On 12/28/2008 12:46 PM India Time, _Ajay Nair_ wrote: > Rawat, > > I disagree with your below mentioned point of the Kaise Mujhe Track > coming in 2 parts as it is very well mentioned in the lyrics for the > lead actress to confide her emotions when Aamir looks at the supposed gift. > > Frankly speaking you are no good reviewer if you dont remember any > aspects of watching the film be it mentioning about a particular song > oranything else.
:-) If I am not a good reviewer, that would mean that my having said "This was a rare music which never became a speedbreaker in a fast paced action/ violence drama." and other good thing about ghajini music stand wrong. Don't do this, deary. :-) > > The particular stanza carries that song forward and is used with great > effect as the audience too share the same emotion of not leaving the > movie hall in spite of all the action ending, just to feel the emotion > of the lyrics. See. Kaise Mujhe is a good song in toto and the first part (Aamir) gelled perfectly well the situation. No dialogues at that juncture could have conveyed what this song conveyed, hail ARR. :-) But, it was this absolute perfect that made me feel that second part (Asin's) couldn't measure up to the placement of first part. Not that the second part was any bad, or lacking in any way. It was also great. > > And for the Bachoo track, buddy please go through the lyrics again and > connect with character that Asin played. I have gone through the lyrics and I still feel that these sadakchhap mood of the song were not suitable for Asin's profile and persona. She was too elegant and dignified, in spite of her lies, to deserve such song. The song should have concentrated on further highlighting her naughtiness, spontaneousness, that it did, PLUS good-in-heart-ness, basic inherent innocence, that it didn't do. > > Every song cannot have perfect lyrics with Urdu and it justified her > character how she lived her life. That is a justification for poor work. Are we to subscribe to such logics for liking ARR's music? :-) he he he. My justification is that director dictated to ARR to give such a song. he should have rather given the situation to ARR and let ARR decide about the type of song. > Ajay Nair. > -- Rawat > > ------------------------------------------------------------------------ > *From:* V S Rawat <[email protected]> > *To:* [email protected] > *Sent:* Saturday, 27 December, 2008 4:10:23 PM > *Subject:* Re: [arr] Music and Romance amidst Action/Violence: Ghajini > > On 12/27/2008 1:10 PM India Time, _shahul hameed_ wrote: > > > Asin's intro song was aye bachoo.. Jiah's item no was lattoo.. the movie > > answers why lattoo wasnt composed great (for me) as it features just few > > lines in the movie.. and also why shreya enters late in kaise mujhe.. > > thanks for clarifying for me. So, the song in which Asin ends up > blocking the road sitting on the scooter was bachchhoo. That was the > Rangeela situation of the song I was talking about but it was no way in > any comparison with the Rangeela song. And, I think this song also was > only one stanza or just the mukhda repeated twice or thrice if I can > vaguely remember. > > I am still not able to recollect the Jiah item number Lattoo. Could > anyone please refresh my 48 hour old memory. Seems Aamir's short term > memory loss has got into my head too. ha ha ha. > > I still couldn't get why should a song of few lines be NOT composed > great. If they didn't want to waste efforts, there were other ways of > showing something, like, in Humse Hai Muqabla ARR had composed 3-4 > verses/ mini-songs of 3-4 lines each to fit on different situations that > sounded so great and perfect without wasting screen time. I think ARR > has never done that again. > > And if Kaise Mujhe was to broken into two in the movie, may be they > could have given it in two in the album also, as there is no real > connection in the two parts of this song in the movie as such. May be > they could have composed two songs for the two situation, but again, it > probably comes down to not wasting efforts. > > -- > Rawat
