dear vithur,
 
thanks for your reply., i need english article in tamil or hindi. and please 
record the live progam felicitation of arr in suntv program.
 
it will be helpfull for us those who have working in abroad
regards
 
basha


--- On Sat, 2/28/09, Vithur <[email protected]> wrote:

From: Vithur <[email protected]>
Subject: Re: [arr] request for hindi r tamil translation
To: [email protected]
Date: Saturday, February 28, 2009, 9:46 PM







Do you want this English Article to be translated into Tamil ? 
 


 
On Sat, Feb 28, 2009 at 9:37 PM, hassan basha <ush_ba...@yahoo. com> wrote:










can any one translate in tamil or hindi please my kind request.....

--- On Sat, 2/28/09, Srini Santhanam <saint.sirin@ gmail.com> wrote:

From: Srini Santhanam <saint.sirin@ gmail.com>
Subject: Re: [arr] At Which Time Dilip Became Rahman
To: arrahmanfans@ yahoogroups. com
Date: Saturday, February 28, 2009, 8:36 PM




There is so much to learn from Rahman - the human being isnt it? to be half as 
good as him is great enough. 




On Feb 28, 2009, at 8:26 PM, Gopal Srinivasan wrote:







At Which Time Dilip Became Rahman 

The Music and the Maker, the maestro's faith in Islam has found the twain makes 
for perfect
consonance 

SHEELA REDDY ON A.R. RAHMAN
Meeting someone for an hour-long interview is no entry ticket to a man’s soul, 
but with A.R.
Rahman it seemed like that. The first time I met him was in November ’98 when 
he’d come to
Delhi to accept a Channel V viewers’ award for most popular track of the year. 
Some three
million viewers had voted for him, which wasn’t surprising, considering how his 
music was
already conquering the film world, both in Tamil and Hindi. But what was 
unusual was the song
this post-Chitrahaar, Def Leppard-adoring generation chose as their favourite 
song of the year,
Vande Mataram. By then, a countrywide row had broken out over the compulsory 
singing of this
‘national song’ in schools, but Rahman’s popular, flag-waving rendering of it 
(Maa Tujhe
Salaam) was met everywhere, especially among the young, with foot-tapping 
enthusiasm. I had to
find out for myself how this young man with Jesus Christ locks, blue jeans and 
Muslim name had
so cleverly subverted the mullahs and the Hindu fundoos by getting a whole 
generation hooked to
it.
That’s the best part of being a journalist, even a freelance one—you can go 
with a question to
anyone, anywhere, and get your answer straight from the horse’s mouth. If you 
know how to reach
it, of course. Rahman was easy—I just had to call the Channel V pro. Within 
hours, I was
sitting in a hotel suite with this quiet young man with large, still eyes and 
hands, dressed
all in black—black jacket, black trousers, black shoes—chatting not only about 
the genesis of
his award-winning song (the brainchild of ad film buddy Bharatbala—they both 
wanted to create a
song that would make patriotism hip). But as often happens in such moments of 
enforced
intimacy, we ended up talking of much more. Such as how he converted to Islam 
10 years earlier,
when he was 21.

It started, he said, when his father was dying. Rahman was only 11 years old 
then, the middle
child between two sisters. Having tried everything else and failed, the family 
turned to a
local pir. "My father was very ill then, bed-ridden, and the pir sahib couldn’t 
do anything for
him at that last stage." But even after his father died, Rahman’s family still 
turned to the
pir for emotional support. And then one day, nearly 10 years later, the pir 
sahib came to
Rahman’s home. "He blessed a room which is very special to me because my father 
died in it, and
which I had turned into my studio. The pir sahib said we were destined to go 
through some
unique experiences, including much suffering, and some very hard times." His 
prophecy had a
curious effect on Rahman: "The moment he said that and blessed the room, I felt 
such peace. As
if everything had become green, and my whole life had started afresh."

