*Producer*: Dhilin Mehta
*Director*: Anthony D’Souza
*Starring*: Sanjay Dutt, Akshay Kumar, Lara Dutta, Zayed Khan, Rahul Dev and
Katrina Kaif, Kabir Bedi
*Music*: A.R. Rahman
*Lyrics*: Abbas Tyrewala, Mayur Puri, Rajat Arora, Sukhwinder Singh, Raqueeb
Alam
*Singers*: Kylie Minogue, Sonu Nigam, Suzanne, Shreya Ghoshal, Sukhwinder
Singh, Benny Dayal, Hentry Kuruvilla, Shi Millhouse, Raven Millhouse, Vijay
Prakash, Rashid Ali, Blaaze, Raqueeb Alam, Sonu Kakkar, Jaspreet Singh, Neha
Kakkar, Dilshad, Udit Narayan, Madhushree, Ujjayinee Roy
*Audio On*: T-Series    *Number of Songs*: 7
*Album Released on*: 10 September 2009
Reviewed by: *Amanda Sodhi
*<http://www.indolink.com/feedback.php?sid=PBS&subject=Review%20of%20Blue>
 - Rating: *8.0* / 10 More Reviews and Analysis by PB Critics:
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------------------------------
*“This is my first film after the Oscars. So expectations are scary. It’s
important to work with a great team to create great music and we’ve done
that with Blue. What’s special about Blue is that it’s an underwater
adventure. So it was very exciting to do this score because as a composer
it’s important that you don’t get typecast. It’s also important to give the
kind of music the film requires and have fun with it!”*

~A.R. Rahman

Oh yes indeed, there certainly does happen to be a very justified reason for
all the euphoria Hindi music fans are experiencing—two words: Rahman. Blue.

Okay, okay! Arrey yaar, don’t have a panic attack! I won’t leave you hanging
mid-air with just those two words. I’ll take you through my listening
experience for all 7 tracks! As Rahman himself suggests, “Drown into the
music of Blue.” As you wish…

FYI, Resul Pookutty is the sound designer for Blue. Thought I’d throw that
information out there!


It’s no secret. We’ve all heard news buzz about actress and pop singer Kylie
Minogue singing for Rahman in Blue. Yup, the name of the track is *Chiggy
Wiggy*and the very talented Sonu Nigam also joins her for the musical
joyride. The female to-too-too-too-too-too's are rather contagious and
upbeat, and Kylie’s vocals are really refreshing to listen to. The beats are
catchy, heck, this entire song is catchy, and the big surprise is when Sonu
comes in 2.14 into the song shouting “Gore!!!” and the song fuses Punjabi
beats and lyrics with Kylie’s western rendition. Grab someone and sing, “I
wanna chiggy wiggy with you!” It’s nice how Abbas Tyrewala paid attention to
using alliteration—so many “k” and “kh” sounds: Khaatoon, Khidmat, Kaatil,
Khilaadi, Kaatilanaa. One of my favorite stanzas is, “But I don’t’ need a
shining star, And I don’t want to be rescued, No neither frog, nor charming
princes, Nor my summers barbecued…I wanna chiggy-wiggy with you boy!” Sonu’s
“oye’s” and the stretched out “rabba” at the end will make you smile.
Welcome back, Sonu! Hope to hear more of you regularly.

Shreya Ghoshal. This girl has been surprising us all with her amazing
versatility as a singer (just take a look at the two extremes—Bhor
Bhaye/Delhi-6; Latoo/Ghajini). It’s nice to hear her modulate her voice for
a more chilled-back effect in *Aaj Dil Gustakh Hai*. Mayur Puri’s lyrics are
rather average though (“aaj din gustaakh hai, paaniyo pe aag hai, dhadkan
bhi betaab hai”), and the song does take repeat listens to get into.
Sukhwinder Singh doesn’t really shine much in this song…honestly, Rahman
could have easily taken Hariharan or Suresh Wadekar and it would still have
had the same effect. Okay, okay, not trying to be mean or anything! There
are plenty of people credited with backing vocals: Benny Dayal, Hentry
Kuruvilla and Shi Millhouse, Raven Millhouse. Sanjeev Thomas does a nice job
with playing the guitar. The piano also stands out in the song.

Stresed out lately? Chhodd naa yaar. Fiqr not, *Fiqrana* is here! The song
starts off initially reminding me of Kaise Mujhe from Ghajini. Vijay Prakash
(Manmohini, Jai Ho, Paal Paal Hai Bhari) takes the mic for this song. The
stanza going “Jeet-te hai adh adh adh ke hum” brings back mild memories of a
crossover of Hum Honge Kaamiyaab and Illayaraja’s Chal Chalein Title Track.
Lyrics are by Ajit Arora, who also wrote lyrics for Singh Is Kinng and
dialogues for Om Shanti Om, and honestly, it’s cool to hear a phrase like
“khaamaa khaa,” but that's just about the only phrase that stands out in the
lyrics. There are lots of electronic sounds used, and Shreya doesn’t have
much to offer in this track, unfortunately.

