If you look at the top directors in Hollywood, they would do immense
research before selecting a new musician. I don't think that Rahman would
send his dance numbers to sample his work. He knows the best.


On Thu, Feb 26, 2009 at 12:40 PM, Anantha Dreamer <[email protected]>wrote:

>   where have our boss composed bollywood style numbers in "Elizabeth". It
> is pure symphonic score. Our boss can do it all...
>
> He is a world musician... not only bollywood musician as those who are
> ignorant will say...
> Regards,
> Anantha the Dreamer
>
> http://arrtheboss.blogspot.com
> Samuel Goldwyn  - "I read part of it all the way through."
>
> On Thu, Feb 26, 2009 at 3:21 PM, Jahanzeb Farooq 
> <[email protected]>wrote:
>
>>   > ... the person put on the map, this time, is AR Rahman. He may find
>> doors opening to him in Hollywood. But it is still the traditional
>> symphonic score that drives most of Hollywood, so is important that
>> Rahman capitalise on his win and bag a few "non-exotic" projects, so
>> that he doesn't become the go-to guy only when a "Bollywood-style" Jai
>> Ho number is needed. (This isn't to say that Rahman should reject any
>> such offers., but he should also look out for projects that allow him
>> to stretch.)
>>
>> perfectly said. these are the exact thought coming to my mind after
>> his win: even that he has won it, it will not exactly mean that he
>> will start getting many offers from hollywood. probably only when some
>> similar asian/indian type of music will be required for some similar
>> type of asian/indian based film. ARR strongly needs to get a few
>> traditional hollywood projects (like Elizabeht: The Golden Age) to
>> show them what he is truly capable of and to get the A-league
>> directors to hire him.
>>
>> --- In [email protected] <arrahmanfans%40yahoogroups.com>,
>> Prakash Balaramkrishna
>> <prakysn...@...> wrote:
>> >
>> > http://www.desipundit.com/baradwajrangan/2009/02/21/between-reviews-
>> a-one-dog-race/
>> >
>> > Comment : 33
>> >
>> > brangan Says:
>> >
>> > By the way, I was asked to write an instant editorial on the Oscar
>> business. This is what I came up with:
>> > As expected, AR Rahman won the most prestigious film award in the
>> globe. As expected, he thanked his mother (“Mere paas maa hai,†he
>> joked, invoking a line from Deewar that, unfortunately, no one in the
>> audience understood), all his musicians from Chennai and Mumbai, and
>> above all, God. This is the first time Tamil was spoken on the Oscar
>> stage (“Ella pugazhum iraivan oruvanukke,†Rahman said, meaning
>> that all praise goes to the Almighty). This is the first time an
>> Indian won two Oscars. So it would all seem to add up to something
>> big.
>> > But the victory of Slumdog Millionaire is just a flash in the pan, a
>> sweet little feel-good moment and nothing else. As several people have
>> pointed out, it’s first and foremost a British film, not an Indian
>> film, and among the reasons for its success are that it followed the
>> Hollywood model of storytelling, familiar to audiences worldwide. (The
>> Bollywood elements were merely spicy gravy.) So the grand night at the
>> Oscars doesn’t imply that Mumbai will have to gear up for an
>> avalanche of production crews from other parts of the globe. There’s
>> Gandhi as a precedent. It won eight Oscars â€" and what happened? It
>> was nearly three decades before Danny Boyle landed up with his crew
>> and told a story about India.
>> > Slumdog Millionaire will go down in Oscar history as a kind of
>> Rocky, a film that was hugely loved during its time and now remembered
>> mainly as the film that put Sylvester Stallone on the map. And the
>> person put on the map, this time, is AR Rahman. He may find doors
>> opening to him in Hollywood. But it is still the traditional symphonic
>> score that drives most of Hollywood, so is important that Rahman
>> capitalise on his win and bag a few “non-exotic†projects, so that
>> he doesn’t become the go-to guy only when a “Bollywood-style†Jai
>> Ho number is needed. (This isn’t to say that Rahman should reject
>> any such offers., but he should also look out for projects that allow
>> him to stretch.)
>> > But all that can wait. Let’s just savour his win for now. This is
>> a moment that’s not likely top be repeated, at least not via
>> projects made within the country. The wise minds that submit films for
>> Oscar consideration (in the foreign film category) always manage to
>> pick movie that underwhelm, so even that solitary Oscar doesn’t look
>> likely. And this only makes Rahman’s double win so special â€" a
>> global recognition for a truly global musician.
>> >
>>
>>
>  
>

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