Within six months, the pir was dead, but the mystical power he had unleashed on 
the family
lived on. That’s when Rahman says the family decided to embrace Islam. "I felt 
that, OK, this
feeling that I have is God. It’s not about Hindu or Muslim or anything, but 
there is that one
feeling, and that is God." It was not anything dramatic, he explained, "like it 
is in films".

"It would be hypocritical, " he felt, with the dawning of this feeling, if he 
didn’t change his
name. And so, Dilip Kumar became Allah Rakha Rahman at the age of 21. For 
Rahman and his
family, the conversion was more a change in their attitude to God than anything 
else. "In
fact," he pointed out, "if you take ancient Hindu scriptures, the Rig Veda, it 
says God is
one." It’s the mystical aspects of the namaaz that he valued the most, Rahman 
said. "Prayer is
more like a meditation for me. And it helps me clean my inner self. I go 
through death five
times a day when I pray and I am born again. When I start, I feel I am dead and 
my soul has
departed and when I finish my prayers I am back.I am born again."

Is it like that each time, I wanted to know. He laughed at my atheist’s 
curiosity. "I try to
make it like that each time, but sometimes there is so much turmoil in the 
head, so much
happening... ." And what if he’s recording when it’s time for his prayers? "I 
have a small
prayer room next to the studio, and my sister takes over the recording till my 
prayers are
done." And if he’s travelling? "I carry my prayer mat wherever I go."

In all faith: with wife Saira

Did it make any difference, getting work as A.R. Rahman instead of Dilip Kumar? 
"In my field,"
he said, "it doesn’t matter whether you are Hindu or Muslim. If you are good, 
you stay; if you
are bad, you get thrown out." On the other hand, he said, his new religion 
helped him get the
right attitude to work: to keep his sense of balance and distance. "It’s your 
attitude in life
that brings you success," he said. "So I’ve taken (from Islam) whatever helps 
me to get into
that attitude." His music and Islam became inextricably linked together.

Interview over, Rahman started his own grilling. I was working then for a 
street children’s
organisation and he wanted to know more. It’s written in the Quran, he said, 
that a person must
donate one-third of his earnings to charity, and he was always on the lookout 
for deserving
organisations he could send a donation to. Soon he left to catch a plane, and I 
forgot about
the promise. Until several months later, when there was a call from his office 
in Chennai:
could I please tell them who Mr Rahman should send a cheque to? The cheque 
arrived, I forget
for how much—Rs 1 lakh, I think, or more. But what touched me most was that he 
should remember,
and had taken the trouble.

We met again four years later. By then Rahman had film producers queueing up 
night and day at
his state-of-the- art studio in Chennai, and was also a world celebrity, having 
worked with
Andrew Lloyd Webber, Michael Jackson and J Lo. When we arrived at his hotel 
room, a pretty
young woman was slipping out. "A girlfriend," guessed the photographer, 
experienced in the ways
of celebrity lifestyles. "Probably a journalist," I said, not wanting the 
pir-like man I
remembered to have gone the way of other film celebrities.

It was November ’02, possibly the worst time in independent India’s history to 
be a Muslim. The
talk inevitably strayed to what it must be like to be a Muslim in these 
post-Gujarat riots
time. But he had no regrets: "You can’t change your identity just because of 
politics," he told
me wisely. "I am also a Tamilian—I can’t say, no, I won’t be a Tamilian because 
I may be
mistaken for the LTTE."

He was still devoutly religious, insisting that it was what inspired his life 
and music.
"Within religion’s boundaries, I am very free. It helps me to take success and 
failure in a
balanced way, rather than jumping up and down or brooding."

The mystery woman returned, possibly because we were lingering for longer than 
either she or
Rahman had anticipated. But he didn’t introduce her to us, and all of us 
complied silently with
the rules of mental purdah that he set: pretending as if there was a wall 
between her and us.

But today, watching her walk the red carpet arm in arm with Rahman, I know who 
she is: his
wife, Saira. And thank (his) God that he hasn’t changed.

http://www.outlooki ndia.com/ fullprint. asp?choice= 1&fodname= 20090309& 
fname=Cover+ Story&sid= 5








-- 
regards,
Vithur



















      

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