NEWSMAKER: A R Rahman
India's Mozart
Abhilasha Ojha / New Delhi January 16, 2009, 0:40 IST
Allah Rakha Rahman has put India on the global entertainment map. He has just 
won the Golden
Globe in the best original score category for Slumdog Millionaire. And, in 
spite of his calm
demeanour, finds it hard to digest that he actually won the award. The truth is 
that the Golden
Globe has for the first time come to India. It is the second most prestigious 
award in filmdom
after the Oscars.
  
The award clearly establishes that Rahman, 42, has been accepted globally. The 
musician, who
began playing instruments when he was as young as four, has been contributing 
to his brand of
music to listeners and audiences abroad. He has done musicals for Broadway 
productions
including Bombay Dreams and Lord of the Rings, has composed music for Nokia and 
scored hit
singles like Pray For Me, Brother for the UN and One Love, a tribute to the Taj 
Mahal. Rahman
has experimented not just with his music, but also the manner in which it 
should be heard.

An extremely shy person, Rahman’s a treat to interview if he’s in the right 
mood. He even broke
into a song when this reporter had interviewed him for an article earlier. He’s 
known as an
impossibly hard task master who, if rumours are to be believed, once drove 
singer Sonu Nigam to
tears during the recording of a song for the Hindi film, Dil Se.

Mohit Chauhan, described “a promising voice” by the maestro himself, says 
Rahman is “calm,
poised, dignified and extremely excited about each and every song that he 
composes.” And just
what’s his working style? “I treat every song as a winner. Every song that gets 
out from my
studio has to be a hit. I always work with that attitude,” he had told Business 
Standard in an
earlier interview.

Rahman (born AS Dileep Kumar in Chennai) started composing for South Indian 
films at a young
age after his father died. His school days also saw him part of a rock band 
called Roots. From
there, he began to compose music independently and was initially criticised for 
creating and
mixing sounds on his computer through different music software. That others 
followed to make
music through software is a different matter altogether.

His new effort, KM Music Conservatory, a school which promises to unearth new 
talent in the
field of music, has been a success story already and Rahman has, predictably, 
been excited
about it. For someone who didn’t have any formal education in music (“I started 
out because
somewhere I had to,” he says), Rahman’s been at the helm of creating careers. 
From Delhi-based
singer Neeti Mohan, to Naresh Iyer and Tanvi Shah, Rahman’s always used voices 
that he says,
“have tried to understand my music”.

Slumdog Millionaire’s musical score, on the face of it, isn’t anything 
different from what
Rahman has attempted earlier. Alka Yagnik’s Ringa Ringa can sheepishly remind 
you of the old
song Choli Ke Peeche Kya Hai from Khalnayak. There’s Jai Ho, which is an 
excellent rendition by
the immensely talented Sukhwinder Singh. Rehman himself has done a wonderful 
rendition of a
song titled O Saaya.

Business Standard

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