Delhi-6  (India) By JOE
LEYDON<http://www.variety.com/index.asp?layout=bio&peopleID=1253>

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A UTV Motion 
Pictures<http://www.variety.com/profiles/Company/main/2132441/UTV%20Motion%20Pictures.html?dataSet=1>release
of a Rakeysh
Omprakash Mehra
Pictures<http://www.variety.com/profiles/Company/main/2195611/Rakeysh%20Omprakash%20Mehra%20Pictures.html?dataSet=1>production.
Produced by Rakeysh
Omprakash 
Mehra<http://www.variety.com/profiles/people/main/713338/Rakesh%20Mehra.html?dataSet=1>,
Ronnie 
Screwvala<http://www.variety.com/profiles/people/main/1219593/Ronnie%20Screwvala.html?dataSet=1>.
Executive producer, Smith Baliga. Co-producers, P.S. Bharathi, Zarina
Mehta<http://www.variety.com/profiles/people/main/1275685/Zarina%20Mehta.html?dataSet=1>,
Deven Khote, Siddharth Roy
Kapur<http://www.variety.com/profiles/people/main/2316221/Siddharth%20Roy%20Kapur.html?dataSet=1>
.
Directed by Rakeysh Omprakash Mehra. Screenplay, Mehar, Prasoon
Joshi<http://www.variety.com/profiles/people/main/1275742/Prasoon%20Joshi.html?dataSet=1>,
Kamlesh 
Pandey<http://www.variety.com/profiles/people/main/2192413/Kamlesh%20Pandey.html?dataSet=1>
.

*With:* Abhishek
Bachchan<http://www.variety.com/profiles/people/main/142687/Abhishek%20Bachchan.html?dataSet=1>,
Sonam 
Kapoor<http://www.variety.com/profiles/people/main/2181675/Sonam%20Kapoor.html?dataSet=1>,
Om 
Puri<http://www.variety.com/profiles/people/main/47127/Om%20Puri.html?dataSet=1>,
Waheeda Rahman, Rishi
Kapoor<http://www.variety.com/profiles/people/main/567047/Rishi%20Kapoor.html?dataSet=1>,
Atul 
Kulkarni<http://www.variety.com/profiles/people/main/50270/Atul%20Kulkarni.html?dataSet=1>,
Divya 
Dutta<http://www.variety.com/profiles/people/main/359821/Divya%20Dutta.html?dataSet=1>,
Cyrus Sahukar, Vijay
Raaz<http://www.variety.com/profiles/people/main/847398/Vijay%20Raaz.html?dataSet=1>
.
(Hindi, English dialogue)


*The narrative equivalent of urban sprawl undermines "Delhi-6," Rakeysh
Omprakash Mehra's admirably ambitious but ultimately frustrating musical
dramedy about a U.S.-born Indian's first-time visit to his ancestral city.
Even by the anything-goes standards of typical Bollywood fare, Mehra's bumpy
extravaganza feels unfocused and overextended as it haphazardly dumps clumps
of social commentary about religious tensions, generational clashes and
caste-system abuses into a familiar masala of dance and romance, songs and
sentimentality, broad comedy and soapy melodrama. An enjoyably eclectic
musical score by freshly minted Oscar winner A.R.
Rahman<http://www.variety.com/profiles/people/main/1249107/A.R.%20Rahman.html?dataSet=1>("Slumdog
Millionaire"<http://www.variety.com/profiles/Film/main/190486/Slumdog%20Millionaire.html?dataSet=1>)
isn't nearly enough to tie it all together. *

Abhishek Bachchan -- often looking like a younger, hunkier Alfred
Molina<http://www.variety.com/profiles/people/main/32182/Alfred%20Molina.html?dataSet=1>--
is agreeably earnest as Roshan, the American son of Indian expats who
brings his ailing grandmother (Waheeda Rahman) back to her former home in
the Chandni Chowk section of Old Delhi.

At first, Roshan maintains the bemused reserve of a curious tourist while
noting the idiosyncratic customs and culture of his parents' homeland. (His
habit of snapping photos with his cell phone evolves into a running gag.) He
gets into trouble only when he directly involves himself in everyday dramas,
such as when he objects to the behavior of a corrupt cop
(Vijay<http://www.variety.com/profiles/Company/main/2118107/Vijay.html?dataSet=1>Raaz)
-- and is briefly jailed for his impudence -- or when he defies
tradition by extending kindness to an "untouchable" street sweeper (Divya
Dutta).

Roshan takes a very serious interest in Bittu (sexy, willowy Sonam Kapoor),
a local who yearns to enter a nationally televised talent competition --
"Slumdog Idol," anyone? -- even as her disapproving father (the ubiquitous
Om Puri) plots to limit her options with an arranged marriage. But budding
romance is overshadowed by faith-based conflict as long-forgotten disputes
between Hindu and Muslim neighbors are reignited by reported sightings of a
marauding "mad monkey" thought to be of supernatural origin.

Mehra demonstrates an impressive sense of showmanship during the pic's
musical highlights -- a lavish fantasy sequence that transports Delhi
residents to Times Square is nothing short of spectacular -- and draws
winning performances from many members of his cast. Production values are
suitably sharp.

But Mehra allows too many distractions to cloud his warts-and-all portrait
of a populace united by an exuberant love of life, yet divided by petty
disputes and hidebound attitudes. Worse, his tonal gear-shifting in the
final third of "Delhi-6" comes too late and too clumsily.

As a result, Mehra simply doesn't earn the emotional response he obviously
wants to his elicit with the gut-punch consciousness-raising of his
overwrought climax.

http://www.variety.com/review/VE1117939783.html?categoryid=31&cs=1
-- 
regards,
Vithur

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