ARR played this during his interview in CNN telecast this week....he said
that this instrument is very close to human singing.

On Thu, May 28, 2009 at 4:09 PM, Prakash Balaramkrishna <
[email protected]> wrote:

>
>
> http://musicmavericks.blogspot.com/2009/03/continuum-fingerboard.html
>
> The soundtrack of 'Delhi 6' had a track 'Rehnu Tu', in which composer
> A.R.Rahman used a new instrument called 'Continuum Fingerboard' in the
> postlude of the song. The sound of the tune played in the piece appeared
> very 'wind'-y indeed, but what surprised me were the meends felt in that.
> intriguing. A small google search revealed that the instrument was invented
> recently and its picture was peculiar, because the instrument did not have
> keys. Here is a snapshot about the instrument: Continuum 
> Fingerboard<http://en.wikipedia.org/wiki/Continuum_%28instrument%29>.
>
>
> While a cursory reading about the instrument paints a vague picture about
> it, a demonstration actually showcases what it actually 
> is<http://www.cerlsoundgroup.org/Continuum/html/examples/ex235.html>.
> This instrument seems to be having everything in it, to become the next most
> sought instrument in classical & fusion music circles of India. The wide
> range of possibilities that this instrument can open up is surely a shot in
> the arm of people who jam with traditional keyboards and synthesizers. More,
> it crosses the limitations of keyboards such as gamakas and meends and also
> offers newer explorative/experimental options in vertical movements,
> filtered pitch variations.
>
> Kudos to the inventor. And pretty often, some people do argue about the
> global outlook of A.R.Rahman. While the subject is a matter of discussion in
> another post, his selection of this obscure instrument (obscure for now
> atleast, within the realm if Indian Film Music) for playing a medley of
> Carnatic raagas in the tail-end piece of a Hindi film-song ballad which has
> traces of 80s Enlgish pop - well, thats global outlook indeed.
>
> For now, I am just imagining the range of possibilities this instrument
> offers, particularly in the hands of maverick keyboard artists. Louis Banks,
> Loy Mendonsa, Adnan Sami, Viji Manuel, Brian Silas etc. Are you listening?
>
>
>  
>

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