Awesome! Rashid Ali (Kabhi Kabhi Aditi, Kahin Toh Hogi Woh, Ishq Ada Hai,
Naadhir Thinna) is back in *Bhoola Tujhe*. Kavita Baliga, a teacher at
Rahman’s music school, is also credited with “Yeri Voice.” It’s nice to hear
Rashid’s soulful voice, and even the questioning tone of Abbas Tyrewala’s
lyrics are beautiful...The song starts off with mesmerizing strings (Chennai
Strings Orchestra) and then the guitar (Sanjeev Thomas) comes in followed by
the trumpet (Kishore Sodha). Tension continues to build up with drums
joining in at 1.54 into the song. But, honestly speaking, the lyrics and
Rashid’s style of singing doesn’t really mesh well with the music…or,
perhaps that is the point…to indicate a sense of internal tension going on…

Oh. My. God! *Blue Theme* is one BIG party!! People went crazy with Jai
Ho—make ‘em listen to this. So much is going on in this song…not just in
terms of instruments but even singers. We have two lyricists (Sukhwinder
Singh for the Punjabi portion and Raqueeb Alam for the Hindi portion) and we
also have SIX singers: Blaaze, Raqueeb Alam, Sonu Kakkar, Jaspreet Singh,
Neha Kakkar and Dilshad. Just try not to dance when this song is blasting
through your speakers—you just can’t resist! I have to draw special
attention to lyricist Raqueeb Alam (Jiya Se Jiya/Connections; Ringa
Ringa/Slumdog Millionaire; Ishq Ada & Meherbaan/Ada)—he manages to write
lyrics to a fun-filled song but he doesn’t sacrifice poetry and
imagery--“bekhauff nigaahein,” “rangeen sharaare,” “bearish ke taarein,”
“bedaagh vafaayein,” “saagar ke dil mei jitney khazaane, dil ke saagar mei,
utne afsaane.” Wow!


You know, even if I didn’t know *Rehnuma* is for Blue, the first image that
would have come to mind after listening to this song IS water! That’s one of
the amazing qualities of Rahman’s music—they really do conjure up images and
memories. Listen to Himalayas from Connections and bingo, that’s exactly
what you’ll imagine. Listen to Rehnuma, and, yes, that’s right, you imagine
the under-water world. Sonu Nigam and Shreya Ghoshal come together for this
song, and Abbas Tyrewala pens down lyrics once again--the only two lines
that really grabbed my attention are "leher si yeh baahein" and "zulfo ki
qaid mubaarak tujhe ho"...and, that's about it. The way Sonu and Shreya
stretch each word and seem in no hurry has a relaxing effect. And, if it
wasn’t already obvious by now, Sonu does a damn good job with loud vocals!

After the Blue Theme, *Yaar Mila Tha* has got to be my favorite track from
Blue. It’s one of the strongest compositions—no wonder Rahman chooses two
very gifted singers—Madhushree and Udit Narayan—for this song. Ujjayinee
Roy, Shi Millhouse, and Raven Millhouse are credited with backing vocals.
Abbas Tyrewala really excels in providing fun “roothaa-roothi”
“chhedd-chaad” lyrics. Just take a look at these lines:

*Raah takti thi toh khafaa ho gayi thi tu yaa bewafaa?*
*

Ke panghat pe ghoonghat ke binaa,

Jaa baithi kaise tu woh bhi mere binaa?!

Ussi panghat pe jaahaan jhat se pehli baar thaami thi maine teri kalaayi,
harjaayi!

Jaahan dhoop se hum bache the, jaahaan nache the apne kadam,

Aur besharam, woh kalayi,

Tu thamaa ke aayi,

Haathon mein naa jaane kis khotte ke, kis potte ke, mere hote se par sote
se!

Par tu ne hi toh usse bhejaa naa?
*

*Ke meraa pyaar piyaa ko de jaanaa.*

When I heard Udit Narayan sing the word "khote" I couldn't help but giggle.
The song is just so sweet and playful naa yaar! The electronic shehnaai
sound is really fun to listen to and so are the “taa teenaa teen teen
teenaa” chorus vocals. The percussion arrangements are perfect. Both
Madhushree and Udit Narayan really get into the song, which is nice since
these days most singers sing without any feel.

Rahman himself says he wanted to have “fun” with Blue and doesn’t want to
get “typecast.” Yes, Blue does have some fun compositions such as the Blue
Theme, Chiggy Wiggy and Yaar Milaa Thaa. And, composition-wise, the rest of
the songs are also enjoyable to listen to…however, lyrics, for the most
part, are a HUGE disappointment, and there isn’t consistency in terms of
quality throughout the OST. While some songs grab your attention
immediately, songs like Aaj Dil Gustaakh Hai will take a very long time to
grow on you, and even then, it feels as if you’re forcing yourself to feel
excited about some of the songs. All that said and done, it can’t be denied
that it is really wonderful to have another Rahman OST to listen to, and
there certainly is something for every listener in Blue, so you really DO
have to give this OST a listen.

Gosh, I can’t believe you’re still sitting at your computer. Music is meant
to be listened to, it is meant to be experienced. And, no review can
compensate for that (Gasp! That wasn’t very politically correct, was it?).
So, do yourself a huge favor by going through the “Rahman experience” on
your own…that’s right y’all—grab the Blue CD and drive ‘em music blues far,
far away!!

[Slight Side Note: Party time for Rahmaniacs--The music of Shekhar Kapurs’s
Passage is also out and the music composer is none other than The Rahman. So
do be sure to give that a listen as well!]


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