Movies:
Movie Review: SLUMDOG MILLIONAIRE
The
director of 28 DAYS LATER and the writer of THE FULL MONTY collaborate
on a fable-like adaptation of a novel about the winner of an Indian
game showGrade: B
Stars: Dev Patel, Anil Kapoor, Irrfan Khan, Madhur Mittal, Frieda Pinto
Writer(s): Simon Beaufoy, based on the novel Q&A by Vikas Swarup
Director: Danny Boyle
Release Date: Nov. 12th, 2008
Rating: R
Distributor: Fox Searchlight
________________________________
 
By ABBIE BERNSTEIN, Contributing Writer 
Published 11/12/2008
  

SLUMDOG MILLIONAIRE isn’t
the actual name of a game show. Instead, it is one of the insulting
labels slapped on our hero, Jamal Malik (Dev Patel as an adult, Tanay
Hemant Chheda as a teen, Ayush Mahesh Khedekar as a child), who is
winning the Indian version of WHO WANTS TO BE A MILLIONAIRE? As
the film opens, Jamal’s seeming virtuosity has caused so much
consternation that he’s being tortured at the local police station in
an effort to make him confess how he’s been cheating.
We
surmise that Jamal hasn’t cheated from the outset. The film flashes
around from the interrogation, which eventually takes the form of a
less unpleasant conversation between Jamal and the police inspector
(Irrfan Khan), to Jamal’s session with the game show host (Anil Kapoor)
to flashbacks illustrating incidents from Jamal’s life that have made
the quiz show answers indelible to him. We see how Jamal and his
alternately protective and treacherous older brother Salim (Madhur
Mittal as an adult, Ashutosh Lobo Gajiwala as a teen, Azharuddin
Mohammed Ismail as a child) are orphaned during a bout of anti-Muslim
violence, survive in the slums, fall in with fellow orphan Latika
(Frieda Pinto as an adult, Tanvi Ganesh Lonkar as a teen, Rubina Ali as
a child), spend time with a Fagin-like gangster, escape and then start
taking divergent paths in life. Through it all, Jamal never stops
loving Latika, who is on a rocky path of her own.
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As an underdog story, SLUMDOG MILLIONAIRE is agreeable, but screenwriter Simon 
Beaufoy, in adapting Vikas Swarup’s novel Q&A,
seems to be making some large jumps in both continuity and character.
Without reading the book, one can’t know if this is a result of
condensing the source material into a two-hour running time or a
problem inherent in the novel, but there are gaps in character and
story. We don’t really see how the exuberantly determined young Jamal
becomes the stoic (albeit equally determined) grown-up taking police
abuse; the filmmakers are so focused on showing us their hero’s resolve
that they either don’t notice or care that we don’t get an incident
showing exactly why the youthful buoyancy absolutely vanishes. We could
accept that it’s drained away by hardship and betrayal, except that so
many other things are given specific (and sometimes improbable) causes
that it seems a notable omission.
 
Likewise,
while fables demand a certain level of matter-of-fact acceptance of
certain storytelling conventions, it would be nice to see a little more
nuanced interaction between Jamal and Latika, both in childhood and
adulthood, to make us feel more invested in his devotion and their
ultimate fates.
 
On
the other hand, director Danny Boyle does a great job of continually
giving us a sense of the sheer size and variety of the population Jamal
is trying to navigate to a better life. Also, Kapoor’s game show host
is such a sleek, self-promoting jerk that we desperately want to see
Jamal win, if just to show to make this guy sweat. 
 
Patel
exudes common sense and firmness of purpose as the adult Jamal and
Mittal is very good as his conflicted sibling. Pinto is lovely as
Latika and Kapoor steals every scene he is in with virtuoso smarminess.
 
SLUMDOG MILLIONAIRE is
enjoyable and diverting, but because the characters are more archetypal
than detailed, it’s less emotionally satisfying than might be expected.
Fans of Bollywood should stick around for the closing credits, which
boast a huge dance number.


