Maestro’s Masterpiece 

A R Rahman’s buoyant soundtrack of Slumdog Millionaire, nominated for the 
Golden Globe awards, is already winning accolades from critics


 












 Last week, A R Rahman was at a party in Los Angeles where he met three A-list 
Hollywood film composers - Danny Elfman, Hans Zimmer and Howard Shore.

“It was a great honour,” Rahman later said from Los Angeles, adding that it was 
Subhash Ghai who had predicted that one day he would compose music for a 
Hollywood film.

It is ironic that even though Rahman is among the top 25 selling artists in the 
world, he has yet to gain notoriety in Hollywood. His work has featured in 
international projects - from Bombay Dreams to The Lord of Rings and his music 
has appeared in a couple of Hollywood films - Inside Man and Lord of War, but 
he is still not known in North America.

All of that is going to change with Rahman’s stunning, buoyant soundtrack of 
Danny Boyle’s Slumdog Millionaire, which is already winning accolades and 
awards from critics.

MTV’s Kurt Loder wrote the following about the Slumdog Millionaire’s music: 
“The propulsive score, by Bollywood soundtrack auteur A R Rahman, is hip-hop 
fusion of a very up-to-date kind.”

Slumdog Millionaire has earned four Golden Globe nominations - including one 
for Rahman’s soundtrack. He also has been nominated by critics from Los 
Angeles, for the score and for the upbeat song Jai Ho, featuring Sukhwinder 
Singh and others. The National Board of Review and critics in Washington DC 
have also recognised Slumdog Millionaire in their annual awards. And now there 
is an Oscar buzz for the film, Boyle and also Rahman.

Just last week, I saw Boyle at a party for Slumdog Millionaire. “It will be 
nice if India wins an Oscar,” he said to me, referring to Rahman’s potential to 
win the golden statue.

“Let’s hope” Rahman later said, laughing, sounding embarrassed. Given the 
recent attacks on Mumbai, Slumdog Millionaire, is a perfect film to see, he 
said, adding, “Danny is almost like an ambassador for India.”

Rahman was thrilled about the opportunity to work on the project. “I am 
rediscovering myself doing this kind of film, and when you work with a new 
director, there are new challenges, new expectations.”

And he seemed delighted because the Slumdog Millionaire’s soundtrack could pave 
the way for people to discover more of his music. “If they love a piece of 
work, then they want to follow the composer,” he said about American critics 
and audience. “This could be the biggest bridge, connecting them to all my 
work.”

Boyle knew Rahman’s music from films such as Taal and Rang De Basanti. “That 
was a good starting point,” Rahman said. “After I started the work, I got a lot 
of feedback from him and then it became something else. I was surprised to hear 
the whole soundtrack in the end which is quite different from what I have ever 
done.”

“It’s younger, it’s more today and contemporary and it’s completely taking 
risks,” he said about the soundtrack which includes the song Ringa, Ringa – 
Rahman’s homage to Choli Ke Peeche, featuring the voices of Alka Yagnik and Ila 
Arun. “It’s very edgy, hard kind of music and it will make you sit up. 
Especially the composition Mausam & Escape and the song O…Saya (Rahman sings 
with MIA). If you are driving, it will definitely make you drive faster.”

In Bollywood films Rahman often gets 150 to 200 music cues. Jodha Akbar, for 
instance had music in every scene, he said. But Boyle highlighted sections of 
the film which required Rahman’s music. “So I could put all my energy into 
that, rather than spreading my energy,” he said, adding that the entire 
soundtrack was produced in mere three weeks.

Earlier, in another interview, Boyle told me that he was impressed by the role 
of music in Bollywood films. “I particularly like the way the music is mixed in 
Bollywood films,” he said. “It is right in front. In the west we try to hide 
it.”

“Danny took inspiration from Indian films,” Rahman said. “The music plays a 
kind of character. When somebody gets angry, we hear thadain (he made the loud 
sound). In this he wanted the level of the music to be very high.”
 
http://www.mumbaimirror.com/article/54/2008121420081214031320847cea12d0/Maestro%E2%80%99s-Masterpiece




      

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