i don't think it is shame on our mastero because movie main theme is music 
which means the relation can bond with music and more over you can't expect 
every song to be a relation bond song and more if you the listen the songs 
separately there are awesome 

if you say the movie is to be totally music one then each and every dialogue 
should be also in music even though i did not watch the movie but i can expect 
that movie would be a good one and experimental i feel 

--- On Sat, 22/11/08, kumar0305 <[EMAIL PROTECTED]> wrote:
From: kumar0305 <[EMAIL PROTECTED]>
Subject: [arr] Shame on Rahman... IBNLIVE
To: [email protected]
Date: Saturday, 22 November, 2008, 7:56 AM










    
            You all were sending me crape emails, moderator is not posting any 
of my post because I said " Whats wrong with you Rahman". I know moderator  is 
not going to post this one too, but he will read this, I hope. 
Now what are you guys going to do. Being fans don't mean you support every 
thing you idol makes, when its bad try to accept it. 


Masand's Verdict: Yuvvraaj doesn't hit the right note
The dialogue is a mix of clunky lines that make you cringe in embarrassment, 
and a bunch of unintentionally hilarious gems that will make you laugh every 
time you think of the film. Like that priceless scene in which Katrina scolds 
Salman for being an insensitive son to his father: Jo bete ne apne baap ki 
shakal sapne mein bhi na dekhi ho, woh beta nahin, woh hardcore anti-family man 
hai.There was a slim chance the film might not have hurt this bad if the acting 
was any better, but to think the stars of this film were paid crores of rupees 
to put up this show makes you realise that indeed life is unfair. Salman Khan 
does pretty much as he pleases, walking in and out of scenes as if he were at 
home, never mindful of the fact that he's playing a character here and that 
some consistency in performance is expected of him. He just about scrapes 
through the comedy with a few light moments, but completely fails to touch your 
heart in the film's emotional
 scenes.Zayed Khan struggles through even basic scenes in the film, unable to 
alter his expressions in keeping with the film's needs, yelling when he's 
expected to be intense, and looking away in exasperation each time he can't 
come up with a more fitting reaction. A crash course in acting at Ghai's own 
Whistling Woods Film School might not be such a bad idea for Zayed.Katrina Kaif 
looks lovely and makes an earnest attempt in the acting department too -- in a 
film like this, that's plenty effort. Boman Irani hams it up as Katrina's 
doctor dad, and turns in what is sure to be one of his career's most 
embarrassing performances.And then there's Anil Kapoor whose character I had 
difficulty understanding - was he autistic, was he blind, did he have 
arthritis? I never did get it in the end because of the strange mannerisms and 
quirks Anil brought to his performance. And yet, it's the only performance in 
the film where some competence is visible.Ghai spares no
 efforts in giving Yuvvraaj a fancy feel, there's pleasing photography and 
spunky choreography on display, but AR Rahman's soundtrack throws up only three 
good tracks which is a shame considering the film's designed as a 
musical.Yuvvraaj doesn't quite hit the right note because it's an archaic drama 
that feels too tired. Barring a handful of vintage Subhash Ghai moments that 
still work, the film sadly is far from his best work.I'm going with one out of 
five for director Subhash Ghai's Yuvvraaj, I'd much rather 
watch Hero or Karmaall over again.

      

    
    
        
         
        
        








        


        
        


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