Movies:
Movie Review: SLUMDOG MILLIONAIRE
The
director of 28 DAYS LATER and the writer of THE FULL MONTY collaborate
on a fable-like adaptation of a novel about the winner of an Indian
game showGrade: B
Stars: Dev Patel, Anil Kapoor, Irrfan Khan, Madhur Mittal, Frieda Pinto
Writer(s): Simon Beaufoy, based on the novel Q&A by Vikas Swarup
Director: Danny Boyle
Release Date: Nov. 12th, 2008
Rating: R
Distributor: Fox Searchlight
________________________________
 
By ABBIE BERNSTEIN, Contributing Writer 
Published 11/12/2008
  

SLUMDOG MILLIONAIRE isn’t
the actual name of a game show. Instead, it is one of the insulting
labels slapped on our hero, Jamal Malik (Dev Patel as an adult, Tanay
Hemant Chheda as a teen, Ayush Mahesh Khedekar as a child), who is
winning the Indian version of WHO WANTS TO BE A MILLIONAIRE? As
the film opens, Jamal’s seeming virtuosity has caused so much
consternation that he’s being tortured at the local police station in
an effort to make him confess how he’s been cheating.
We
surmise that Jamal hasn’t cheated from the outset. The film flashes
around from the interrogation, which eventually takes the form of a
less unpleasant conversation between Jamal and the police inspector
(Irrfan Khan), to Jamal’s session with the game show host (Anil Kapoor)
to flashbacks illustrating incidents from Jamal’s life that have made
the quiz show answers indelible to him. We see how Jamal and his
alternately protective and treacherous older brother Salim (Madhur
Mittal as an adult, Ashutosh Lobo Gajiwala as a teen, Azharuddin
Mohammed Ismail as a child) are orphaned during a bout of anti-Muslim
violence, survive in the slums, fall in with fellow orphan Latika
(Frieda Pinto as an adult, Tanvi Ganesh Lonkar as a teen, Rubina Ali as
a child), spend time with a Fagin-like gangster, escape and then start
taking divergent paths in life. Through it all, Jamal never stops
loving Latika, who is on a rocky path of her own.

 
As an underdog story, SLUMDOG MILLIONAIRE is agreeable, but screenwriter Simon 
Beaufoy, in adapting Vikas Swarup’s novel Q&A,
seems to be making some large jumps in both continuity and character.
Without reading the book, one can’t know if this is a result of
condensing the source material into a two-hour running time or a
problem inherent in the novel, but there are gaps in character and
story. We don’t really see how the exuberantly determined young Jamal
becomes the stoic (albeit equally determined) grown-up taking police
abuse; the filmmakers are so focused on showing us their hero’s resolve
that they either don’t notice or care that we don’t get an incident
showing exactly why the youthful buoyancy absolutely vanishes. We could
accept that it’s drained away by hardship and betrayal, except that so
many other things are given specific (and sometimes improbable) causes
that it seems a notable omission.
 
Likewise,
while fables demand a certain level of matter-of-fact acceptance of
certain storytelling conventions, it would be nice to see a little more
nuanced interaction between Jamal and Latika, both in childhood and
adulthood, to make us feel more invested in his devotion and their
ultimate fates.
 
On
the other hand, director Danny Boyle does a great job of continually
giving us a sense of the sheer size and variety of the population Jamal
is trying to navigate to a better life. Also, Kapoor’s game show host
is such a sleek, self-promoting jerk that we desperately want to see
Jamal win, if just to show to make this guy sweat. 
 
Patel
exudes common sense and firmness of purpose as the adult Jamal and
Mittal is very good as his conflicted sibling. Pinto is lovely as
Latika and Kapoor steals every scene he is in with virtuoso smarminess.
 
SLUMDOG MILLIONAIRE is
enjoyable and diverting, but because the characters are more archetypal
than detailed, it’s less emotionally satisfying than might be expected.
Fans of Bollywood should stick around for the closing credits, which
boast a huge dance number.

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