Music to your ears

Dipti Nagpaul D'souza


A.R. Rahman is getting used to the global hysteria around Slumdog Millionaire.
Do the Golden Globe nomination and talk about a possible Oscar nomination for 
Slumdog
Millionaire feel surreal? 
When I first made the music, I hadn’t imagined that it would be such a huge 
success. But after
watching the rough cut of the film that Danny Boyle sent me, I was optimistic. 
A lot has
happened since and the music has won accolades. But honestly, I’m happier about 
the success of
the film as a whole.

How did you get the film?
Danny had been tracking my music for some time. In fact, every time he liked a 
Bollywood score,
it turned out to be mine. So he planned to have me do a part of the project. 
But I told him
that I’d either do it all or none. And he understood that I was asking for it 
because I could
not put half my heart into the project and give him one score. I wanted to give 
it my all.
Also, Anil Kapoor’s kids were instrumental in convincing the team to take me on 
for the
project.

How involved was Danny Boyle?
To start with, I tried to see the film through his eyes. I found out what he 
liked and didn’t
like about Bollywood films and their music. After an initial discussion, I 
e-mailed him four
different ideas. He liked three of the four options; we then started 
interacting more. I kept
sending him stuff and made short trips to London to meet him and finish the 
project.

You pushed the envelope with Slumdog..., giving it a racy edge. 
There was stuff I’d wanted to do for a long time, but could never try it in our 
film industry.
When Slumdog Millionaire happened, I saw it as the perfect opportunity to 
utilise those ideas,
especially since I’d been given so much freedom to experiment. I then added 
elements that would
surprise the audience. Indians may find it too noisy. I don’t think I can use 
this kind of
music for our films because Indians like to listen to music again and again and 
this may not
suit their palate.

How did you manage to complete the music in three weeks?
Danny was also concerned about it. You can say I concentrated the energy of 
three months into
those three weeks. It was hard work indeed, and I didn’t touch any other 
project at that time.
It worked because we all really wanted it to work.

Your work with M.I.A. in O saya is being applauded. How was it? 
The equation was great. And it all started with a joke. M.I.A. said, ‘You do 
romantic and
sentimental music and my work’s very edgy. Let’s do a role reversal.’ I then 
sent her the music
online — she didn’t even know the track because though she was present at the 
initial sittings,
she had to return since she was pregnant — and she sent me back her work. We 
then mixed it all
together and it worked fabulously.

What’s your opinion of the film? 
After Bandit Queen, this is the first film I have so much hope for. I like the 
contemporary
touch and the technicalities are commendable. The spirit of the city has been 
captured well
though there’s more resemblance to Mumbai of the past. Be it in music or 
screenplay, a right
balance has been maintained. When the film was being made, Warner Bros, which 
has invested in
it, was not even supposed to release it.

Only a DVD release was scheduled. But then the response was so great that they 
decided to take
it across.

http://www.screenindia.com/news/music-to-your-ears/410712/

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