Actually , BGM is the lifeline of the movie.
Some of the greatest movies - both in India & around the world have had the
best scores to go with them.
The greatness of a Movie Director & Music composer lie in bringing out the
best of each other  to give a sum that is greater than the individual.
for eg,  a Giant Lizard is terrorizing a city..
you can give great dramatic music to this scene , but there is only a limit
to it..
Please watch some movies for which Ennio Morricone has given the score.
There are scenes which have tremendous impact - strangely though, there
won't be a dialog or actiion going on..
just the characters pondering or someone reflecting at himself..!!
ARR is a master at both.. he should continue to give BGMs.
I've listened to just ARR BGM;s for several hours..
personally though, I wish he gives more 'theme' based music , rather than
using the songs as BGM pieces.
stand out example  : The theme of the boy (Rythm).

On Tue, Aug 4, 2009 at 2:30 AM, V S Rawat <[email protected]> wrote:

>
>
> I want to understand the connection between songs in a film as against
> BGM of a film. Does it, and how does it help in improving the quality of
> the music and/ or the BGM if the same person composes songs as well as
> BGM, or if they are composed by different persons?
>
> Normally, I think, songs-directors are quite busy and a song has to
> sound unique, different from his and others' other songs, songs should
> have instruments and style in tune with the time and place of the movie,
> the lyrics should reflect the psychological profile and social
> background/ religion/ caste/ maturity/ education of the character
> singing them on the screen, so songs in a film, I think, should be
> requiring more efforts, and as they also get sold to public, this
> commercial angle also requires more efforts to be put in the songs to
> make people shell out money.
>
> However, BGMs could be general. Human brains are not so much attuned to
> find similarities between BGMs of two different films, the reason could
> be that BGMs are sadly not sold nor made available to public so almost
> all of us happen to get to hear them only once or twice when we see the
> film and then we tend to forget them. Another drawback could be lack of
> lyrics in BGM. Lyrics in a song act as place marker, an aid to remember
> and repeat music, so when we memorize the lyrics, the song of those
> lyrics gets etched in our brain, but as there are no lyrics in BGM, it
> is mostly hard to memorize the BGM.
>
> Thus, BGM could be general. A BGM director can even prepare a BGM bank
> that he can keep on giving them to different films and people would mind.
>
> So, I think songs and BGMs are quite different area, having quite
> different requirement. Then, how would it help when a songs-master
> creates BGM or when a BGM-master creates song.
>
> In fact, I think a songs-master is more busy so he might not pay more
> attention in creating the BGM for the film so it might reduce the
> quality of the BGM if a songs-master creates them. Or, a songs-master
> might tend to create BGMs as "lyrics-less songs", that is, in
> independent, individual patches like he was creating a song for a
> situation but just didn't add lyrics to them.
>
> I want to know whether you think ARR should concentrate on creating
> songs and should leave BGMs to be developed by others, :-) even though
> we love BGMs or any piece of created by our man?
>
> --
> Rawat
>
>  
>



-- 
Cheers,
Pradeepan.

"All you need to do is, decide what to do with the time that is given to you
!"

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