'Masakalli was the most professional actor on sets'
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  *Starring:* Abhishek Bachchan, Sonam Kapoor; *Direction:* Rakeysh
Ompraskash Mehra
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  *Shashi Baliga <http://www.hindustantimes.com/Search/Search.aspx?q=Shashi
Baliga&nodate=1>, Hindustan Times*
Email Author <[email protected]?subject='Masakalli was the
most professional actor on sets'>
Mumbai, February 12, 2009
 First Published: 11:00 IST(13/2/2009)

      
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"D'you think I've lost weight?". Yes, he has.
"Fifteen kilos, to be precise," he offers.

That's courtesy his current film with Mani Ratnam about which nobody, but
nobody will talk. Today, however, he is here to chat about *Delhi 6*,
Rakeysh Omprakash Mehra's much-awaited next after *Rang de Basanti*.
Abhishek Bachchan on *Masakalli *and more.. with *Shashi Baliga*.

*Your role in Delhi 6 seems to sit easy on you, judging strictly by the
trailer. What was director Rakeysh Mehra's brief to you?*
Not much really. And that was nice.  He handed me the script and said, "Read
it and react." When I read the script, it just clicked. I instantly
understood Roshan Mehra. I told Rakeysh, "I know this guy! And only I should
do it." And he said, "That's why I came to you."

It's never happened to me before; one has always had to work on a character.
But this one almost felt spontaneous. though it was so well-rehearsed.

Because I spent a good 10 to 12 years of my childhood abroad, I could
understand immediately why Roshan would not be completely at home in *Delhi
6*. He views the proceedings almost from an outsider's point of view.

*How did you deal with your personal sense of alienation when you returned
to India?*
It wasn't something that really needed to be dealt with. It was just that I
had a different perspective. It wasn't condescending but just different, so
I learnt to appreciate and embrace other people's point of view. Which is
very similar to what Roshan does. He's very much an observer.

*There are many Indias and many of us in the cities view the other side/s as
near-outsiders. As someone who leads an extremely privileged life, how do
you relate to the other Indias?*
I totally agree that there are many Indias. But I think they're linked
through the heart. Indians are very emotional people, very demonstrative of
their emotions. Everything we do is from the heart; at times melodramatic,
almost. And that is echoed in our festivals, films, music, everything.

I don't think it matters which India or which part of India you come from;
you're going to relate to one another because you don't do so on a material
level but an emotional one.

*And what do you make of the controversy over India Shining vs "poverty
porn" sparked off by Slumdog Millionaire?*
I think it's been completely blown out of proportion. It's nonsensical..
(Getting worked up) It's just a film. If it's offending you, don't watch it!

And let's not mince words here. *Slumdog Millionaire *is not made by an
Indian, it's not an Indian film. It's got a lot of Indian talent in it, but
that doesn't make it an Indian film. Hollywood goes and makes films in Italy
— that doesn't make them Italian films.

But I think it's a wonderful film and I wish it well. I'm happy that people
like Rasool (Pookutty), Gulzar *saab *and (AR) Rahman are getting recognised
on a global platform.

*Rahman has been the music man on three of your films — Yuva, Guru and
now, Delhi
6. Have you interacted much with him?*
Yes, Rahman is a friend. Someone I have tremendous respect for and someone
who has always been very forthcoming with me. *Guru *and *Yuva *have been
immensely lucky for me; both films have been milestones in my career. And
I'm hoping it's the same with *Delhi 6*.

*Masakalli has grabbed attention as few songs have in recent times, hasn't
it? *
Yes, what's wonderful about Rahman is that he gets into the mood of the
film. His music is never a different entity; it's always something that's
immersed in the film and that's what makes his versatility so amazing.

*And Masakalli, the dove, (gender unascertained at this point, I have to
confess; so hereafter will be referred to as her).. how many scenes did you
have with her?*
Most of my scenes.. *Masakalli *is quite the star of the film.

*And how cooperative a co-star was she?*
Very. *Masakalli *was very well trained, knew the dialogue, was on the ball,
and always on time. The most professional actor there was on the set.

*She didn't poop on you?*
No, Masakalli was always very clean and hygienic.

And she didn't cost much either.Yes, very economical, too. A brilliant
acting talent, a wonderful co-star.. one of my favourite co-stars in the
film!

*She's certainly set the tone for the movie pre-release.. it has a very
refreshingly low-gloss feel.
*Yes, *Delhi 6* is not the usual glam film we make. It's not a *Dostana*,
for example. That's Rakeysh's style, more steeped in reality.

And cinematographer Binod Pradhan is a modern-day genius. He's captured the
essence of Delhi, its flavour, so beautifully, it's almost tactile. When
people see the film, they'll believe they were really there; they will smell
Delhi, their senses will be aroused.

*Obviously, you shot a lot on set, but how much did you shoot on the streets
of Delhi?*
Most of the film was shot on a set that was about a kilometre long. They
recreated Chandni Chowk in a place called Sambar, about 100 kms near Jaipur.


We shot only for about 10 days on the streets of Delhi and we'd get out as
soon as the sun came up. Dawn is a wonderful time to witness and it was
interesting to see the city waking up. Also, we'd never tell anybody we were
going to shoot and it was fun to watch people wondering, hey, was that
Abhishek Bachchan I saw just now?

*Have you always been comfortable shooting on the streets?*
Before I started doing it, I used to think, my God, all those hundreds of
people looking at you, this is going to be disastrous. But once the camera
rolls, you're in a different space and you're fine.

*So what's the toughest kind of scene for you now?*
Comedy is possibly the toughest. I remember the way we all approached *
Dostana*; we thought, oh, we just have to look good, Aki Narula's going to
make some fantastic costumes, we're shooting in Miami, let's have fun.

But when we got there, we went, whoa, wait a minute, this is really tough.
To achieve the perfect timing and make it look spontaneous after so many
rehearsals is tough.

*So have you've gotten better at comedy?*
(Grins) I hope so. *Dostana *was a big hit, so here's a pat on the back for
that one!

*Next comes Mani Ratnam's film with Aishwarya. You seem to have planned your
together time well.
*Why does everyone keep saying that?

*Because you've made so many films together!
*Last year, I did one film with her —  *Sarkar Raj *— and two without her.

*Well, there was Guru before that in 2007, Dhoom 2 and Umrao Jaan in 2006,
and one more coming up this year, we hear.*
Yes, we've both signed on to do a film with Abhinay (Deo), later on in the
year.

But I don't choose my co-stars, you know, that's the director's prerogative.
Perhaps they all want to see us together. But I'm not complaining! We take
what we can get!
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-- 
regards,
Vithur

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