how you
came to know it.

http://scottalanmendelson.blogspot.com/2008/10/review-slumdog-millionaire-2008.html

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