Chord, you are soo right about the unconventional melodic structure of this 
song. Which infact draws you to listen to it several times to understand it. 
Its almost like looking at an abstract painting or reading an obscure novel, 
where only with constant revisitation it registers in your mind and you are 
able to understand the true message and value behind it, and each revisitation 
you discover something new, which makes you want to come back to it again. 

Oh the raw emotion behind this song is just remarkable!!




________________________________
From: ichord <[email protected]>
To: [email protected]
Sent: Wed, January 13, 2010 11:21:58 AM
Subject: [arr] A focus on the song "Manipaya"

  
I am very pleased to see this song being highly rated here in this group, 
coming in at number 2 in terms of favorite songs in my poll of fav VTV songs. 

The high ratings are a bit surprising in a way because the song's melodic 
structure is very unconventional and drawn out, hard to follow compared to most 
film song melodies, and appears to meander without direction, even though it 
doesn't (a criticism noted in many reviews). There are also not too many catchy 
hooks in the melody, even though the melody itself is quite beautiful... very 
much akin to a Western theatrical play song you might hear on stage. 

On the other side, the high ratings here in this group are not surprising since 
I feel most of us are more open minded about different melodic variations and 
song structures than the average person out there; we being passionate Rahman 
fans, are perhaps more receptive to such experimentations and give it a chance. 

Actually, this song requires a lot of patience and time...it requires you to 
slow down your listening pace and be more in the musical moment at any given 
time...demanding that you pay closer attention to the direction and tone of the 
melody and its accompanying, subtle harmonic structures. As I alluded to in my 
review, this song falls more in line with an "artistic" oriented composition 
and less in line with an "entertaining" oriented composition with higher values 
of aestheticism and abstractness.

But the above mentioned points may not be received by a lot of people, thus 
many brushing off the song as being too bland and directionless, lacking spark, 
energy, intensity. But, really, the true beauty is in the subtlety, under the 
surface, if you're willing, patient, and open enough to experience it. It is 
truly a "growing" song that requires multiple exposures to appreciate it. 

It definitely took time to grow on me and I'm still discovering more of its 
beauty with each listen, uncovering subtle instruments here and there, a chord 
progression that I first missed, etc. etc. 

I'm so glad and grateful that AR likes to experiment like this...giving us 
something new and fresh each time, at the risk of initial resistance and 
hesitation due to the time needed to accomodate to such novelty and 
originality. That quality to me is a the hallmark of a true genius, one who is 
daring enough to push the envelope and defy traditional forms, yet being very 
confident in its execution. It's what keeps AR so successful, relevant, and 
vibrant as he moves further in his career.

Check out the ending with Shreya's soft voice and AR's delicate piano 
touches..... .just class, PURE CLASS!!!

A truly special song full of feeling, innocence, sincerity that I will cherish 
forever....





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