Dear all,

I am an engineer by profession.I used to be very active here, 
especially around the years 2002-2005, where I was in my varsity 
days.....Im working nowadays, hence there's hardly time for me to 
pen anything here....Have been silently observing many things posted 
here, and felt like wanted to give my view: Mind you, Im a die-hard 
fan of ARR but unbiased. This write-up is intended purely for 
working class people , because they will be in a better position to 
understand my views, but I do welcome responses from others.I'll put 
it in essay point form for easier-reading: 

1) CURRENT MUSIC of ARR
   - Lots of people complain that he doesn't sound the same like the 
     90's.
   - When ARR was fresh in the industry, he does it all by himself: 
     composing, arrangement, mixing, editing,etc...only ASSISTED by 
     his engineers to fine tune or whatsoever. This is similar to a
     junior engineer, who is loaded with all kind of tasks on his 
     head for the next five years at least. So, quality is there, 
     since only the individual is there, and if he is good, he will 
     churn out the results. ARR single handedly did everything, and 
     the result was mindblowing.

   - As ARR grew bigger in popularity, he had major distractions. 
     That little man who used to be media shy,reclusive, and cooped 
     up in Panchathan had to attend functions, awards, TV 
     interviews, overseas programmes, charity dinners, events,be 
     ambassador, etc. The junior engineer now would have become a 
     manager, and although he is very skilled, will not be in the 
     position to do all the hard work he used to do to build his 
     career and spend many nights in the office. Instead he 
     will have many junior engineers coming through the ranks and he 
     will delegate the job to them. Same applies to ARR. In current 
     terms, He definitely wouldn't have the time to do all by 
     himself..So, too many cook, spoil the soup, to a certain 
     extent. 

  -  I matured 
     in my thinking towards the couple of final years in my 
     university. He grounded in Tamil Nadu, and spread to 
     Maharashtra, and flew to UK, then rocketed to US. He is, truly, 
     now an International figure. Hence, people all 
     over the world will be eager to listen to his works. So,he 
     should not compose a Tamil song with only Tamil audience in 
     mind. He has to experiment as much as possible to come up 
     with a song which appeals to Tamilians as well as pleasing his 
     international fans.Similarly, working for a local company and a 
     multinational comapny requires so much adjustment in an 
     individual. Not to compare here, but Harris Jayaraj and 
     Yuvan is what ARR 10 years ago, catering the Tamil Film 
     Industry only. If they venture into bollywood and hollywood, 
     they'll need to change the way they make music too. We need to 
     understand this and accept the fact. 

-    I love melodies predominantly,but that doesn't mean that I 
     don't like rhythm. Just an example: Kummi Adi (Sillunu Oru 
     Kaadhal) is a folk song. Sangamam is also folk + carnatic. If 
     you ask me, personally I would say, the beats in Sangamam were 
     lively and thunderous. Kummi Adi's beats sounds programmed all 
     the way. But then we need to understand one thing: As time 
     goes, lots of changes happening in this world. How to reach the 
     current younger generation (the teens) to respond to our folk 
     song?....It has to have their taste. When I played Sangamam to 
     my brother (he is 19), he says...Oh, boring la...But he enjoys 
     kummi adi....I understood one thing: I have gotten older, and 
     music of today is aimed atthe teens and they like more of hip 
     hop, rap, genres. They are not into "soul"...not for time 
     being, at least....

-    One last point is that "Nothing is Permanent"....As we grow 
     older, we can never recapture our old stuffs. I used to run 
     8kms effortlessly, but now gasping for breath even in my 2nd 
     km. When ARR 
     did "Kalluri Salai", he was in his late 20's, so his mind is of 
     a young man.....Now he is 40, so if you notice, he has reduced 
     a lot of rhythm (there are still rhythm, of course, just 
     reduced in racy numbers) and moving towards western classical,  
     electronica(Vangelis kind of sound, heard too often in his 
     works nowadays). 
     So to expect someone to do the same until the end is very 
     wishful thinking. Even Rajnikanth cannot be a hero until the 
     end. One day, he either retires or becoming supporting 
     actor.


My humble opinion is that as long as ARR can give at least 2 soul-
stirrer like New York Nagaram & Munbe Vaa in each film, it is 
sufficient until i breathe my last. We as a fan, should accept the 
fact that he has grown too big and hardly have the time to be the 
90's ARR. If we can accept this fact, there won't be much 
disappointments. After all, ARR is also a human being like us. God 
bless.     
   

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