Thanks Rakesh for starting this interesting discussion.
IMHO,the panning(panaroma) between right and left speakers is one of the best
traits in AR's compositions.As a kid at that time, I used to be amazed when I
heard Beat of Passion and Raaga dance(Taal) or Konjum Mainnakale(Kandukondain),
for instance.
I also vividly remember Daud's theme music where I initially thought that
the cassette was faulty and took it back to the shop owner :)
All the songs from boys have beautiful intricate sounds and is an out of the
world experience in a 5.1 surround system( Sridhar sir's mixing
is indescribable).
karthikeyan
--- On Sat, 20/12/08, rakesh kumar <rak_d_ku...@yahoo.com> wrote:
From: rakesh kumar <rak_d_ku...@yahoo.com>
Subject: [arr] Unconventional Sounds in ARR Songs`
To: arrahmanfans@yahoogroups.com
Date: Saturday, 20 December, 2008, 8:33 AM
Dear All,
I have been enjoying ARR music since "Roja" time. I would like to discuss some
unconventional voices ARR used in his songs..which i thing is a new approach by
our Maestro. These sounds are relevant and in accordance with the visuals.. but
these are there in music also.
some of which i remember :
1. Bombay : A childs voices in the bombay theme.
2. Kadalan/Hum Se Hai Muqabla: Voice similar to the chicken in "Gopala Gopala"
2. Taal : Rain drops at the start in Taal se taal mila
3. Jodha Akbar: Sword clinging sound in Azeemo-shaan Shehanshah.
List if you guys remember any..
ARR Rules
Rakesh
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