Just that you guys know, he will be a fakir baba .

On Thu, Feb 5, 2009 at 11:30 AM, rayrai2k <[email protected]> wrote:

>   The astrologer of the group has more data..wow!!
>
> --- In [email protected] <arrahmanfans%40yahoogroups.com>,
> Gomzy™ <gomtesh.upad...@...>
> wrote:
> >
> > Very Funny Swami. ;)
> >
> > Rajat is a very respected composer who has composed 1942 love story
> ( from
> > where rdb left off) and other great movies like Holi and Mirch
> masala.
> >
> > He is also appearing in Delhi 6 as an actor. Watch out :)
> >
> > On Thu, Feb 5, 2009 at 10:47 AM, Swaminathan Sivaramakrishnan <
> > swamis...@...> wrote:
> >
> > > A ghost that composes music.
> > >
> > >
>  > > --- "syed.sahel" <syed.sa...@...> wrote:
> > >
> > > > What is a ghost composer?
> > > >
> > > > --- In [email protected] <arrahmanfans%40yahoogroups.com>,
> Vithur <vithurm@> wrote:
> > > > >
> > > > > *Album Review
> > > > > **Delectable potpourri
> > > > > By Usha Lakra
> > > > >
> > > > > *Another great album by A R Rahman, 'Delhi-6', with right
> blend of
> > > > Indian
> > > > > and Western music, is unlike Rahman's any other previous
> work. We
> > > > are still
> > > > > spellbound by 'Ghajini' and 'Yuvvraaj' tracks. And kids
> haven't stopped
> > > > > dancing to 'Pappu can't dance, sala'. Now it's 'Masakalli'
> everywhere.
> > > > >
> > > > > Who else can deliver so consistently than A R Rahman, the one
> who
> > > > believes
> > > > > in experimentation and knows how to explore new realms of
> music!
> > > > 'Delhi-6'
> > > > > tracks prove that, as none of the songs fall into the same
> genre.
> > > > All ten
> > > > > tracks are vibrant in sounds. Lyrics by Prasoon Joshi are
> poetic and
> > > yet
> > > > > contemporary.
> > > > >
> > > > > A song like *Masakalli* is a rare one. It was last addition
> to the
> > > > album and
> > > > > is rocking the nation with its unconventional style and
> lyrics. It's
> > > > been
> > > > > ages since a song picturised on a dove came. The number also
> > > personifies
> > > > > Sonam's character in the film. Prasoon Joshi has come a long
> way
> > > > since 'Rang
> > > > > De Basanti', as the song lyrics seem to be written by
> somebody like
> > > > Gulzar.
> > > > > But what makes the song unique and catchy is Mohit Chauhan's
> stylish
> > > and
> > > > > frisky rendition.
> > > > >
> > > > > Then you have a song like *Arziyan*, a simple qawwali style
> track
> > > > which is
> > > > > slightly reminiscent of 'Jodhaa Akbar' song 'Khwaja Mere
> Khwaja',
> > > > vocalized
> > > > > by Rahman's favorite Javed Ali, and adding the sufiana touch
> to the
> > > > song is
> > > > > expert Kailash Kher. Kailash sings such song with aplomb and
> you can
> > > > feel
> > > > > spirituality running through your veins while listening to
> him.
> > > > "*Arziyan
> > > > > main sari chehre pe likh ke laya hoon*".
> > > > >
> > > > > Soft numbers like *Dil Gira Dafatan* will win you over
> instantly. Here,
> > > > > Rahman digs into his own domain. 'Anjana' song from 'Yuva' is
> very
> > > > near to
> > > > > this track in term of music and treatment. Rahman repeats
> Chinamaye
> > > > after a
> > > > > long time and she has done a remarkable job again. Sharing
> the mike
> > > > with her
> > > > > is a new singer Ash King.
> > > > >
> > > > > Listeners will be shocked with a song like *Hey Kaala
> Bandar* , it
> > > > appears a
> > > > > mismatch. With a touch of rap, this track is not that
> remarkable,
> > > > sung by
> > > > > the trio of Naresh Iyer, Boney Chakravarthy and Karthik Sgr.
> > > > >
> > > > > Adding variety to the album is a marriage song in rustic
> style,
> > > > *Genda Phool
> > > > > *, in a husky voice of Rekha Bharadwaj and giving her company
> over
> > > > mike are
> > > > > singers Shraddha Pandit and Sujata Mazumdar. The song marks
> the
> > > > merging of
> > > > > ghost composer Rajat Dholakia and A R Rahman.
> > > > >
> > > > > *Bhor Bhaye* is a typical Indian classical number, bringing
> out Shreya
> > > > > Ghosal's best. As an artist she has evolved and gets her due
> with
> > > > this song.
> > > > > The track with Hindi classical music exponents Gujri Todi and
> Ustad
> > > Bade
> > > > > Ghulam Ali is a sheer pleasure to hear during morning hours.
> Devotional
> > > > > songs like *Aarti - Tumhare Bhavan Mein* makes this album
> worthy for
> > > > > collection and also sets this music album apart from other
> contemporary
> > > > > albums.
> > > > >
> > > > > *Rehna Tu* is nothing exceptional but very much a Rahman song
> like
> > > > 'Rang De
> > > > > Basanti' tracks in the voice of Benny Dayal, A R Rahman and
> Tanvi
> > > > Shah. The
> > > > > title track *Delhi 6* is a zappy number with stress on music
> > > > supported by
> > > > > vocals by a bunch of singers that include Benny Dayal, Blaze,
> Vivinenne
> > > > > Pocha, Claire and Tanvi Shah.
> > > > >
> > > > > And finally there is a spiritual poem like a Kabir couplet,
> *Noor*,
> > > with
> > > > > thought-provoking lines like "*ishq hai usse, to sab se ishq
> kar*" in
> > > an
> > > > > Amitabh Bachchan baritone.
> > > > >
> > > > > A R Rahman gives a hattrick with this album after 'Slumdog'
> and
> > > > 'Ghajini'.
> > > > > The team of Rakeysh Omprakash Mehra, Rahman and Prasoon Joshi
> again has
> > > > > given a fantastic album after 'Rang De Basanti'. The songs
> like
> > > > 'Arziyan',
> > > > > 'Genda Phool' or 'Aarti' or say 'Bhor Bhaye' add to the rich
> variety of
> > > > > songs comprising the entire album. But others are a bit
> > > > disappointment as at
> > > > > various notes the tracks sound very similar to Rahman's
> previous tunes.
> > > > >
> > > > > But with fabulous scores like 'Masakalli', you can expect
> > > > metamorphosis of
> > > > > Bollywood music. And we know there is a lot to come from
> Rahman, the
> > > > wizard
> > > > > of music.
> > > > >
> > > > > Rating: ***1/2
> > > > > *Album Songs*
> > > > >
> > > > > http://www.apunkachoice.com/music/alb161/
> > > > >
> > > > > --
> > > > > regards,
> > > > > Vithur
> > > > >
> > > >
> > > >
> > > >
> > > >
> > > > ------------------------------------
> > > >
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